RELISTENTO
Re
Bands
Featured
Bands
David Nelson Band
RecentTopVenues
Today In History
June 6th
0 shows
0 tapes
Years
2025
14
PlaybackListensHours
48h00m
7d00m
30d1444m
6 shows
8 tapes
2024
10 shows
10 tapes
2023
4 shows
4 tapes
2022
6 shows
6 tapes
2021
4 shows
6 tapes
2020
9 shows
13 tapes
2019
10 shows
11 tapes
2018
8 shows
11 tapes
2017
7 shows
7 tapes
2016
39 shows
52 tapes
2015
28 shows
36 tapes
2014
18 shows
23 tapes
2013
17 shows
19 tapes
2012
25 shows
36 tapes
2011
16 shows
18 tapes
2010
20 shows
24 tapes
2009
26 shows
32 tapes
2008
8 shows
8 tapes
2007
8 shows
12 tapes
2006
2 shows
3 tapes
2005
15
PlaybackListensHours
48h00m
7d228m
30d153
11 shows
12 tapes
2004
10 shows
11 tapes
2003
17 shows
18 tapes
2002
30 shows
34 tapes
2001
37 shows
37 tapes
2000
40 shows
41 tapes
1999
3
PlaybackListensHours
48h00m
7d00m
30d313m
36 shows
39 tapes
1998
26 shows
28 tapes
1997
8 shows
10 tapes
1996
1
PlaybackListensHours
48h00m
7d00m
30d16m
8 shows
8 tapes
1995
1 show
1 tape
1994
2 shows
2 tapes
1993
2
PlaybackListensHours
48h00m
7d00m
30d211m
1 show
1 tape
1992
2
PlaybackListensHours
48h00m
7d26m
30d26m
1 show
1 tape
1988
2
PlaybackListensHours
48h00m
7d158m
30d22
1 show
1 tape
1986
1 show
2 tapes
1975
2 shows
2 tapes
2009
2/15/09
Fable Of A Chosen One >
11:15
Edge Of The Wire
6:59
I Feel So Good
5:45
Film at 11
6:49
Sitting Here In Limbo
9:25
Born A Dreamer >
12:18
Just A Season >
13:28
Fable Of Chosen One
7:27
Iko - Iko >
13:40
Cut & Run >
18:44
The Wheel >
10:06
Ghost Train >
12:45
Any Naked Eye >
16:25
Kick In The Head
18:47
E: Ripple
6:25
FIN
View on archive.org
Sources
Taper: Set 1: Dan Ward Set 2: Peter Toluzzi
2:50:18
Rating:
10.00 / 3 ratings
Taper:
Set 1: Dan Ward Set 2: Peter Toluzzi
Transferrer:
Peter Toluzzi
SHNID:
dnb2009-02-15.aud2Neumanns.flac16
Source:
Set 1: Neumann KM184's > Edirol R4; Set 2: Neumann KM140's > U5-A > Sony M1
Lineage:
Set 1: Data DVD > hard drive (EAC) Set 2: M1 > digicable > hard drive. Then both sets Soundforge > CD Wave > dBPoweramp
Taper Notes:
View NotesDavid Nelson, Barry Sless, Mookie Siegel, Pete Sears, Joe Chirco Sound by Tim Steigler Set 1: Neumann KM184's > Edirol R4 > hard drive > data dvd > hard drive via EAC > Soundforge > CD Wave > dBPoweramp; taped by Dan Ward Set 2: Neumann KM140's > U5-A > Sony M1 > Hard drive > Soundforge > CD Wave > dBPoweramp; taped by Peter Toluzzi Mastered, torrented and uploaded by Peter Toluzzi The second set is too long to burn to one disc, and the music never stopped... You can chose any of several layouts, but I like putting just the first two tracks on Disc 2 (more than 30 minutes) and then letting the rest of the show flow seamlessly through Disc 3. I have named the files accordingly. Geeky notes: I had my mics clamped to Dan's mic stand, thanks so much! The Forestville Club is wide and rather shallow, and the soundboard is near the left wall, so the mic stand was well left of center. For the first set I had my mics head to head and about 110 degrees wide. For the second set, I decided to point at the stacks, just like Dan - so for that set our recording configuration was identical, with the mics about two inches above and below each other. I didn't like my first set results (boomy with a narrow image), so I used Dan's first set. I liked my second set and have used it here because the comparison is fascinating. No eq or other sonic effects have been used, just some level adjustment, so you can clearly hear the differences between the KM140s and KM184s. I find the DNB challenging to record, mostly because Pete Sears is a busy bass player who uses lots of low notes, and those fill up a recording pretty quickly. The 184s seem to make a better recording of the bass, especially the lower frequencies. The 140s recorded the bass well too, but not so fully at the bottom; as a result, there seemed more air and space for the other instruments. That's why I often like to boost the bass when I remaster my 140 recordings; bass is like salt: it's easier to add some later than to try to take too much out... If you put these wave files on your computer and inspect them in an audio program like Soundforge, you'll see the different dynamics: it's as if the smoke of the low bass clears to reveal the greater dynamics behind it (on the 140 recording)... Anyway, we both made great recordings, see which you like better! I continue to love Neumann mics; they always seem to do well, even under really challenging conditions. Your microphonage may vary!