RELISTENTOTHE Grateful Dead
Re
Bands
Featured
Bands
Grateful Dead
RecentTopVenuesSongsTours
Today In History
June 9th
Years
1995
30.1k
PlaybackListensHours
48h56175
7d7k942
30d30.1k4.2k
49 shows
341 tapes
1994
8.6k
PlaybackListensHours
48h1.5k179
7d1.7k245
30d8.6k1.2k
85 shows
460 tapes
1993
38.4k
PlaybackListensHours
48h2.8k339
7d8.6k1.2k
30d38.4k5.1k
83 shows
656 tapes
1992
36.1k
PlaybackListensHours
48h2.2k287
7d4.5k577
30d36.1k4.8k
57 shows
539 tapes
1991
42k
PlaybackListensHours
48h3.5k503
7d11.8k1.6k
30d42k5.7k
78 shows
973 tapes
1990
35.2k
PlaybackListensHours
48h8k987
7d6.7k884
30d35.2k4.6k
78 shows
1,139 tapes
1989
47.8k
PlaybackListensHours
48h2.3k291
7d8.9k1.1k
30d47.8k6k
78 shows
1,017 tapes
1988
21.8k
PlaybackListensHours
48h1.2k134
7d3.3k377
30d21.8k2.5k
82 shows
882 tapes
1987
35.1k
PlaybackListensHours
48h1.6k176
7d6.6k713
30d35.1k3.8k
88 shows
1,025 tapes
1986
14.3k
PlaybackListensHours
48h63270
7d2.3k259
30d14.3k1.6k
47 shows
683 tapes
1985
21.9k
PlaybackListensHours
48h1.4k156
7d4.8k565
30d21.9k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h1.9k230
7d3.4k440
30d15.8k2k
67 shows
1,075 tapes
1983
33.7k
PlaybackListensHours
48h1.2k162
7d3.9k502
30d33.7k4.5k
71 shows
1,069 tapes
1982
42.1k
PlaybackListensHours
48h1.2k153
7d4.6k569
30d42.1k5.2k
63 shows
753 tapes
1981
52.1k
PlaybackListensHours
48h1.5k186
7d5.7k734
30d52.1k6.5k
92 shows
868 tapes
1980
72.7k
PlaybackListensHours
48h6.1k673
7d13.1k1.5k
30d72.7k8.4k
91 shows
794 tapes
1979
25.8k
PlaybackListensHours
48h1.4k196
7d3.4k480
30d25.8k3.6k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h1.7k230
7d12.2k1.6k
30d56.3k7.7k
87 shows
592 tapes
1977
299.2k
PlaybackListensHours
48h19.6k2.8k
7d40.6k5.5k
30d299.2k41.2k
64 shows
419 tapes
1976
50.3k
PlaybackListensHours
48h4.3k609
7d27.7k3.9k
30d50.3k6.8k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h59759
7d1.9k184
30d6.3k650
25 shows
63 tapes
1974
99.8k
PlaybackListensHours
48h7.3k959
7d11.5k1.5k
30d99.8k12.6k
42 shows
324 tapes
1973
80.6k
PlaybackListensHours
48h4.7k594
7d11.1k1.5k
30d80.6k10.3k
75 shows
445 tapes
1972
74.3k
PlaybackListensHours
48h2.2k279
7d8.3k1k
30d74.3k9k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.5k170
7d5.8k647
30d34.3k3.9k
82 shows
357 tapes
1970
45.2k
PlaybackListensHours
48h2.5k265
7d17.7k1.8k
30d45.2k4.8k
101 shows
376 tapes
1969
26.6k
PlaybackListensHours
48h1.9k319
7d6.2k1k
30d26.6k3.9k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h829112
7d1.3k156
30d6.8k854
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h12617
7d32346
30d1.5k208
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h25513
7d1k70
30d8k536
32 shows
78 tapes
1965
592
PlaybackListensHours
48h382
7d1156
30d59235
2 shows
2 tapes
1992
6/6/92
01 Touch Of Grey
6:48
02 Greatest Story Ever Told
5:19
03 Althea
8:21
04 It's All Over Now
8:16
05 Friend Of The Devil
8:52
06 When I Paint My Masterpiece
5:01
07 Take A Step Back
1:41
08 Ramble On Rose
8:32
09 Let It Grow
12:38
10 Iko Iko
6:35
11 Estimated Prophet
13:27
12 The Same Thing
7:04
13 He's Gone
9:12
14 Drums
13:17
15 Space
7:03
16 The Other One
9:10
17 The Wheel
5:11
18 Throwing Stones
9:05
19 One More Saturday Night
4:50
20 Encore Break
2:54
21 Baba O'Riley
3:08
22 Tomorrow Never Knows
3:50
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:40:14
SBD
Rating:
9.33 / 3 ratings
Transferrer:
Charlie Miller
SHNID:
gd1992-06-06.140277.sbd.cm.miller.flac1644
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- There is a really cool Spanish Jam in The Other One -- Two sets of masters were used to make this show complete -- This file set is 16 bit
Transferrer: Charlie Miller
2:40:14
SBD
Transferrer:
Charlie Miller
SHNID:
gd1992-06-06.140203.sbd.miller.flac2496
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- There is a really cool Spanish Jam in The Other One -- Two sets of masters were used to make this show complete
Source 3 of 15
1:35:56
SBD
Rating:
6.00 / 11 ratings
SHNID:
gd92-06-06.set2.sbd.herman.16815.sbeok.shnf
Source:
Soundboard Set 2 Only
Lineage:
set 2 SBD DAT>WAV>CE>CDWAV>CDR & SHN via Steve Herman (<a href= "http://db.etree.org/shninfo_detail.php?shnid=14042">previous</a> source but with sbe's fixed and made seekable) encoded by Chris Ladner
Taper Notes:
View Notesset 2 SBD DAT>WAV>CE>CDWAV>CDR & SHN via Steve Herman (<a href="http://db.etree.org/shninfo_detail.php?shnid=14042" rel="ugc nofollow">previous</a> source but with sbe's fixed and made seekable) encoded by Chris Ladner
Transferrer: DAT to CDR by Steve Herman
1:35:55
SBD
Transferrer:
DAT to CDR by Steve Herman
SHNID:
gd1992-06-06.sbd.caroselli.nerman.14042.shnf
Source:
SBD DAT>WAV>CE>CDWAV>CDR & SHN
Taper Notes:
View NotesMade appropriate fades where necessary at the beginning/end of disks & sets only. Provided for an overlap between disks as necessary. It sounds like the tape was recording during the pre set tuning, paused, then started again just as Iko Iko began. Iko Iko and Estimated Prophet are littered with static pops which were left unedited. The pops almost entirely clear up by The Same Thing. The set is hindered by a few band ear PA gestures and some non-so-needed affects by Healy. Significantly reduced 2 nasty dropouts in Iko Iko with only slight remnants of the edits. Significantly reduced a segment of digital noise near the end of Estimate Prophet with only slight remnant of the edit. Removed 2 pops from the beginning of The Wheel. Removed tick from Tomorrow Never Knows.
Taper: Michael Hessberg
2:39:51
Taper:
Michael Hessberg
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1992-06-06.164744.nak300.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master Audience Cassettes; Nakamichi 300 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Robert Mullen for the DAK 5245 + PZM mics matrix source which supplies a 0:25 patch in "Space" - Pitch corrected Mastered by Scott Clugston May 2023
Taper: Michael Hessberg
2:39:51
Taper:
Michael Hessberg
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1992-06-06.164743.nak300.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master Audience Cassettes; Nakamichi 300 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Robert Mullen for the DAK 5245 + PZM mics matrix source which supplies a 0:25 patch in "Space" - Pitch corrected Mastered by Scott Clugston May 2023
Taper: Doug Lamarre
2:33:05
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1992-06-06.137752.aud.lamarre.berger.flac24
Source:
source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx-90/100’s, dolby b; OTS; nakamichi dragon/b > benchmark adc1 @ 24/96>fission> adobe audition cc> xACT flac; transferred - Rob Berger
Taper: Doug Lamarre
2:33:05
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1992-06-06.137751.aud.lamarre.berger.flac16
Source:
source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx-90’s, dolby b; OTS; nakamichi dragon/b > benchmark adc1 @ 24/96>fission> adobe audition cc> xACT flac; transferred - Rob Berger
Taper: Fitzy
2:38:15
Taper:
Fitzy
Transferrer:
Keo
SHNID:
gd1992-06-06.134943.Nak300CP4.Fitzy.Keo.Flac2496
Source:
Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M; Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show! Some light wind picked uo in first set and some high recording levels in masterpiece and also near the end of set 2.All and all another excellent share from the Fitzy collection and the Grateful Dead's Summer 1992 Tour!!!! AS ALWAYS ENJOY!!!!!!!!!!
Taper: Fitzy
2:38:15
Rating:
10.00 / 1 rating
Taper:
Fitzy
Transferrer:
Keo
SHNID:
gd1992-06-06.134942.Nak300CP4.Fitzy-Keo.Flac1644
Source:
Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M; Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show! Some light wind picked uo in first set and some high recording levels in masterpiece and also near the end of set 2.All and all another excellent share from the Fitzy collection and the Grateful Dead's Summer 1992 Tour!!!! AS ALWAYS ENJOY!!!!!!!!!!
Taper: Todd Evans
2:45:14
Taper:
Todd Evans
Transferrer:
Jamie Waddell ; remastered by eywood
SHNID:
gd1992-06-06.124862.eywood.flac16
Source:
MAD Recording - FOB DFC Audience; 1st Two Songs of Set 1: B&K4011's; Balance of Show: Schoeps CMC32's Spaced Omni's (6' Stand and 8' Spread) -> Monster M1000 Cable -> Panasonic sv255 DAT Deck 16/48; Recorded by Todd Evans; Edited by: Jamie Waddell; EQ and hard limiting, as well as reindexing disc 3 done by }{eywood
Taper Notes:
View NotesFurther EQ and hard limiting, as well as reindexing disc 3 done by }{eywood December 2008
Taper: Robert Mullen
2:37:01
Taper:
Robert Mullen
Transferrer:
Robert Mullen
SHNID:
gd1992-06-06.119035.aud.mtx.dak5245.pzm.mullen.flac16
Source:
Recorded & Transfered By: Robert Mullen; Source: Master Audience cassette; Lineage: 2 DAK 5245 Microphones and 2 Realistic PZM Mics(Mounted on 1'x 1'x 3/8" plexiglass)>Realistic 4 channel Mixer>Sony D6C Portable Stereo Cassette Recorder
Lineage:
Master cassette(TDK SA-X90)>Yamaha Natural Sound Stereo Cassette Deck K-902>SigmaTel Audio Sound Card/CD Wave Editor(tracking)>Traders Little Helper(flac level 8)
Taper Notes:
View NotesHere is our recording of the 92' Buffalo Show. We made it there after not seeing them in 1991. Thought I'd offer this up as we used a 4 Mic configuration that would be a bit unique. The weather was a bit overcast and a little breezy as I recall. This was our first time seeing Vince in the band and we enjoyed the show. Enjoy the recording folks.
Taper: John Bleich
2:41:26
Taper:
John Bleich
Transferrer:
SIRMick
SHNID:
gd1992-06-06.nak300.bleich-sirmick.111171.sbeok.flac16
Source:
Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > MAC;
Lineage:
MAC > Sony WM-D6 > Edirol R09 HR > 24/48 wav > Adobe Audition > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16; taped and transferred by John Bleich
Taper Notes:
View Notespatches: - "Iko Iko" 0:00 - 0:17 - "Space" 3:23 -3:59 patch source: Schoeps CMC32's Spaced Omni's (6' Stand and 8' Spread) -> Monster M1000 Cable -> Panasonic sv255 DAT Deck 16/48 (shnid 82444) Lineage: DAT 16/48 > TASCAM DA-20 (spdif out) > Apogee Wide Eye Spdif Digital Cable > Lynx Two Soundcard (spdif in) > Wavelab 6.0 - other tape flips crossfaded Comments: Steve Miller opened My thanks to John edited and mastered SIRMick December 2010
Taper: Todd Evans
2:44:58
Rating:
6.00 / 3 ratings
Taper:
Todd Evans
Transferrer:
Jamie Waddell
SHNID:
gd1992-06-06.fob.evens.gems.82444.sbeok.flac16
Source:
Schoeps CMC32's Spaced Omni's (6' Stand and 8' Spread) -> Monster M1000 Cable -> Panasonic sv255 DAT Deck 16/48
Lineage:
DAT 16/48 > TASCAM DA-20 (spdif out) > Apogee Wide Eye Spdif Digital Cable > Lynx Two Soundcard (spdif in) > Wavelab 6.0
Taper Notes:
View NotesMAD Recording - FOB DFC Audience General Admission Show 1st Two Songs of Set 1 - B&K4011's Balance of Show Schoeps CMC32's Spaced Omni's (6' Stand and 8' Spread) -> Monster M1000 Cable -> Panasonic sv255 DAT Deck 16/48 Recorded by Todd Evans Edited by: Jamie Waddell Wavelab 6.0 SBE FREE 16/44.1 A **GEMS** Production www.shnflac.net February 2007
Source 15 of 15
2:41:21
Rating:
7.20 / 10 ratings
SHNID:
gd92-06-06.aud.8242.sbeok.shnf
Source:
AUD > CM > DAT > CDR > WAV > SHN