Cheap Wine | 2015-10-23 | Charlie Parr

1:42:52
Taper:
DPK/o-canis
Transferrer:
DPK/o-canis
SHNID:
charlieparr2015-10-23.dpa4021.flac16
Source:
DPA 4021> Tiny Box/ot > PCM-M10 @ 24/48
Lineage:
M10 > USB Pc > DAW > Flac
Taper Notes:
View NotesA Red House Live Series show
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Location: 7H
Mic Config: DINa 
Format: 16-bit, 44.1 kHz 
Editing: Adobe Audition 1.0 (see Post Notes)
         CD-Wave (tracking/flac)
*****************************************************************
/ Please, help ensure live recordings remain easily accessible
/ by supporting the musicians: Attend their shows, buy their
/ studio releases, pick up some merch and share it with a friend.
/
/ Spread the word               
/
/   Thanks!   www.charlieparr.com 
***************************************************************** 
Charlie Parr - acoustic 12 string and resophonic 6 string guitars

Source Notes:
Room PA consists of 12(?) ceiling mounted drivers hidden in a grid pattern that
coveres the theater's 230 seats. (Rows numbered from stage to back of hall.)
Mics aimed up about 40 deg.
 
Post NOTES 
(Only post processing noted below was applied to this material.)

Transfer to digital into Adobe Audition at 32bit/48kHz
Editing done in 32bit/48kHz  realm:
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- mastering - compression to balance the wide dynamics*. Elevated
Charlie some on the mic. Attenuated a few coughs from the near by 
seated audience member.

- Fades - IN/out of sets 

 Resample/dithered to 16bit/44.1kHz
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Random Notes:
-First song was taken with preamp setting on "mid" gain output... too low.
At the applause we rolled off M10 gain, switched to high gain on the Tbox,and
adjusted the M10 gain.  Some post work done to smooth that out.
-We had to cut out all intro from our hosts. No one used the mic provided...
-There was a hair too much reverb applied by the house (IMO), but it's tolerable.
* The SPL of the music was about 1/4th that of adjacent hand clapping. Compressing and limiting clap spikes results in some "babbling brook" sounding product. Apologies to the purists.