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Taper: James Bartoli
2:02:02
SBD
Taper:
James Bartoli
SHNID:
cvb2005-02-24.b.akg451.flac16
Source:
DAUD: AKG c451b/st (XY, ~ 10' high, right of SBD on tier) -> Oade Bros. P-Mod. Edirol UA-5 -> coax s/pdif @ 48KHz -> PCM-M1 (recorder) -> MDAT
Lineage:
MDAT -> PCM-R500 (playback) -> coax s/pdif -> MOTU Traveler/MacBook Pro/Digital Performer 5.1 (transfer, fades, peak normalize, split tracks, resample to 44.1KHz) -> .aiff -> xACT v1.58 -> FLAC (level 8)
Taper Notes:
View NotesThis was the 'late' set at the Casbah, a sold out night. There was no encore due to curfew.
Taper: James Bartoli
35:44
Taper:
James Bartoli
SHNID:
cvb2005-02-24.a.akg451.flac16
Source:
DAUD: AKG c451b/st (~ on 'stage', A-B, 6' separation and aimed towards center 'stage', ~ 24" high) -> Oade Bros. P-Mod. Edirol UA-5 -> coax s/pdif @ 48KHz -> PCM-M1 (recorder) -> MDAT
Lineage:
MDAT -> PCM-R500 (playback) -> coax s/pdif -> MOTU Traveler/MacBook Pro/Digital Performer 5.1 (transfer, bounce to disc w/ FX (para EQ, light compression, limiter, peak normalize), split tracks, resample to 44.1KHz) -> .aiff -> xACT v1.58 -> FLAC (level 8)
Taper Notes:
View NotesThis was an in-store set before they performed a sold out show later that night at the Casbah. There was no 'stage' and the band set up in the back side of the store with a couple PA speakers on either side, and a couple monitors on either side. It was incredibly packed in the store, and there was no space to raise a mic stand for recording. The mics were set up just a few feet in front of the band 'on stage', and were kept low on kick drum stands to not distrurb sight lines.