Bands
Featured
Bands
Jerry Joseph and the Jackmormons
Today In History
June 9th
3 shows
4 tapes
Years
2026
106
PlaybackListensHours
48h437m
7d234
30d10619
4 shows
8 tapes
2025
151
PlaybackListensHours
48h112
7d142
30d15128
26 shows
44 tapes
2024
182
PlaybackListensHours
48h478
7d9314
30d18231
33 shows
52 tapes
2023
121
PlaybackListensHours
48h00m
7d132
30d12120
23 shows
37 tapes
2022
12
PlaybackListensHours
48h00m
7d111m
30d122
20 shows
26 tapes
2021
52
PlaybackListensHours
48h00m
7d00m
30d5212
19 shows
28 tapes
2020
26
PlaybackListensHours
48h00m
7d182
30d264
30 shows
42 tapes
2019
12
PlaybackListensHours
48h233
7d92
30d123
24 shows
45 tapes
2018
104
PlaybackListensHours
48h116m
7d338m
30d10424
71 shows
121 tapes
2017
45
PlaybackListensHours
48h224
7d122
30d459
47 shows
73 tapes
2016
59
PlaybackListensHours
48h152
7d435m
30d5911
56 shows
100 tapes
2015
54
PlaybackListensHours
48h00m
7d214
30d5410
51 shows
74 tapes
2014
4
PlaybackListensHours
48h00m
7d224m
30d447m
40 shows
61 tapes
2013
45
PlaybackListensHours
48h51
7d61
30d459
37 shows
58 tapes
2012
125
PlaybackListensHours
48h110m
7d00m
30d12520
38 shows
52 tapes
2011
35
PlaybackListensHours
48h324m
7d193
30d355
50 shows
68 tapes
2010
55
PlaybackListensHours
48h00m
7d111m
30d559
26 shows
30 tapes
2009
54
PlaybackListensHours
48h00m
7d234
30d549
19 shows
22 tapes
2008
64
PlaybackListensHours
48h132
7d376
30d6410
12 shows
14 tapes
2007
26
PlaybackListensHours
48h00m
7d61
30d264
24 shows
27 tapes
2006
40
PlaybackListensHours
48h442m
7d377
30d408
46 shows
57 tapes
2005
298
PlaybackListensHours
48h112
7d542m
30d29844
45 shows
56 tapes
2004
76
PlaybackListensHours
48h727m
7d324
30d769
13 shows
17 tapes
2003
110
PlaybackListensHours
48h434m
7d429m
30d11017
55 shows
64 tapes
2002
206
PlaybackListensHours
48h436m
7d577
30d20627
89 shows
100 tapes
2001
258
PlaybackListensHours
48h00m
7d355
30d25837
76 shows
82 tapes
2000
104
PlaybackListensHours
48h00m
7d15m
30d10415
65 shows
67 tapes
1999
176
PlaybackListensHours
48h217m
7d314
30d17627
46 shows
48 tapes
1998
53
PlaybackListensHours
48h163
7d142
30d538
21 shows
26 tapes
1997
13
PlaybackListensHours
48h00m
7d00m
30d133
9 shows
11 tapes
1996
10
PlaybackListensHours
48h00m
7d101
30d101
5 shows
5 tapes
1995
3
PlaybackListensHours
48h00m
7d00m
30d334m
4 shows
4 tapes
2016
Sources
Taper: Kirk Davis
1:58:46
SBDREMASTER
Taper:
Kirk Davis
Transferrer:
Kirk Davis
SHNID:
JMO2016-02-28.JMO2016-02-28-24bit-remaster
Source:
Multitrack
Lineage:
ADK TL(~2.5' high, stage corners, card setting) > Grace Design Lunatec V3 > Alesis HD-24(@24/48) SBD(direct outs) > Alesis HD-24(@24/48) ADK A51s > Leslie cabinet: ADK A51S-High; ADK A51S-Lows > Sound Devices MP-2 > Alesis HD-24(@24/48)
Taper Notes:
View NotesRecording/mixing/mastering: Kirk Davis RECORDING: ADK TL(~2.5' high, stage corners, card setting) > Grace Design Lunatec V3 > Alesis HD-24(@24/48) SBD(direct outs) > Alesis HD-24(@24/48) ADK A51s > Leslie cabinet: ADK A51S-High; ADK A51S-Lows > Sound Devices MP-2 > Alesis HD-24(@24/48) RE-mastered(5-12-16) MIXING: Adobe Audition[CS5.5]; delay; guitar suite; Normalize; hard limiter Izotope Alloy-1; Alloy-2; Ozone-3, MASTERING: Adobe Audition[CS5.5]; Izotope Alloy-1; Waves L1; Izotope Rx Advacned[v2.0](resample & dither) > CD Wave(tracking) > Tag and Rename[v3.4.6](track naming > Traders Little Helper(level 8 flac) NOTES: Set-1 guest guitar was not into seperate track. Guitar was picked up by stage right mic at corner of stage. Both Organ and Piano were run through the Leslie cabinet. Izotope Rx advanced used to control bass spikes/clips(possible string slap on pick ups?) Most noise removed where possible, but some spikes might remain under music and still be heard in quiter parts. Mixing & mastering programs not listed in order of use. Exact settings & parameters used available on request.
Taper: Kirk Davis
1:58:46
SBDREMASTER
Taper:
Kirk Davis
Transferrer:
Kirk Davis
SHNID:
JMO2016-02-28.JMO2016-02-28-remaster
Source:
Multitrack
Lineage:
ADK TL(~2.5' high, stage corners, card setting) > Grace Design Lunatec V3 > Alesis HD-24(@24/48) SBD(direct outs) > Alesis HD-24(@24/48) ADK A51s > Leslie cabinet: ADK A51S-High; ADK A51S-Lows > Sound Devices MP-2 > Alesis HD-24(@24/48)
Taper Notes:
View NotesREMASTERED 5/12/16, this had originally been done on my old computer as it was starting to give up the ghost. With the other 5 shows from this run being done on new equipment I decided a redo was in order. I wanted to ensure I had the best mix and to keep the quality of the mix as good as possible. The differences between the old and new mixes are not huge. The new mix has better definition of the instruments and sounds clearer, cleaner and more upfront to my ears anyway. Recording/mixing/mastering: Kirk Davis RECORDING: ADK TL(~2.5' high, stage corners, card setting) > Grace Design Lunatec V3 > Alesis HD-24(@24/48) SBD(direct outs) > Alesis HD-24(@24/48) ADK A51s > Leslie cabinet: ADK A51S-High; ADK A51S-Lows > Sound Devices MP-2 > Alesis HD-24(@24/48) RE-mastered(5-12-16) MIXING: Adobe Audition[CS5.5]; delay; guitar suite; Normalize; hard limiter Izotope Alloy-1; Alloy-2; Ozone-3, MASTERING: Adobe Audition[CS5.5]; Izotope Alloy-1; Waves L1; Izotope Rx Advacned[v2.0](resample & dither) > CD Wave(tracking) > Tag and Rename[v3.4.6](track naming > Traders Little Helper(level 8 flac) NOTES: Set-1 guest guitar was not into seperate track. Guitar was picked up by stage right mic at corner of stage. Both Organ and Piano were run through the Leslie cabinet. Izotope Rx advanced used to control bass spikes/clips(possible string slap on pick ups?) Most noise removed where possible, but some spikes might remain under music and still be heard in quiter parts. Mixing & mastering programs not listed in order of use. Exact settings & parameters used available on request.
Taper: Kirk Davis
1:58:46
Taper:
Kirk Davis
Transferrer:
Kirk Davis
SHNID:
JMO2016-02-28.JMO2016-02-28.multitrack
Source:
Multitrack > Alesis HD-24
Lineage:
"see notes"
Taper Notes:
View NotesRecording/mixing/mastering: Kirk Davis ALESIS HD-24: ADK TL(~2.5' high, stage corners, card setting) > Grace Design Lunatec V3 > Alesis HD-24[@24/48] SBD(mono sum) > Alesis HD-24[@24/48] SBD(direct outs) > Alesis HD-24[@24/48] Leslie hi/low: ADK A51S > Sound Devices MP-2 > Alesis HD-24[@24/48] Mixing/Mastering: Adobe Audition CS5.5(not in order, not on all tracks) Delay; reverb; hard limiter; Graphic EQ; Guitar suite; Izotope Alloy; Izotope Ozone, Waves L1, Blockfish NOTES: Bass track had clicks/clips that were removed using Izotore RX Advanced Declick/Decrackle setting. Softened but kept track sound as close to original as possible. Set-1 guest guitar was not into seperate track. Guitar was picked up by stage right mic at corner of stage. Both Organ and Piano were run through Leslie cabinet.
Taper: Andrew Mount
2:00:02
Taper:
Andrew Mount
Transferrer:
Andrew Mount
SHNID:
JJJ2016-02-28.aud.flac
Source:
Audience
Lineage:
Tascam DR-40 (internal mics) > Audacity > TLH > FLAC