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Years
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2007
SBD
10/03
Ukrainian Federation
Montréal, QC
1:54:04
1
tape
5/06
Play Festival @ Belgie
Hasselt, Belgium
1:28:36
1
tape
4/30
Scala
London
1:53:57
1
tape
4/19
Lyon Grrrnd Zero
Unknown Location
2:00:12
1
tape
4/17
Cabaret Sauvage
Paris, France
1:48:51
1
tape
4/14
Ancienne Belgique
Brussel, Belgium
1:46:21
1
tape
4/13
Motel Mozaïque
Rotterdam, Netherlands
1:05:43
1
tape
4/07
Grillen
Colmar, France
1:22:11
1
tape
4/14/07
Intro
1:38
We Just Want Some Action!
16:32
Mountains Made Of Steam
19:11
Engine Broke
15:29
Take These Hands And Throw Them In The River
11:31
A Million Died To Make This Sound
27:13
Blind Blind Blind
14:47
FIN
View on archive.org
Sources
Taper: Prof. Stoned
1:46:21
Rating:
10.00 / 7 ratings
Taper:
Prof. Stoned
Transferrer:
Prof. Stoned
SHNID:
asmz2007-04-14.aud-flac16
Source:
Sony ECM-MS907 -> M-Audio Microtrack (16 bit, 44.1 khz)
Lineage:
M-Audio Microtrack -> USB -> HD -> Cubase SX 2.0 (using UAD Precision MB, EQ & LIM & UAD Pultec) -> CdWave -> Flac (8)
Taper Notes:
View Notes
Line up: Efrim: Guitar, Vocals Sophie: Violin, Vocals Beckie: Cello, Vocals Jessica: Violin, Vocals Ian: Guitar, Vocals Thierry: Upright Bass, Vocals Eric: Drums Taped & Mastered: Prof. Stoned Mic position: The mic was taped upon the FX rack of the mixing island. That rack is 1,8 meter high, and stands next to the soundboard on the right side (as seen from behind the desk). About approx. 16 meters from the stage. Because the mic was not exactly in the center of the P.A., I pointed it slightly to the left. A big thanks once again to Radwan for making this recording possible. Notes: The 2nd (and first full-length) show from this tour. A good solid show with some real funny & sharp dialogue by Efrim & Co.. Two new songs (Tr. 1 & 3) were played and this is the first recording to surface that captures them. The sound quality will not disappoint you fans. The audience was dead quiet (during the songs), and the line array P.A. system sounded excellent and very 'direct' through the whole hall. No cuts, mic obstruction, data compression or any other shortcomings here that occure on many audience recordings. I mastered the recording with Multiband compression, EQ and Limiter VST plugins (see http://www.uaudio.com/products/uad-plug-ins.html) which made the recording sound more 'alive'. I hate it when a recording sounds processed and unnatural, and so I always attempt to use these tools tastefully and only if required. Advertising: If you like this, make sure to hear my other ASMZ recordings as well. Especially the Luxembourg one is an exceptional show/recording. My girlfriend who loves their music dearly regards it the most magical ASMZ show she ever heard. http://www.archive.org/details/asmz_2006-05-02_aud2.flac16 http://www.archive.org/details/asmz-2006-05-19-aud.flac16 Enjoy!