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2005
SBD
11/16
...tonic...
New York, NY
1:01:57
1
tape
11/09
Revolution Hall
Troy, NY
1:53:43
1
tape
11/08
Ohm Lounge
Syracuse, NY
2:32:01
1
tape
9/15
Old Town Theatre
Alexandria, VA
2:22:18
1
tape
9/02
The Dakota Jazz Club
Minneapolis, Mn
1
3:03:11
1
tape
7/25
Jazz Kitchen
Indianapolis,IN
3
2:57:12
1
tape
6/04
Iron Horse Music Hall
northampton, ma
1:53:01
1
tape
6/01
Rams Head Tavern
Annapolis, MD
2:25:23
1
tape
5/26
The Stone Church
Newmarket, NH
2
2:19:59
2
tapes
4/20
Statler Towers Grand Ballroom
Buffalo, NY
1:44:18
2
tapes
4/14
The Magic Bag
Ferndale, Mi
2:11:07
1
tape
6/1/05
One for the Kelpers
14:56
A Street Fight Could Break Out
14:34
Swamba Redux
17:18
Blue Sock
13:25
Darkly >
8:36
Darkly
8:14
My Son the Hurricane
13:45
Think of One
15:22
Cueball Bobbin
18:58
John Brown's Gun
20:15
FIN
View on archive.org
Sources
Taper: Matt DeNardo
2:25:23
Rating:
8.00 / 2 ratings
Taper:
Matt DeNardo
Transferrer:
Matt DeNardo
SHNID:
charliehunter2005-06-01.flac24
Source:
24bit: DPA 4021 (ORTF) > Sound Devices 722 (24/96)
Lineage:
722 > PC via firewire, CD Wave, FLAC24
Taper Notes:
View Notes
Location: onstage, DFC between Charlie and John's monitors Charlie Hunter on 8-string guitar Derrek Phillips on drums John Ellis on tenor saxophone, bass clarinet, keys, mouth organ, percussion Note: I had a problem starting the second set recording because the 722 froze. Approximately the first two minutes are spliced in from Peter King's MK4 > VMS > Oade mod SBM-1 > JB3 source. Peter's source resolution was increased to 24 bits and upsampled to 96 kHz to match mine. Some gain was added to his source to match the levels of mine as well. The two sources were aligned in a WaveLab montage and crossfaded for about 9 seconds to create a seamless transition. Since the processing took place at a higher internal resolution than 24 bits, the output file for Set 2, Track 1 was rendered with Waves L2 dithering (24 bits, Type 1, Ultra) as the final processing step. compiled on 06/02/05 by Matt DeNardo