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June 7th
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2024
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2016
5 shows
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2011
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2010
7 shows
8 tapes
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2002
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1992
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1991
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1990
3 shows
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1992
2/5/92
Barefootin'
3:13
Mary Had A Little Lamb
4:23
Sittin' On The Dock Of The Bay
2:58
Midnight Hour >
7:19
Lovelight
8:36
Snake Pit
5:31
Loco
8:13
Burning Bush
6:08
Slingshot
10:05
Big Chief
6:46
Don't Let Go
3:20
Too Much Fun
4:06
Down On The Farm
4:17
Man In The Moon
5:29
Turn On a Dime
4:38
Thief
18:33
Thirsty
7:02
Walkin' Time
5:49
Shakedown Street
10:58
This Old World Is Too Funky For Me
4:27
Rocket In My Pocket
4:46
Driftin' >
5:39
Have You Ever Loved a Woman
7:22
I Know You Rider
6:12
Soul Roll
4:33
The Shape I'm In *
4:47
Don't Do It *
5:29
Bad Guys *
6:41
Jumping Jack Flash *
5:32
Street Lamp
8:00
One More Saturday Night
5:07
FIN
View on archive.org
Sources
Taper: Jeff Henault
3:15:59
SBD
Rating:
10.00 / 3 ratings
Taper:
Jeff Henault
Transferrer:
Jeff Henault
SHNID:
savoytruffle1992-02-05.flac16
Source:
SBD>Cassette Master(NAD 6340)
Lineage:
Cassette Master(NAD 6340)>CDWAV> FLAC(Traders Little Helper)
Taper Notes:
View Notes* with Jim Sandy (Denali Cooks) on keyboards
Taper: Jeff Henault
3:16:07
SBD
Taper:
Jeff Henault
Transferrer:
Stuart Gilchrist
SHNID:
dgt1992-02-05
Source:
SBD(ALLEN & HEATH SR424:mk2-fully discrete preamps on all input channels; THD=.05%<)>Cassette Master(NAD 6340)
Lineage:
Cassette Master(NAD 6340) (converted in 2004)> CDWAV> ProTools(mastered at 44.1K/16)>CDWAV
Taper Notes:
View NotesThis run of shows ( 2/3,4,5) is highly memorable for all involved. It's in that vein, the community that is the Tri Phi Nation, that I post this version of an already posted show. As a professional recording engineer, in essence you could rightfully call me a Tape Op, I have no need to follow anything other than the pursuit of creating the highest audio quaility files possible, for the fans of Savoy Truffle; aka Truffle. For those technically interested, the SBD generating the source signal was mixed by me on an ALLEN & HEATH SR424 mk2. This mixing consol is notable for it's fully discrete preamps on all input channels. It also benefits from a Total Harmonic Distortion specification of better than .05%. I wish I had a spec on the source tape type, but it was likely a Maxell II type tape. Pro Tools mastering work relied on industry stand techniques using Waves plug-ins only; Waves Renaissance Compression and EQ along with Waves L1 Ultimax Limiter.