Bands
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Bands
Grateful Dead
Today In History
June 9th
Years
1995
30.1k
PlaybackListensHours
48h57375
7d7k942
30d30.1k4.2k
49 shows
341 tapes
1994
8.6k
PlaybackListensHours
48h1.3k158
7d1.7k245
30d8.6k1.2k
85 shows
460 tapes
1993
38.4k
PlaybackListensHours
48h2.2k278
7d8.6k1.2k
30d38.4k5.1k
83 shows
656 tapes
1992
36.1k
PlaybackListensHours
48h2.1k274
7d4.5k577
30d36.1k4.8k
57 shows
539 tapes
1991
42k
PlaybackListensHours
48h5.1k728
7d11.8k1.6k
30d42k5.7k
78 shows
973 tapes
1990
35.2k
PlaybackListensHours
48h6.7k844
7d6.7k884
30d35.2k4.6k
78 shows
1,139 tapes
1989
47.8k
PlaybackListensHours
48h2.7k337
7d8.9k1.1k
30d47.8k6k
78 shows
1,017 tapes
1988
21.8k
PlaybackListensHours
48h1.2k143
7d3.3k377
30d21.8k2.5k
82 shows
882 tapes
1987
35.1k
PlaybackListensHours
48h1.8k194
7d6.6k713
30d35.1k3.8k
88 shows
1,025 tapes
1986
14.3k
PlaybackListensHours
48h74883
7d2.3k259
30d14.3k1.6k
47 shows
683 tapes
1985
21.9k
PlaybackListensHours
48h1.5k170
7d4.8k565
30d21.9k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h1k133
7d3.4k440
30d15.8k2k
67 shows
1,075 tapes
1983
33.7k
PlaybackListensHours
48h1.5k201
7d3.9k502
30d33.7k4.5k
71 shows
1,069 tapes
1982
42.1k
PlaybackListensHours
48h1.5k180
7d4.6k569
30d42.1k5.2k
63 shows
753 tapes
1981
52.1k
PlaybackListensHours
48h1.9k233
7d5.7k734
30d52.1k6.5k
92 shows
868 tapes
1980
72.7k
PlaybackListensHours
48h8.4k905
7d13.1k1.5k
30d72.7k8.4k
91 shows
794 tapes
1979
25.8k
PlaybackListensHours
48h1.4k208
7d3.4k480
30d25.8k3.6k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h1.8k242
7d12.2k1.6k
30d56.3k7.7k
87 shows
592 tapes
1977
299.2k
PlaybackListensHours
48h22.9k3.2k
7d40.6k5.5k
30d299.2k41.2k
64 shows
419 tapes
1976
50.3k
PlaybackListensHours
48h3.1k424
7d27.7k3.9k
30d50.3k6.8k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h78277
7d1.9k184
30d6.3k650
25 shows
63 tapes
1974
99.8k
PlaybackListensHours
48h7.4k972
7d11.5k1.5k
30d99.8k12.6k
42 shows
324 tapes
1973
80.6k
PlaybackListensHours
48h3.6k472
7d11.1k1.5k
30d80.6k10.3k
75 shows
445 tapes
1972
74.3k
PlaybackListensHours
48h2.6k311
7d8.3k1k
30d74.3k9k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.5k167
7d5.8k647
30d34.3k3.9k
82 shows
357 tapes
1970
45.2k
PlaybackListensHours
48h4k397
7d17.7k1.8k
30d45.2k4.8k
101 shows
376 tapes
1969
26.6k
PlaybackListensHours
48h2.4k386
7d6.2k1k
30d26.6k3.9k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h813110
7d1.3k156
30d6.8k854
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h14719
7d32346
30d1.5k208
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h23214
7d1k70
30d8k536
32 shows
78 tapes
1965
592
PlaybackListensHours
48h312
7d1156
30d59235
2 shows
2 tapes
1993
Sources
Transferrer: Charlie Miller
2:52:31
SBD
Rating:
10.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1993-01-26.143219.sbd.cm.miller.flac1644
Source:
SBD > Dat Master > Cassette Master (Tascam 122mkIII/TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Dragon Dance during Drums -- Space thru the end of the show with Carlos Santana -- Thanks to Rob Darroch, John Ammons and Joe Noel for the patch source -- This file set is 16 bit @ 44.1
Transferrer: Charlie Miller
2:52:32
SBD
Transferrer:
Charlie Miller
SHNID:
gd1993-01-26.143161.sbd.miller.flac2496
Source:
SBD > Dat Master > Cassette Master (Tascam 122mkIII/TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Dragon Dance during Drums -- Space thru the end of the show with Carlos Santana -- Thanks to Rob Darroch, John Ammons and Joe Noel for the patch source
Source 3 of 10
2:51:14
SBD
Rating:
6.67 / 10 ratings
SHNID:
gd93-01-26.sbd.miller.26346.sbeok.shnf
Source:
SBD> Dat> Cassette Master> Dat> CD> EAC> SHN
Taper Notes:
View NotesSBD> Dat> Cassette Master> Dat> CD> EAC> SHN; Converted To SHN By Charlie Miller
Taper: Rob Darroch
1:57:51
Taper:
Rob Darroch
Transferrer:
Joe Noel and John Ammons
SHNID:
gd1993-01-26.141744.FOB.s2.Schoeps.Darroch.Ammons.Noel.t-flac1648
Source:
<b>flac16/48kHz</b>; Set 2 Rob Darroch recording [FOB DFC]: Schoeps MK4 Capsules in hat > Bill Reutelhuber PS > Panasonic SV250. Mics worn in hat by Rob Darroch; John Ammons Transfer; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave
Taper Notes:
View NotesNotes: - Chinese Acrobats opened - Dragon Parade during Drums * w/ Carlos Santana - Happy FourTwenty!
Source 5 of 10
2:58:01
SHNID:
gd1993-01-26.141068.fob.cmc3-mk4.ebel.flac1644
Source:
<b/>flac16/44.1 </b> Source Info:FOB Schoeps CMC3 Mk4-> DAT (Traded to me as so, but not so sure)Transfer Info:Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's)Extract Wav-> Flac Level 8-> Tagged (16/44.1)Transfers by Pete Ebel
Taper Notes:
View NotesNotes: * Crowd fill before Encore from source #85933. Deck was paused (1:48:47->1:52:06) of set. * Set #2 is Seamless * Not sure why this one's sound is so off. The FOB claps are very clear, but the music is distant.
Taper: unknown
2:55:24
Transferrer:
jbraveman
SHNID:
gd1993-01-26.134781.fob.jbraveman.flac1648
Lineage:
DATx > Microtrack 24/96 16/48 > WAV > Flac (TLH)
Taper Notes:
View NotesNotes: Few edits made in Goldwave, no flaws noted, excellent upfront audience recording. DAT Transfer by [email protected] December 2015
Taper: Scott Swayne and Carl S.
2:58:53
Rating:
8.00 / 1 rating
Taper:
Scott Swayne and Carl S.
Transferrer:
Scott Swayne
SHNID:
gd1993-01-26.akg.swayne-carls.85934.flac1648
Source:
AKG 460/CK8's (2' spacing on custom T-Bar) > Marantz PMD-700 > (clone) DA-P20
Lineage:
Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro > CDWave > FLAC (L8)
Taper Notes:
View Notes* with Carlos Santana ** Dragon Parade My at-the-show notes indicate some PA issues during 'Women' and 'Eyes,' most apparent in ' Women'in the form of a slight low-end resonance. This gets resolved. This is the 48k version. Down-sampling to 44.1k required for burning to audio CD. The 44.1k version was also seeded for this source. I went through all of my Oakland OTS tapes, and decided to seed this one. There's something about this show I really dig (the space actually). Trust and believe, some really crappy Oakland tapes were made (since they sounded like they were recorded from inside the crapper). I don't think this is one of them, but make no mistake, FOB's of shows at this venue are what you want when it's said-and-done. Those of us who stuck to the OTS could be divided into to groups... whose who tried to make the best of a bad taping section, and those who were just fine making their tapes up towards the nosebleed end of this wretched OTS. I was in the first group. Our mics were on the flont rail of the section. We would've used some unsuspecting show-go-er to extend our mics out over this rail if we could've been certain the 30' foot drop to the concrete below wouldn't have injured them too bad... :) Like I said, this recording is not FOB, but it's no echoey-boomy-muddy turd, either. I feel it's superior to that which is currently available on the LMA, especially with headphones on. Since we were running an extra-wide custom T-Bar, (about 2 feet from mic-to-mic), we were able to get better separation, about as good as you could do in the taping section without overdoing it and getting an unnatural-sounding image. Take it for what it's worth. FOB's will materialize someday.
Taper: Scott Swayne and Carl S.
2:58:53
Taper:
Scott Swayne and Carl S.
Transferrer:
Scott Swayne
SHNID:
gd1993-01-26.akg.swayne-carls.85933.flac16
Source:
AKG 460/CK8's (2' spacing on custom T-Bar) > Marantz PMD-700 > (clone) DA-P20
Lineage:
Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro (44.1kHz) > CDWave > FLAC (L8)
Taper Notes:
View Notes* with Carlos Santana **Dragon Parade My at-the-show notes indicate some PA issues during 'Women' and 'Eyes,' most apparent in 'Women'in the form of a slight low-end resonance. This gets resolved. ------------------ ABOUT THIS SOURCE ------------------ This is the 44.1k version. The 48k version was also seeded for this source. I went through all of my Oakland OTS tapes, and decided to seed this one. There's something about this show I really dig (the space actually). Trust and believe, some really crappy Oakland tapes were made (since they sounded like they were recorded from inside the crapper). I don't think this is one of them, but make no mistake, FOB's of shows at this venue are what you want when it's said-and-done. Those of us who stuck to the OTS could be divided into to groups... whose who tried to make the best of a bad taping section, and those who were just fine making their tapes up towards the nosebleed end of this wretched OTS. I was in the first group. Our mics were on the flont rail of the section. We would've used some unsuspecting show-go-er to extend our mics out over this rail if we could've been certain the 30' foot drop to the concrete below wouldn't have injured them too bad... :) Like I said, this recording is not FOB, but it's no echoey-boomy-muddy turd, either. I feel it's superior to that which is currently available on the LMA, especially with headphones on. Since we were running an extra-wide custom T-Bar, (about 2 feet from mic-to-mic), we were able to get better separation, about as good as you could do in the taping section without overdoing it and getting an unnatural-sounding image. Take it for what it's worth. FOB's will materialize someday.
Transferrer: Jon Seff
2:54:53
Rating:
7.20 / 5 ratings
Transferrer:
Jon Seff
SHNID:
gd93-01-26.aud.ladner.21493.sbeok.shnf
Taper Notes:
View NotesEnd of set 2 with Carlos Santana.
Transferrer: Jon Seff
5:49:45
Rating:
8.00 / 1 rating
Transferrer:
Jon Seff
SHNID:
gd1993-01-26.aud.seff.4083.shnf
Source:
AUD > DAT @48k
Lineage:
DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV @44.1k > SHN (no extraction)
Taper Notes:
View Notes* - w/Carlos Santana