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2015
SBD
10/24
The Pageant Theatre
St. Louis, MO
2:12:53
1
tape
10/15
Historic Scoot Inn
Austin, TX
1:56:32
1
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10/08
Amphitheater at Sierra Nevada
Mills River, NC
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3
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9/18
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Columbia, MD
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5/02
The Englert Theatre
Iowa City, IA
2:33:14
1
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5/01
First Avenue
Minneapolis, MN
2:43:14
1
tape
4/28
The Moore Theater
Unknown Location
2:24:11
1
tape
4/24
The Golden State Theater
Monterey, CA
2:24:39
1
tape
4/23
The Regent Theater
Los Angeles, CA
2:15:52
1
tape
4/21
Orpheum Theater
Flagstaff, AZ
2:46:13
2
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4/19
Boulder Theater
Boulder, CO
2:46:49
1
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4/17
Blue Note
Columbia, MO
13
2:27:34
2
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3/15
WVU Creative Arts Center
Morgantown, WV
29:57
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3/14
Water Street Music Hall
Rochester, NY
1
2:22:20
2
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3/07
Hal n Mal's
Unknown Location
2:17:09
1
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3/05
Continental Club
Austin, TX
1:31:35
1
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2/14
The 40 Watt
Athens, Ga.
2:27:08
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The 40 Watt
Athens, Ga.
2:39:19
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2/12
40 Watt Club
Athens, GA
2:10:26
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1/30
Music Hall
Charleston, SC
2:14:41
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1/17
The Orange Peel
Asheville,NC
2:26:18
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The Orange Peel
Asheville,NC
2:18:56
2
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10/24/15
Intro
0:49
Tornadoes
5:00
Get Downtown
3:29
Lookout Mountain
4:53
Shit Shots Count
3:59
Sink Hole
4:57
Uncle Frank
5:08
Goode's Field Road
7:44
Made Up Of English Oceans
5:02
Darkened Flags On The Cusp Of Dawn
2:23
The Righteous Path
4:14
Ramon Casiano
5:07
The Company I Keep
8:24
Sounds Better In The Song
5:32
Heathens
5:03
Women Without Whiskey
4:32
18 Wheels Of Love
10:08
Marry Me
5:31
Hell No, I Ain't Happy
12:13
Gravity's Gone
3:41
Let There Be Rock
6:31
Zip City
5:42
Grand Canyon
12:51
FIN
View on archive.org
Sources
Taper: sec1968
2:12:53
Taper:
sec1968
Transferrer:
sec1968
SHNID:
dbt2015-10-24
Source:
Studio Projects C4 MKII Cardiod Caps > Tascam DR-07 Portable Recorder
Lineage:
Sound Forge 9.0 > CDWav > TLH > .flac files
Taper Notes:
View Notes
* I've been sitting on this recording for over a year and a half, because it wasn't complete! I made the biggest mistake you could make before going to a show: I didn't charge up all of my batteries. So the big battery that powers my mics was dead on the scene. I did have an option with me, which was (2) 9V batteries for the opener & DBT. Battery 1 was used for the opener, no problems. Battery 2 was used for DBT, no problems until encore rolls around. Now what I should've done was switch these batteries back around for the encore and my recording would be complete, but that would be too easy. I kept the same one in there, hoping it could hold out until the end of the show, which it didn't. Since my friend Steve Brothers was clamped to my stand, I knew I could ask him for the part I was missing. So after using R8Brain to drop his source down to 44/16 to match mine, his recording of Grand Canyon was the final piece to complete this show, and to finally upload for the community to hear. 4021 ORTF > EAA All into DR680 at front drink rail