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Bret Mosley
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Today In History
June 6th
0 shows
0 tapes
Years
2014
1 show
1 tape
2013
2 shows
2 tapes
2012
2 shows
3 tapes
2011
6 shows
9 tapes
2010
6 shows
7 tapes
2009
8 shows
9 tapes
2008
4 shows
4 tapes
2008
11/21/08
tuning, checking
2:22
Well & Good
3:47
Run It Again
5:43
Furr
4:21
The Story Of Benjamin Darling Part 1
4:42
Climbing the Floor
4:22
Come On
6:32
What You Feel
8:27
Well, Well, Well
4:03
E: Hallelujah (un-mic'd & offstage)
4:14
sndchk: checking (SBD source only)
1:21
sndchk: pre-set tuning
2:20
FIN
View on archive.org
Sources
Taper: Bill Mulvey
52:14
SBD
Taper:
Bill Mulvey
Transferrer:
Bill Mulvey
SHNID:
bm2008-11-21.vgmtx.vgrm467.flac1648
Source:
Matrix: {[schoeps cmc62 (omni, onstage)>V3] + SBD}>SD 744t
Lineage:
firewire>pc>WAV>Sound Forge 10.0 (dc offset [sbd], PD&Norm, Balance, lc, VC [for stage mics final tune], Mix, tracking, fades)>WAV>TLH>FLAC1648 (level 8)
Taper Notes:
View Notes...cover tunes & their corresponding artists/writers: "furr" - Bltzen Trapper, artist; Eric Earley, writer "the story of benjamin darling part 1" - State Radio, artist; State Radio, writers "well, well, well" - Kenny Segal?? "hallelujah" - Leonard Cohen, artist (1st release in 12/1984); Leonard Cohen, writer Bret Mosley - dobro, stompboard, vox Matrix: {[schoeps cmc62 (omni, onstage)>V3] + SBD}>SD 744t>firewire>pc>WAV>Sound Forge 10.0 (dc offset [sbd], PD&Norm, Balance, lc, VC [for stage mics final tune], Mix, tracking, fades)>WAV>TLH>FLAC1648 (level 8) recorded, mixed, mast/remastered & info research by Bill Mulvey--1/2021. vanillag NOTES: --opening for Jerry Joseph --The audience called for Bret to do one more tune & he performed "Hallelujah" off the stage & walking around in the crowd with them...I believe that I must have spun the stage mics to be facing him at this point to capture it. For this portion the recording is the schoeps stage mics only as the sbd was rightfully muted. I jacked up the levels here accordingly (a whopping 14db!!), but it's still a tad distant. You'll hear ambient things during this like the front door of the place opening & closing, etc. It is what it is...you can hear the tune, though. At one point he walks back up to the stage & is in front of the mics & you can hear him loud & clear (you will know)...I have tempered that section as well to be in control. I also WAVhammered the applause at the end of the tune so the jacked up volume there will not destroy anyone's ears. --Something was clicking in Bret's amp on the left side of the stage that the left stage mic picks up. Not sure what it was, but it's audible when he does his percussive hits on his strings (it may be part of his sound, not sure). I could probably eliminate all of this cleanly, but I'm not going to as it would take months since each one would have to be targeted & fixed. Not especially bad or anything. Enjoy.