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2020
SBD
12/31
Tamalpais Research Institute
San Rafael, California
16
2:37:09
1
tape
3/11
SBD
The Chicago Theatre
Chicago, Illinois
2:27:16
1
tape
3/10
Fillmore Minneapolis
Minneapolis, Minnesota
2:55:42
1
tape
3/07
Ryman Auditorium
Nashville, Tennessee
11
2:47:54
1
tape
3/06
Tennessee Theatre
Knoxville, Tennessee
2:35:26
2
tapes
3/04
Thomas Wolfe Auditorium
Asheville, North Carolina
2:47:46
2
tapes
3/03
Durham Performing Arts Center
Durham, North Carolina
1
2:43:46
1
tape
3/01
Jannus Live
St. Petersburg, Florida
11
2:11:47
1
tape
2/29
Dr. Phillips Center for Performing Arts
Orlando, Florida
7
2:16:46
1
tape
2/28
The Fillmore Miami Beach at Jackie Gleason Theater
Miami Beach, Florida
2
2:26:49
1
tape
12/31/20
New Speedway Boogie
8:27
Jack Straw
9:08
When I Paint My Masterpiece
6:22
Loser
12:05
Big River
6:25
Row Jimmy
10:30
The Music Never Stopped > Easy Answers > The Music Never Stopped
19:41
Friend Of The Devil
6:30
Muleskinner Blues
9:26
Eternity > The Other One > Eternity
18:39
Countdown led by Bill Walton
2:19
Dark Star > Cassidy
17:48
Days Between > Sugar Magnolia
17:55
Ripple (encore1)
4:28
Touch Of Grey (encore2)
7:26
FIN
View on archive.org
Sources
Taper: Jay H. Taylor for Zann Taylor
2:37:09
Rating:
10.00 / 2 ratings
Taper:
Jay H. Taylor for Zann Taylor
Transferrer:
MAKU (Music Archive Kaua'i Unlimited)
SHNID:
bwatwb2020-12-31
Source:
LIVE Stream via the WWW
Lineage:
LIVE Stream via the WWW > Sound Forge 12 "Record What You Hear" > FLAC
Taper Notes:
View Notes
Set Two starts at Track 08 The Band: Bob Weir - Guitar & Lead Vocals Don Was - Bass Jay Lane - Drums & Backing Vocals Jeff Chimenti - Keyboards & Backing Vocals Greg Leisz - Guitar, Dobro, Mandolin, Steel Guitar & Backing Vocals Special Guests: Ramblin’ Jack Elliott - Vocals Track 09 Alex Kelly - Cellist Brian Switzer - Trumpeter Adam Theis - Trombone Mads Tolling - Violinist Sheldon Brown - Woodwinds TRI Studios - the Musicans Playpen: Tamalpais Research Institute (TRI Studios) is a state of the art, world-class audio, video, streaming venue, and recording facility created by legendary Grateful Dead founding member, and 1994 Rock & Roll Hall of Fame Inductee, Bob Weir. This visionary, one-of-a-kind virtual venue provides music fans with unparalleled access to their favorite artists, allowing them to enjoy intimate, live performances in the comfort of their own homes, or anywhere they have Internet access. While TRI allows fans a behind-the-scenes, all-access feel, it simultaneously provides artists with an interchangeable blank canvas on which to perform. Utilizing advanced acoustical technology from Meyer Sound, artists can emulate the acoustic properties of any performance spaces ranging from small nightclubs to a Roman cathedral, Wembley Stadium to Madison Square Garden, or anything in between. This groundbreaking innovation is a creative sandbox that invites artists to experiment with their sound, which further brings together both the artists and their fans. Events at TRI are filmed, directed, mixed and webcast live in HD. "TRI was kind of built on the principle that it was going to be a fun place to be," explains Weir. "The ultimate playpen for a musician." Weir’s intent is to build upon the Grateful Dead’s penchant for experimenting musically and technically in the quest to “make IT better.” For the audience, this means the most intimate connection with the artist possible. “We put the fans in the band. Everyone into the playpen.”