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Taper: D5Scott
2:23:44
Rating:
6.67 / 3 ratings
Taper:
D5Scott
Transferrer:
D5Scott
SHNID:
mmf1997-02-11.flac16
Source:
AUD > cassette (2 Sennheiser 421 microphones > Sony TC-D5M - Maxell MX90 metal tapes - Mics @ 7 feet - at the back of the floor)
Lineage:
MAC > Sony TC-D5M (original record deck) > PreSonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac
Taper Notes:
View Notes**Steve Kimock on lead vocals -Lineup: Vince Welnick Steve Kimock Bobby Vega Prairie Prince Bobby Strickland
Taper: Scott Clayton
2:30:56
Taper:
Scott Clayton
Transferrer:
mgoldey
SHNID:
mmf1997-02-11.fob-csb.clayton.mgoldey.106611.flac1644
Source:
Core Sound Binaurals (FOB) > D8
Lineage:
Otari DTR-90 > coax > Audiophile 2496 > Ardour 2.8.7 @ 16/44.1 > Wavelab 6.10 (remove DC offset, adjust levels, tracking, cleanup) > FLAC
Taper Notes:
View NotesVince Welnick (Vincent Leo Welnick) - keys, vox Steve Kimock - guitar, b.vox (@=vox) Bobby Vega - bass, b.vox Prairie Prince (Charles L'Empriere "Prairie" Prince Jr) - drums, b.vox Bobby Strickland - tenor saxophone, soprano saxophone, flute, woodwinds, b.vox Stevie Blacke - mandolin, guitar, violin, b.vox #=w/ June Hiroshi and John Matthews - horns Source: Core Sound Binaurals (FOB) > D8 Transfer: Otari DTR-90 > coax > Audiophile 2496 > Ardour 2.8.7 @ 16/44.1 Mastering: Wavelab 6.10 (remove DC offset, adjust levels, tracking, cleanup) > FLAC mgoldey NOTES: --Thanks to Scott Clayton for the DAT. --This is a nice, clear FOB, easy to listen to. --The encore will fit on Disc 2 with an overburn of 83:05. If that doesn't work for you, you could omit d2t9. Otherwise, there's really no way to put even out the discs. --Bobby Strickland and Steve Black probably wandered on stage more than is indicated here. --Also, it's not clear that Mardi Gras Parade is a real song, sepearate from Brother John. Maybe there was some sort of costume parade during Brother John? --*=w/ the "micro-ettes" on horns. A small glitch about 1:10 into Aiko repaired. --**=w/ June Hirosho and John Matthews on horns (possible the same musicians as in Aiko) --Enjoy! --mhg :: 03/18/2010 vanillag NOTES (12/9/2022): --BIG Thanks to Scott Clayton & mgoldey for their parts in the recording, transfer & mastering of this Missing Man Formation 1997 show & spreading it far & wide. Absolutely Appreciated!! --The building which became The Fillmore was built in 1912 and initially housed the Majestic Hall and Academy of Dancing. Its name was changed from the Majestic Hall in 1936 to the Ambassador Dance Hall. From 1939 to 1952, it operated as the Ambassador Roller Skating Rink. In 1954, Charles Sullivan, one of the most successful African-American businessmen in San Francisco at the time, started booking bands and renamed the venue The Fillmore Auditorium. In December 1965, Sullivan let Bill Graham use his dance hall permit to book a benefit for the San Francisco Mime Troupe, and after that Graham continued to book shows there. Sullivan was murdered in August 1966 at the age of 57. For an indeterminate period from 1969 to 1970, the Fillmore Auditorium was operated by new management as the New Old Fillmore; during this period, the Grateful Dead and The Stooges performed notable engagements at the venue. The original Fillmore location became a venue called The Elite Club. The Fillmore reopened under Graham's management in the mid-1980s, but it was damaged and closed by the Loma Prieta earthquake of October 1989. After Graham died in a helicopter crash in 1991, those close to him decided to carry out his final wish to retrofit and reopen the original Fillmore, which required much structural work. The Fillmore reopened on April 27, 1994, with the band the Smashing Pumpkins playing an unannounced surprise show, and Primus playing the first official reopening show the following night. The Fillmore has once again become a San Francisco hot spot with frequent shows. --For a standard show, the capacity of the Fillmore is 1,315 guests. --https://en.wikipedia.org/wiki/The_Fillmore --This show took place on Mardi Gras --I corrected some song titles toward how they appear on the original albums --added more detail to the venue location --added more detail to the band members info --it should be noted that upon more careful listening, after "Iko Iko", Vince says that he would like to thank the 'Iko-ettes', not the "micro-ettes" as suggested above in the mgoldey NOTES...I believe that this refers to some female background singers & dancers that helped out during that big jam & not anything to do with the horn players. --added more detail to the setlist --added some pictures of the venue --added the ffp fingerprints to the text file