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Phil Lesh and Friends
Today In History
June 9th
1 show
11 tapes
Years
2025
150
PlaybackListensHours
48h142
7d233
30d15024
6 shows
12 tapes
2024
127
PlaybackListensHours
48h163
7d285
30d12721
10 shows
44 tapes
2023
200
PlaybackListensHours
48h183
7d81
30d20034
14 shows
63 tapes
2022
340
PlaybackListensHours
48h244
7d9317
30d34059
26 shows
115 tapes
2021
47
PlaybackListensHours
48h71
7d441m
30d478
15 shows
90 tapes
2020
23
PlaybackListensHours
48h00m
7d214m
30d234
9 shows
9 tapes
2019
206
PlaybackListensHours
48h00m
7d366
30d20633
16 shows
64 tapes
2018
227
PlaybackListensHours
48h214m
7d152
30d22742
30 shows
74 tapes
2017
294
PlaybackListensHours
48h61
7d102
30d29449
30 shows
67 tapes
2016
247
PlaybackListensHours
48h183
7d356
30d24742
21 shows
79 tapes
2015
168
PlaybackListensHours
48h1358m
7d172
30d16821
12 shows
74 tapes
2014
1.2k
PlaybackListensHours
48h329m
7d529
30d1.2k172
41 shows
161 tapes
2013
267
PlaybackListensHours
48h617
7d13519
30d26743
42 shows
114 tapes
2012
438
PlaybackListensHours
48h8314
7d7312
30d43873
49 shows
104 tapes
2011
17
PlaybackListensHours
48h00m
7d00m
30d172
2 shows
14 tapes
2010
41
PlaybackListensHours
48h00m
7d00m
30d417
2 shows
2 tapes
2009
2
PlaybackListensHours
48h00m
7d00m
30d220m
1 show
1 tape
2008
814
PlaybackListensHours
48h424m
7d7310
30d814118
63 shows
255 tapes
2007
396
PlaybackListensHours
48h234
7d17129
30d39665
36 shows
158 tapes
2006
796
PlaybackListensHours
48h8915
7d16126
30d796132
38 shows
128 tapes
2005
426
PlaybackListensHours
48h224
7d468
30d42666
28 shows
109 tapes
2004
97
PlaybackListensHours
48h122
7d655m
30d9715
4 shows
26 tapes
2003
447
PlaybackListensHours
48h81
7d10317
30d44766
22 shows
90 tapes
2002
2k
PlaybackListensHours
48h335
7d24637
30d2k322
55 shows
234 tapes
2001
1.9k
PlaybackListensHours
48h15023
7d31655
30d1.9k330
77 shows
330 tapes
2000
1.1k
PlaybackListensHours
48h5911
7d23643
30d1.1k204
77 shows
209 tapes
1999
4.7k
PlaybackListensHours
48h18238
7d994202
30d4.7k987
43 shows
194 tapes
1998
65
PlaybackListensHours
48h00m
7d71
30d6511
7 shows
15 tapes
1996
1
PlaybackListensHours
48h00m
7d00m
30d114m
1 show
2 tapes
1994
110
PlaybackListensHours
48h210m
7d252
30d11011
2 shows
9 tapes
1982
2
PlaybackListensHours
48h00m
7d18m
30d217m
1 show
1 tape
1976
45
PlaybackListensHours
48h152
7d00m
30d455
4 shows
5 tapes
1975
8
PlaybackListensHours
48h130m
7d130m
30d84
1 show
1 tape
1970
24
PlaybackListensHours
48h324m
7d757m
30d243
1 show
1 tape
1964
4
PlaybackListensHours
48h00m
7d247m
30d42
1 show
1 tape
1959
20
PlaybackListensHours
48h627m
7d29m
30d201
1 show
3 tapes
2005
Sources
Source 1 of 5
2:59:45
SBD
Rating:
8.89 / 27 ratings
SHNID:
pf2005-12-03_dsbd.flac16
Source:
DSBD - Official Release from www.phillesh.net (CDs mastered by Wizard)
Taper Notes:
View NotesThe Band: Phil Lesh, Chris Robinson (vocals, guitar) John Scofield (guitar) John Molo (drums), Mookie Siegel (keys) Barry Sless (guitar+pedalsteel) Mixed and mastered by Wiz CD covers can be found at www.phillesh.net Big thanks to all the mirror sites! Source: DSBD - Official Release from www.phillesh.net (CDs mastered by Wizard)
Taper: Dan Nolan Jr. - spyder9
2:59:31
Rating:
8.67 / 3 ratings
Taper:
Dan Nolan Jr. - spyder9
Transferrer:
Dan Nolan Jr. - spyder9
SHNID:
plf2005-12-03.akg.spyder9.31933.sbeok.flac16
Source:
AKG C480b (CK63) > Edirol UA-5 (BM2) > Nomad Jukebox 3
Lineage:
Mastering: WAV > Adobe Audition 1.5 > WAV > Totalrecorder 5.3 > WAV > Flac Frontend 1.7.1 > FLAC
Taper Notes:
View NotesPhil Lesh, Chris Robinson (vocals, guitar) John Scofield (guitar) John Molo (drums), Mookie Siegel (keys) Barry Sless (guitar+pedalsteel) Source: AKG C480b (CK63) > Edirol UA-5 (BM2) > Nomad Jukebox 3 Mastering: WAV > Adobe Audition 1.5 > WAV > Totalrecorder 5.3 > WAV > Flac Frontend 1.7.1 > FLAC Taped, transferred, & edited by Spyder9
Taper: Sanjay Suchak
2:59:30
Rating:
9.14 / 7 ratings
Taper:
Sanjay Suchak
Transferrer:
Bill Sakoda, Chuck Sakoda, Ben Scott-Killian
SHNID:
plf2005-12-03.mbhoedit.kvsms.31841.sbeok.flacf
Source:
SoundForge 8.0 REMIX of Sanjay Suchak Source: MBHO 603a/KA200N > Shure FP-24 > JB3 (see notes)
Taper Notes:
View NotesPhil Lesh & Friends 2005-12-03 Shea's Performing Arts Center Buffalo, NY -------------------------------------------------------- This presentation is based on Sanjay's MBHO Loge Source (pf2005-12-03.mbho603.torrent). We feel that source is notable for capturing the live experience; stable soundstage; and remarkable instrument nuance and detail. This remix targets re-establishing >live sonics< from the stealth-mode recording, using what we heard at T2,4,6,8 [8 rows under the balcony, just right of center] as reference. Key engineering decisions in any presentation are in part subjective judgement calls. We hope you like this tape - and also every other version of this wonderful, magical show. LINEAGE Quoting from Sanjay's description: Recorded from the very front of the balcony in the center, hope you all like it. Phil Lesh & Friends December 3, 2005 Shea's Performing Arts Center Buffalo, NY Source: MBHO 603a/KA200N > Shure FP-24 > JB3 Location: Loge Section 4, Row C (3rd row center loge) Transfer: JB3 > Powerbook G4 > Sound Studio > .wav > xACT > .flac Taper: Sanjay Suchak ([email protected]) ********************************************************************************* ***Please don't trade or upload .mp3 or other lossy formats of this show**** ********************************************************************************* (End Quote) ---> Remixed 12/8/2005 to produce this version. Engineering Notes below. LAYOUT Start Length file Disc 1 ------ 1. Dire Wolf 00:00:00:00 00:05:14:40 pf2005-12-03skw-d1t01.wav 2. Big Railroad Blues 00:05:16:40 00:08:52:52 pf2005-12-03skw-d1t02.wav 3. Mr.Charlie 00:14:09:17 00:07:08:72 pf2005-12-03skw-d1t03.wav 4. Eagles On the Highway 00:21:18:14 00:15:12:64 pf2005-12-03skw-d1t04.wav 5. Wicked Messenger > Jam (Merry Gentlemen 00:36:31:03 00:09:02:19 pf2005-12-03skw-d1t05.wav Tease) > 6. Candyman 00:45:33:22 00:07:58:07 pf2005-12-03skw-d1t06.wav 7. Casey Jones 00:53:31:29 00:06:39:01 pf2005-12-03skw-d1t07.wav Disc 2 ------ 1.Space > 00:00:00:00 00:04:05:10 pf2005-12-03skw-d2t01.wav 2.Shakedown > Jam > 00:04:05:10 00:17:58:30 pf2005-12-03skw-d2t02.wav 3.Althea 00:22:03:40 00:08:11:72 pf2005-12-03skw-d2t03.wav 4.New Speedway Boogie > Fire > Jam > 00:30:15:37 00:25:03:38 pf2005-12-03skw-d2t04.wav 5.Fire 00:55:19:00 00:07:49:40 pf2005-12-03skw-d2t05.wav Disc 3 ----- 1. Cowboy Movie > 00:00:00:00 00:08:16:42 pf2005-12-03skw-d3t01.wav 2. The Other One > 00:08:16:42 00:10:52:37 pf2005-12-03skw-d3t02.wav 3. Lovelight > 00:19:09:04 00:09:52:47 pf2005-12-03skw-d3t03.wav 4. Franklin's Tower 00:29:01:51 00:16:12:73 pf2005-12-03skw-d3t04.wav 5. Donor Rap / Intros 00:45:14:49 00:02:55:70 pf2005-12-03skw-d3t05.wav 6. Bertha 00:48:10:44 00:08:10:54 pf2005-12-03skw-d3t06.wav ENGINEERING NOTES Primary: 1) Source: Sanjay's MBHO Loge Source (pf2005-12-03.mbho603.torrent). 2) Toolset: Sony SoundForge 8.0; Sonalksis DQ-1 plug-in. High (quality 4) on all bitrate/sampling. 3) -> 24 bits at 44.1 4) -> 96KHz 5) Pan: -9.7% Left / +9.7% right 6) Sonalksis DQ1 dynamics processing (settings are below in Appendix A) 7) -> 44.1 8) -> 16 bits (Triangular High-Pass with High-pass noise shaping) Secondary: d2t04: Rhythmic claps close to the mics were processed where they dominated the power spectrum: 87 instances were manually marked as ~2ms regions; compression (Sony Multiband Dynamics) centered 1.8KHz applied. Enjoy! Bill Sakoda mix engineering 12/10/2005 [email protected] Chuck Sakoda Ben Scott-Killian _________________ _________________ Appendix A: Sonalksis DQ1 settings Sonalksis DQ-1 settings for KvSms rendering of Phil and Friends, Buffalo 12-03-2005 -----------------------------------------------------------------------------------_ Overall: Gain -1.3db Bank 1 low Thresh: -45.3 high : -16.4 Q 1.70, Low shelf, 104Hz, Att: 4.0ms, Rel: 221ms Gain: -9.4 Low; -4.7 High; Dynamic _______________ Bank 2 low Thresh: -44.3 high : -13.8 Q 1.49, Notch, 1.94KHz, Att: 4.0ms, Rel: 360ms Gain: -0.5 Low; 9.2 High; Dynamic ________________ Bank 3 low Thresh: -46.2 high : -15.1 Q 1.19, Notch, 4.07KHz, Att: 5.5ms, Rel: 160ms Gain: 0.0 Low; 8.4 High; Dynamic ________________ Bank 4 low Thresh: -46.5 high : -15.1 Q .72, High shelf, 6.93KHz, Att: 4.0ms, Rel: 121ms Gain: -1.3 Low; 8.5 High; Dynamic __________________________ end
Taper: Sanjay Suchak
2:59:30
Taper:
Sanjay Suchak
SHNID:
paf2005-12-03.mbho603.suchak.31814.flac16
Source:
MBHO 603a/KA200N > Shure FP-24 > JB3
Lineage:
JB3 > Powerbook G4 > Sound Studio > .wav > xACT > .flac
Taper Notes:
View Notes- Taped from the Loge, not the taper section which was underneath the balcony on the left side. - Mics were run at head height on a stand in a stealth situation. - Phil Lesh and Friends for this show was: Phil Lesh, John Molo, Mookie Seigel, Barry Sless, Chris Robinson, and John Scofield
Taper: Tim Burke
2:59:19
Taper:
Tim Burke
Transferrer:
Tim Burke
SHNID:
phil2005-12-03.MGm20.burke.flac16
Source:
Microtech Gefell M20 > JK Labs ECMS-23 > Oade W+ mod UA5 > Nomad Jukebox 3
Lineage:
Nomad Jukebox 3 > IBM ThinkPad T41
Taper Notes:
View NotesRecordist : Tim Burke - [email protected] Location : Centered, Orchestra, Section 3, Row N, Seat 107, ~40' from stage lip Mic Config : ~18 cm, 90º Source : Microtech Gefell M20 > JK Labs ECMS-23 > Oade W+ mod UA5 > Nomad Jukebox 3 Recorded Format : 16 bit, 44.1 kHz Conversion : Nomad Jukebox 3 > IBM ThinkPad T41 Editing : none Dither : none Final Format : 16 bit, 44.1 kHz Tracking : CD Wave Compression : FLAC Frontend, Level 6 Conversion, tracking and FLAC compression performed by Tim Burke on December 9, 2005. Notes: * with "God Rest Ye Merry Gentlemen" tease ** At approximately the 14:00 minute mark of d2t02 venue security tries shutting us down for running FOB, outside of the OTS. The Jam out of Shakedown and all of Althea is merely background music to the verbal altercation which ensues, during which I un-clamped my mics from the stand and discreetly hand held them while security ordered the taper in the seat next to me to dismantle his equipment. Two out of our four recordists were forced to tear down at that time, but the other taper and I were able to hand hold our mics, chest high, for the remainder of the second set. Unfortunately, he had to stop his recorder at one point, so my recording is the only one without any cuts available from our location. As of February 20, 2006 this is the only Orchestra FOB recording in circulation. Personnel: Phil Lesh - bass, vocals John Molo - drums Chris Robinson - acoustic guitar, vocals John Scofield - guitar Mookie Siegel - keyboards Barry Sless - guitar, pedal steel