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Taper: rob adler
2:31:16
SBD
Rating:
10.00 / 1 rating
Taper:
rob adler
Transferrer:
rob adler
SHNID:
delf2009-09-17.matrix
Source:
schoeps mk21>kc5>cmc6>psp3>mini-me>r-44@48-24>SBD>sd
Lineage:
sd>vegas-mixing-src44-16>cdwave>flac
Taper Notes:
View NotesMike Rivard - Basses, Sintir Randy Roos - Guitar Paul Schulthies - Keys Dean Johnston - Drums Vincente Lebron - Percussion *Chris Cote and Christian Mcneill - Vocals
Taper: Jason Sobel
2:31:17
Taper:
Jason Sobel
Transferrer:
Jason Sobel
SHNID:
clubdelf2009-09-17.ck930.flac24
Source:
[24 bit version] - (on-stage) beyerdynamic CK930 > Marantz PMD-661 w/ oade concert mod (@ 24 bit / 96 kHz)
Lineage:
SDHC Card > Samplitude SE v9.1.1 (fades, volume adjustments, track splits) > FLAC v1.2.1 (Level 8)
Taper Notes:
View NotesRandy Roos - guitar Paul Schulthies - Rhodes & Moog Vicente Lebron - congas & percussion Mike Rivard - bass & sintir Dean Johnston - drums * with Leo Blanco on keys (instead of Paul) ** with Chris Cote - vocals *** with Christian McNeil - vocals notes: FLAC tags added with metaflac v1.2.1 the mics were placed on-stage, angled 90 degrees, spaced approximately 9 inches Samplitude was used for: fades, volume adjustments, track splits these 24 bit / 96 kHz files cannot be burned to audio CD. a 16 bit / 44.1 kHz version for CD listening is also available the original 24 bit / 96 kHz files are also available
Taper: Jason Sobel
2:31:17
Taper:
Jason Sobel
Transferrer:
Jason Sobel
SHNID:
clubdelf2009-09-17.ck930.flac16
Source:
(on-stage) beyerdynamic CK930 > Marantz PMD-661 w/ oade concert mod (@ 24 bit / 96 kHz)
Lineage:
SDHC Card > Samplitude SE v9.1.1 (fades, dynamic compression, resample to 44.1 kHz, dither to 16 bit, track splits) > FLAC v1.2.1 (Level 8)
Taper Notes:
View NotesRandy Roos - guitar Paul Schulthies - Rhodes & Moog Vicente Lebron - congas & percussion Mike Rivard - bass & sintir Dean Johnston - drums * with Leo Blanco on keys (instead of Paul) ** with Chris Cote - vocals *** with Christian McNeil - vocals notes: FLAC tags added with metaflac v1.2.1 the mics were placed on-stage, angled 90 degrees, spaced approximately 9 inches Samplitude was used for: fades, dynamic compression, resample to 44.1 kHz, dither to 16 bit, track splits these 16 bit / 44.1 kHz are ready to be burned to audio CD the original 24 bit / 96 kHz files are also available