RELISTENTODead and Company
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Dead and Company
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Today In History
June 8th
Years
2025
13.6k
PlaybackListensHours
48h684106
7d2.2k347
30d13.6k2.1k
21 shows
71 tapes
2024
6.1k
PlaybackListensHours
48h812131
7d873131
30d6.1k941
30 shows
76 tapes
2023
9.8k
PlaybackListensHours
48h54788
7d2k338
30d9.8k1.6k
32 shows
121 tapes
2022
992
PlaybackListensHours
48h10116
7d17730
30d992169
17 shows
33 tapes
2021
1.2k
PlaybackListensHours
48h254
7d25144
30d1.2k202
25 shows
68 tapes
2020
208
PlaybackListensHours
48h163
7d4011
30d20838
3 shows
6 tapes
2019
2k
PlaybackListensHours
48h21135
7d47872
30d2k313
28 shows
66 tapes
2018
2.1k
PlaybackListensHours
48h11218
7d820130
30d2.1k332
30 shows
91 tapes
2017
1.6k
PlaybackListensHours
48h12220
7d38456
30d1.6k241
32 shows
99 tapes
2016
1.1k
PlaybackListensHours
48h6411
7d12119
30d1.1k177
24 shows
99 tapes
2015
1.9k
PlaybackListensHours
48h5810
7d37063
30d1.9k315
22 shows
115 tapes
2016
6/21/16
tuning
1:51
Feel Like A Stranger
12:52
Here Comes Sunshine
11:21
Brown Eyed Women
8:33
Loser
11:48
Little Red Rooster
12:15
Cassidy >
11:01
Deal
11:55
Aiko Aiko
9:46
Estimated Prophet >
17:11
China Cat Sunflower >
7:15
I Know You Rider >
9:13
Drums >
7:22
Space >
11:03
Uncle John's Band >
15:13
Days Between >
12:55
Good Lovin'
9:44
encore break
1:05
Brokedown Palace
6:44
Johnny B. Goode
6:14
FIN
View on archive.org
Sources
Taper: Bill Goldberg
3:12:30
Rating:
9.80 / 11 ratings
Taper:
Bill Goldberg
Transferrer:
Bill Goldberg
SHNID:
dac2016-06-21
Source:
Audience
Lineage:
AKG568ebs>LunatecV3@25gain>MarantzPMD671>CF>WAVE>CDeditor>FLAC(8)>TLH 16bit/44.1khz
Taper Notes:
View NotesRecorded at the soundboard right of center in section 8 row HH seat 25 on a stand with mics 10 feet high. Great Show
Taper: Mark Van Blunk
3:12:31
Rating:
10.00 / 3 ratings
Taper:
Mark Van Blunk
Transferrer:
Mark Van Blunk
SHNID:
GD2016-06-21.AKG
Source:
4 mic mix- 2 AKG c414 mics (WideCard) & 2 AKG c451ck8 mics>Tascam DR-70D (as preamp)>Sony M10 @24bit/48kHz
Lineage:
Sony M10>Sound Forge Studio 9.0 for tracking, editing and conversion to 16bit/44.1kHz CDR>Free CD Ripper v2.0 FLAC level 8
Taper Notes:
View NotesSPAC was as beautiful as always in all it's Summer Time Glory! Great energy from the band and the crowd! It was nice to meet all my supportive and friendly neighbors in section 9. The Taper Section really didn't exist. People were taping from their seats, so that's what I did. There were some belligerent extremely intoxicated guys in front of me with laminates who were overly loud and seeking everyones attention. They were very distracting to all who were within a 50 foot radius, however, for the most, part my mics avoid hearing them. Any chatter you hear on this recording is those idiots. That said, the tapes came out fantastic and I hope you enjoy the recording! See you in Hartford, CT! MVB
Taper: Brian Goldstein
3:10:53
Rating:
10.00 / 2 ratings
Taper:
Brian Goldstein
Transferrer:
Brian Goldstein
SHNID:
DeadCo2016-06-21
Source:
AKG 480b CK63 ->Darktrain Silver Cables-> Grace Lunatec V3 -> GAK Interconnects ->Tascam DR-40d 24/48
Lineage:
SD Card 24/48 -> Soundforge 8.0b -> Re-sample and Dither 16/44.1
Taper: Kyle Holbrook
3:13:30
Rating:
10.00 / 1 rating
Taper:
Kyle Holbrook
Transferrer:
Kyle Holbrook
SHNID:
dnCo2016-06-21.DnCo2016-06-21.OmniHyper24
Source:
AKG ck22s 3ft split + 1 Beyer M201E >Tascam D680 (24/48) >SD
Lineage:
SD >Audacity (mix,fade) >CD WAV Editor >FLAC (TLH)
Taper Notes:
View NotesThis is the 24 bit version.
Taper: JT/NY
3:12:48
Rating:
10.00 / 1 rating
Taper:
JT/NY
Transferrer:
JT/NY
SHNID:
DeaCo2016-06-21.SPACSaratogaSpringsNY
Source:
Aud > Nakamichi CM700's W 701's & Nak 300's W CP4 Shotguns > GAKable's > Rolls MX410 Mixer > Tascam HDP2 @ 24/48
Lineage:
CF 24/48 > Sound Forge Pro 10.0 - Tracking & Editing > Traders Little Helper - Convert to Flac
Taper: Kyle Holbrook
3:13:30
Rating:
10.00 / 1 rating
Taper:
Kyle Holbrook
Transferrer:
Kyle Holbrook
SHNID:
DnCo2016-06-21.OmniHyper16.flac
Source:
AKG ck22s 3ft split + 1 Beyer M201E >Tascam D680 (24/48) >SD
Lineage:
SD >Audacity (mix,fade) >CD WAV Editor >FLAC (TLH)
Taper Notes:
View NotesThis is the 16 bit version good for portable music players or burning to CD-R. What a beautiful evening at SPAC along all the wonderful people in and around the Tapers Section, it was FUN!.
Taper: paulr
3:11:33
Rating:
10.00 / 1 rating
Taper:
paulr
SHNID:
deadco2016-06-21.spac
Source:
EarthworksSR77>Grace V3>TascamHDP2
Source 8 of 11
3:12:16
Rating:
10.00 / 1 rating
SHNID:
deadandco2016-06-21.dpa4011a
Taper: Tim Burke
3:15:21
Taper:
Tim Burke
SHNID:
deadco2016-06-21.m21.burke.flac24
Source:
24 bit: Microtech Gefell M21 > NBob active cables > NBox Platinum > Sony PCM-M10
Taper Notes:
View NotesDead & Company June 21, 2016 (Tuesday) Saratoga Performing Arts Center (SPAC) 108 Avenue of the Pines Saratoga Springs, NY Taper: Tim Burke Source: Microtech Gefell M21 > NBob active cables > Nbox Platinum > Sony PCM-M10 @ 24/48 wav Location: DFC, lawn, ~30' from the pavilion, ~175' from the stage lip, ~9' high on stand Mic Config: ~17 cm, ~90° (DINa Schoeps Kwon bar) Transfer: PCM-M10 > microSD card > Lenovo ThinkPad T520 > WaveLab * > 24/48 wav > CD Wave v1.93.3 > TLH v2.7.0 (build 172) > FLAC v1.3.2, level 8 > Live Show Tagger via Foobar2000 v1.3.4 * Steinberg WaveLab v6.10 (build 340): dB increase to both channels via the "change level" command All DSP performed by Tim Burke ([email protected]). Released into circulation on June 15, 2017. A Team Dirty South Recording. Notes: Shure A81WS windscreens were used on the microphones. Thanks to Brian Goldstein for the clamp space. Personnel: Bob Weir - electric guitar, vocals Bill Kreutzmann - drums Mickey Hart - drums, percussion Jeff Chimenti - keyboards, backing vocals John Mayer - electric guitar, vocals Oteil Burbridge - electric bass guitar, backing vocals
Taper: Tim Burke
3:15:22
Taper:
Tim Burke
SHNID:
deadco2016-06-21.m21.burke.flac16
Source:
16 bit: Microtech Gefell M21 > NBob active cables > Nbox Platinum > Sony PCM-M10
Taper Notes:
View NotesDead & Company June 21, 2016 (Tuesday) Saratoga Performing Arts Center (SPAC) 108 Avenue of the Pines Saratoga Springs, NY Taper: Tim Burke Source: Microtech Gefell M21 > NBob active cables > Nbox Platinum > Sony PCM-M10 @ 24/48 wav Location: DFC, lawn, ~30' from the pavilion, ~175' from the stage lip, ~9' high on stand Mic Config: ~17 cm, ~90° (DINa Schoeps Kwon bar) Transfer: PCM-M10 > microSD card > Lenovo ThinkPad T520 > WaveLab * > 16/44.1 wav > CD Wave v1.93.3 > TLH v2.7.0 (build 172), sector boundaries aligned using "fix" setting > FLAC v1.3.2, level 8 > Live Show Tagger via Foobar2000 v1.3.4 * Steinberg WaveLab v6.10 (build 340): dB increase to both channels via the "change level" command, resample with Crystal ReSampler at ultra quality, dither with MBIT+, iZotope Ozone 7, medium dither amount, medium noise shaping All DSP performed by Tim Burke ([email protected]). Released into circulation on June 15, 2017. A Team Dirty South Recording. Notes: Shure A81WS windscreens were used on the microphones. Thanks to Brian Goldstein for the clamp space. Personnel: Bob Weir - electric guitar, vocals Bill Kreutzmann - drums Mickey Hart - drums, percussion Jeff Chimenti - keyboards, backing vocals John Mayer - electric guitar, vocals Oteil Burbridge - electric bass guitar, backing vocals
Taper: Steven Weld
3:14:38
Taper:
Steven Weld
Transferrer:
Steven Weld
SHNID:
deadandcompany2016-06-21.skm140.sunboy.flac16
Source:
Neumann SKM140(AK40's/LC3's/KM100's)>GAKables xlr>Lunatec V2>GAKables xlr>Apogee Mini-Me@24/48>AES/EBU>Sound Devices 722 @24bit/48kHz ~
Lineage:
SD722 master file @24bit/48kHz>firewire>Sound Forge Pro 11.0>44.1/16-CD Wave v1.98(tracking)>FLAC16 via TLH v2.7.0(level 8), tag w/Tag Scanner6.0.14, ffp & md5-TLH
Taper Notes:
View NotesLocation: sec 8, row HH seat 8, taper ticket, 2 rows behind Mixer enclosure, just left of center Mic config: DINA Kwonbar, Schoeps A20S shock, Large Manfrotto air-cushioned stand @ 9 ft, DPA UA0896 screens Source: Neumann SKM140(AK40's/LC3's/KM100's)>GAKables xlr>Lunatec V2>GAKables xlr>Apogee Mini-Me@24/48>AES/EBU>Sound Devices 722 @24bit/48kHz ~ set2 patch source: 2 AKG568ebs>Lunatec V3>MarantzPMD671@16/44.1>S.F. 11.0>24/48 prior to edit. Thanks to my friend Bill Goldberg for his source down the row 15 seats to my right! (15:25 patched from end of Space towards end of UJB, 2:30 patched during Good Lovin'. See last notes) Transfer, editing, mastering & conversion: Sound Devices 722 master file @24bit/48kHz>firewire>Sound Forge Pro 11.0>44.1/16-CD Wave v1.98(tracking)>FLAC16 via TLH v2.7.0(level 8), tag w/Tag Scanner6.0.14, ffp & md5-TLH Notes: ~ S.F. 11.0(Patches for set2, fades, iZotope mastering limiter +3.0db(set1) 2.2db(set2), resample(iZotope 64-bit SRC-highest quality w/ anti-alias filter) & dither(iZotope MBit+ advanced ultra dither to 44.1/16) ~ ~ Apogee - soft limit on ~ ~ Editing performed in 24bit/48kHz realm ~ ~ Recording, transfer, editing, mastering & conversion by Steven Weld [email protected] ~ ~ Many Thanks to Dead & Co. & crew & the venue staff & crew for allowing us to record and share the music ~ ~ Taping is a contact sport!: Prior to the show we chatted up & VERY nicely explained to the couple in the row behind us, Megan? and her husband, that we were recording and how we appreciate enthusiasm but our mics don't really like loud screaming and clapping. Once the show started they screamed & clapped off-beat throughout set1. Every time I would turn and smile and hold up my prayer hands and look at my mics she would scream at them. Ok now I just ignore the rest of the set. I chat them up very cordially again during set break and we're still "friends". I "suspect" they were pretty inebriated by then. By a few tunes into set2 I'm getting downright blatant disrespect from them directed right at my mics. Here I will admit I made a mistake that compounded the situation but did not justify the response at least in my opinion. I basically snap & tell them that if you're going to clap at least clap on the F'ing beat! About 5 minutes later douchebag husband leans over to talk to me and then slyly tries to slip a choke hold on me! That didn't last long, no punches were thrown but very harsh words were exchanged. My 2nd mistake was not going to security to have him tossed but I did not trust staff would do the right thing after an earlier unrelated incident. Show goes on, things eventually cool down and we even had a pretty calm adult conversation later. Or so I thought! The reason for the 2nd set patches is that I'm almost positive that bastard later pulled my battery cord on my Tekkeon that fueled the V2 & MME not once but twice. The first time I wasn't so sure. Right after it happened the 2nd time they had disappeared. Hmmm. I have been taping for almost 30 years and this experience was like no other! Not saying I'm perfect & wasn't part of the problem but please beware of us old school tapers who may have lost the tolerance for being disrespected!