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SBD
11/09
Cervante's Masterpiece Ballroom
Denver, CO
1:40:19
1
tape
11/07
The Eldo
Crested Butte, CO
2:39:55
1
tape
7/26
SBD
Askenaz
Berkeley, CA
1:34:57
1
tape
7/24
SBD
Molly Malone's
Los Angeles, CA
1:48:52
1
tape
7/08
SBD
High Sierra Music Hall
Quincy, CA
1:18:14
1
tape
7/07
Shady Grove Stage
Quincy, CA
1:23:27
1
tape
5/19
Bender's Tavern
Denver, CO
1:50:46
2
tapes
4/30
Lakewood Bar & Grill
Dallas, TX
2:45:45
1
tape
2/08
Eastside Club Tavern
Olympia, WA
2:01:29
2
tapes
1/04
Molly Malone's
Los Angeles, CA
1:55:59
1
tape
1/4/07
Come to Me
11:20
Put It Down
6:09
Never Gonna Burn
8:41
Miranda
6:36
Bury Our Sins
5:34
Eyeball Kid
7:51
Catch a Liar
5:34
I Feel Too Good to Die
10:29
I Feel You
5:39
Devil Moon
16:01
The Ghostmaker
10:14
The Ghost of St. Patrick
5:23
Jockey Full of Bourbon (intro)
5:10
Fill My Cup
11:18
FIN
View on archive.org
Sources
Taper: macdaddy
1:55:59
Taper:
macdaddy
Transferrer:
macdaddy
SHNID:
emt2007-01-04.flac16
Source:
akg c422 (blumlein) > oade acm hd-p2
Lineage:
CF > USB 2.0 (via card reader) > dsp** > FLAC
Taper Notes:
View Notes
+++ 16 bit / 44.1 kHz +++ field: akg c422 (blumlein) > oade acm hd-p2 @ 24/88.2* transfer: CF > USB 2.0 (via card reader) > dsp** > FLAC the band: eric mcFadden (guitar, voice) james whiton (double bass) jeff cohen (drums) more information: http://www.emtmusic.com/ notes: * the mic was mounted on an enhanced audio m600 shockmount, dfc, roughly six feet from the floor using an air-cushioned calumet light stand; this placed the microphone about three and a half feet above the floor of the stage... the mic was connected to the s42 controller box (which sets the capsule patterns) via the akg 12 pin cable (15m); the s42 was connected to the acmP2 via 2 zaolla .5m XLR interconnects; the p2 was powered by 8x AA energizer rechargeables (2500 mAh) and it provided phantom power to the mic. ** digital signal processing consisted of tracking, normalizing, 88.2 > 44.1 resampling (ultra high 2) and 24 > 16 dithering (pow-r3); all processing was performed using samplitude v8.1. verified with shntool; encoded via flac frontend. ++ recorded, transfered and uploaded to the LlaMA by macdaddy (january 17, 2007)