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Taper: Brian V.
2:38:27
Taper:
Brian V.
Transferrer:
Brian V.
SHNID:
coneheadbuddha2013-02-01.dpa4011.flac24
Source:
DPA 4011 > V3 Digital > DR-680 (24/96)
Lineage:
SDHC Card > Sound Forge Pro 10.0 (Normalize, fades) > CD Wav (tracking) > TLH > Flac (level 8)
Taper Notes:
View Notes% with Al Schnier # with Jim Laughlin & with Vinnie Amico @ with Suke Cerulo on guitar (+ Chris Fisher on bass, no Justin), Jim Loughlin on drums moe. after party thanks to Scott Bernstein for the setlist ***Support Bands That Allow Taping/Trading***
Taper: Brian V.
2:38:27
Taper:
Brian V.
Transferrer:
Brian V.
SHNID:
coneheadbuddha2013-02-01.dpa4011.flac16
Source:
DPA 4011 > V3 Digital > DR-680 (24/96)
Lineage:
SDHC Card > Sound Forge Pro 10.0 (Normalize, fades, resample iZotope 64-Bit SRC, dither iZotope MBIT+ Dither) > CD Wav (tracking) > TLH > Flac (level 8)
Taper Notes:
View Notes% with Al Schnier # with Jim Laughlin & with Vinnie Amico @ with Suke Cerulo on guitar (+ Chris Fisher on bass, no Justin), Jim Loughlin on drums moe. after party Thanks to Scott Berstein for the setlist ***Support Bands That Allow Taping/Trading***
Taper: Scott Bernstein
2:37:55
Taper:
Scott Bernstein
Transferrer:
Scott Bernstein
SHNID:
chb2013-02-01.tlm170.flac16
Source:
Audience
Lineage:
Neumann TLM-170 (cardoids, FOB center about 15 feet from stage) -> Sound Devices 722 (@24/96); FLAC File processing in SoundForge 10.0d (resample to 44.1 with iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings; minor clap scrubbing and some tightly targeted EQ to minimize some feedback and yelling); Tracked in CDWav. Tagged with Tag&Rename 3.6.6
Taper Notes:
View NotesI'm not 100% sure of the exact songs all of the guests were on, but this is my best guess: * = w/Al Schnier on guitar + = w/Jim Loughlin on percussion @ = w/Vinnie Amico on percussion ^ = w/Suke Cerulo on guitar (+ Chris Fisher on bass, no Justin), Jim Loughlin on drums % = Scarlet Begonias jam at 1:47, Jessica jam @ 3:49 I scrubbed a few loud claps from each of the following songs: T4, T8, T12, T17, T18, T20, T32, T35. I also applied some tightly targeted EQ to minimize some feedback in T19, T24, T26, and to mimimize an exhuberent yell from a fan in T16. Note this was a late night post-moe. at Best Buy Theater aftershow that started well after midnight on 2/1, which means it technically was on 2/2. Also, since it was a late night thing there were quite a few very drunk and/or chatty people, so you may hear a bit of that occasionally -- but on the whole it sounds really good. Special thanks to Brian V for letting me clamp on his stand! Recorded, mastered, tracked, tagged, and posted by Scott Bernstein 2/13-19/2013 There is a higher quality 24 bit version of this recording available at <a href="http://archive.org/details/chb2013-02-01.tlm170.flac24" rel="nofollow">http://archive.org/details/chb2013-02-01.tlm170.flac24</a> Follow me on Twitter to track my near-daily postings of FREE live music and concert photography: <a href="http://www.twitter.com/scott_bernstein" rel="nofollow">http://www.twitter.com/scott_bernstein</a> Or become a "fan" on Facebook here: <a href="https://www.facebook.com/pages/Scott-Bernsteins-Live-Music-Photos-Page/166706713365451" rel="nofollow">https://www.facebook.com/pages/Scott-Bernsteins-Live-Music-Photos-Page/166706713365451</a>