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Bands
Grateful Dead
Today In History
June 9th
9 shows
89 tapes
Years
1995
30.1k
PlaybackListensHours
48h55773
7d7k942
30d30.1k4.2k
49 shows
341 tapes
1994
8.6k
PlaybackListensHours
48h1.3k162
7d1.7k245
30d8.6k1.2k
85 shows
460 tapes
1993
38.4k
PlaybackListensHours
48h2.2k276
7d8.6k1.2k
30d38.4k5.1k
83 shows
656 tapes
1992
36.1k
PlaybackListensHours
48h2.1k270
7d4.5k577
30d36.1k4.8k
57 shows
539 tapes
1991
42k
PlaybackListensHours
48h4.7k664
7d11.8k1.6k
30d42k5.7k
78 shows
973 tapes
1990
35.2k
PlaybackListensHours
48h6.9k861
7d6.7k884
30d35.2k4.6k
78 shows
1,139 tapes
1989
47.8k
PlaybackListensHours
48h2.6k327
7d8.9k1.1k
30d47.8k6k
78 shows
1,017 tapes
1988
21.8k
PlaybackListensHours
48h1.3k146
7d3.3k377
30d21.8k2.5k
82 shows
882 tapes
1987
35.1k
PlaybackListensHours
48h1.7k188
7d6.6k713
30d35.1k3.8k
88 shows
1,025 tapes
1986
14.3k
PlaybackListensHours
48h71379
7d2.3k259
30d14.3k1.6k
47 shows
683 tapes
1985
21.9k
PlaybackListensHours
48h1.5k168
7d4.8k565
30d21.9k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h1.1k142
7d3.4k440
30d15.8k2k
67 shows
1,075 tapes
1983
33.7k
PlaybackListensHours
48h1.4k192
7d3.9k502
30d33.7k4.5k
71 shows
1,069 tapes
1982
42.1k
PlaybackListensHours
48h1.4k167
7d4.6k569
30d42.1k5.2k
63 shows
753 tapes
1981
52.1k
PlaybackListensHours
48h1.8k221
7d5.7k734
30d52.1k6.5k
92 shows
868 tapes
1980
72.7k
PlaybackListensHours
48h7.9k855
7d13.1k1.5k
30d72.7k8.4k
91 shows
794 tapes
1979
25.8k
PlaybackListensHours
48h1.4k204
7d3.4k480
30d25.8k3.6k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h1.7k238
7d12.2k1.6k
30d56.3k7.7k
87 shows
592 tapes
1977
299.2k
PlaybackListensHours
48h22k3.1k
7d40.6k5.5k
30d299.2k41.2k
64 shows
419 tapes
1976
50.3k
PlaybackListensHours
48h3.2k440
7d27.7k3.9k
30d50.3k6.8k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h74372
7d1.9k184
30d6.3k650
25 shows
63 tapes
1974
99.8k
PlaybackListensHours
48h7.4k969
7d11.5k1.5k
30d99.8k12.6k
42 shows
324 tapes
1973
80.6k
PlaybackListensHours
48h3.6k469
7d11.1k1.5k
30d80.6k10.3k
75 shows
445 tapes
1972
74.3k
PlaybackListensHours
48h2.5k303
7d8.3k1k
30d74.3k9k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.5k170
7d5.8k647
30d34.3k3.9k
82 shows
357 tapes
1970
45.2k
PlaybackListensHours
48h3.7k369
7d17.7k1.8k
30d45.2k4.8k
101 shows
376 tapes
1969
26.6k
PlaybackListensHours
48h2.3k359
7d6.2k1k
30d26.6k3.9k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h789108
7d1.3k156
30d6.8k854
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h14719
7d32346
30d1.5k208
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h22113
7d1k70
30d8k536
32 shows
78 tapes
1965
592
PlaybackListensHours
48h452
7d1156
30d59235
2 shows
2 tapes
1988
Sources
Taper: Recorded by Don Pearson and Dan Healy
2:10:19
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] March 22, 2022
SHNID:
gd1988-02-14.156445.UltraMatrix.sbd.cm.miller.t.flac1644
Source:
SBD > Cassette Master (Sony TC-D5M/TDK SA-C90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- This is 156169 2496 > 1644.1
Taper: Don Pearson and Dan Healy
2:10:19
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] March 22, 2022
SHNID:
gd1988-02-14.156169.ultramatrix.miller.flac2496
Source:
SBD > Cassette Master (Sony TC-D5M/TDK SA-C90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy
Taper: Paul Scotton and Joani Walker
2:06:27
SBD
Rating:
8.00 / 4 ratings
Taper:
Paul Scotton and Joani Walker
Transferrer:
Charlie Miller
SHNID:
gd1988-02-14.sbd.walker-scotton.miller.103110.flac16
Source:
SBD -> Cassette Master (Sony D5/TDK MA-R90)
Lineage:
Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.1.1 -> Adobe Audition v1.5 -> FLAC/16
Taper Notes:
View NotesNotes: -- Disc change is seamless -- This is a re-master of shnid=85909 -- Thanks to Paul Scotton and Joani Walker for the tapes -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Charlie Miller
2:09:09
SBD
Rating:
6.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1988-02-14.sbd.walker-scotton.miller.85909.sbeok.flac16
Source:
SBD -> Cassette Master (Sony D5/TDK MA-R90) D
Lineage:
Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) ->
Taper Notes:
View NotesPatch Info: Schoeps CMC3/MK41 -> Dat -> CD supplies: Space (0:00 - 0:10) Notes: -- Disc change is seamless -- Thanks to Paul Scotton and Joani Walker for the tapes
Transferrer: Charlie Miller
2:04:33
SBD
Rating:
8.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1988-02-14.sbd.miller.22312.sbeok.shnf
Source:
Source 1: Schoeps CMC3/MK41>Dat>CD>Cool Edit Pro>SHN (Touch through Samson, Drums/Space); Source 2: SBD>Dat>ZA2>Sound Forge>SHN (Terrapin, Miracle to End Of Show)
Taper Notes:
View NotesPatched By Charlie Miller With Samplitude v7.02 Professional
Source 6 of 12
2:04:54
SBD
Rating:
8.50 / 4 ratings
SHNID:
gd88-02-14.sbd.hinko.24995.sbeok.shnf
Source:
SBD > MC > DAT > CD > EAC > SHN
Taper Notes:
View NotesSBD > MC > DAT > CD > EAC > SHN; except for Mighty Quinn, this is from the DSBD source; No cut at beginning of China Cat; EAC/SHN by Darryl Hinko
Source 7 of 12
2:05:23
SBD
Rating:
7.33 / 4 ratings
SHNID:
gd88-02-14.sbd.patched.miller.23533.sbeok.shnf
Source:
Source 1: SBD>Master Cassette>CD>EAC>Samplitude>SHN Source 2: SBD>Dat>ZA2>Sound Forge>SHN (Terrapin, Miracle to End Of Show) Patches: Schoeps CMC3/MK41>Dat>Sound Forge>CD>EAC>SHN (Start Of China Cat)
Taper Notes:
View NotesSource 1: SBD>Master Cassette>CD>EAC>Samplitude>SHN Source 2: SBD>Dat>ZA2>Sound Forge>SHN (Terrapin, Miracle to End Of Show) Patches: Schoeps CMC3/MK41>Dat>Sound Forge>CD>EAC>SHN (Start Of China Cat)
Taper: OldNeumanntapr
2:05:24
Taper:
OldNeumanntapr
Transferrer:
OldNeumanntapr
SHNID:
gd1988-02-14.168636.SuperscopeEC-7.ont.flac1644
Source:
OTS; Superscope EC-7 Cardioids (Near Coincident) >Sony TC-153SD [XLIIS]
Lineage:
Cassette Masters Transferred Via Denon DR-M12HR >Tascam DR100mkII (24bit/48kHz) WAV >Audacity (Amplify, Track Splits, Down Sample To 16bit/44.1kHz, Minor Edits [Tape Flips] & Fades) Fix SBEs >FLAC (Level 8) + Tags Via xACT 2.53
Taper Notes:
View NotesOldNeumanntapr Notes; I always liked the Kaiser Convention Center, mostly because it was smaller than the Oakland Coliseum Arena. I saw my very first Dead show at Henry J. Kaiser on Feb 9 1986, and we sat in the tapers section by accident because I wanted to be in the balcony and not on the floor dealing with standing room only. (I spent half of my time at my first show staring at the tapers and the other half watching the band. Afterward I understood the phrase, 'When you absolutely have to be there, every night!') I knew from my first show that I wanted to be a taper. I think it was one of these two shows that, as we were running in through the doors, another taper exclaimed to his friend that 'We fulfill a Valuable archival purpose!' I never forgot that because it rang true with me. It's so amazing to go through my early masters all these years later because if a picture is worth a thousand words, an audio recording is a complete volume!
Transferrer: Transfers and edits by Pete Ebel February 23, 2022
2:06:50
Transferrer:
Transfers and edits by Pete Ebel February 23, 2022
Source:
FOB Schoeps CMC 3 MK4-> PCM-> DAT
Lineage:
DAT Tape (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/44.1)
Taper Notes:
View NotesNotes: * This is the same source as #014953 & 015202. This new transfer seems to be clean from all the cuts and digital static on the other 2 versions. Also seems to have a little bit more low end. My DAT says its a PCM Master (Sounds like a PCM). Who Knows... * Small tracking error noise during Push Comes To Shove * All tracks are seamless
Taper: Andrew F.
2:04:23
Rating:
8.00 / 2 ratings
Taper:
Andrew F.
Transferrer:
Andrew F.
SHNID:
gd1988-02-14.nak300.andrewf.96635.flac16
Source:
OTS AUD: Nakamichi CM300's w/CP4 shotguns > patched thru one Sony D5 > Sony WM-D6C > Maxell MX-90's with no Dolby.
Lineage:
MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC 1644
Taper Notes:
View NotesNotes: - Disc break is seamless. - Patch from ShnID-15202, Space 0:35 > 1:04. - Alternate CDR option: Overburn Set 2 & Encore to 80:01.24.
Source 11 of 12
2:04:46
Rating:
8.00 / 2 ratings
SHNID:
gd88-02-14.aud.wiley.15202.sbeok.shnf
Source:
Schoeps CMC3/MK41>DAT>CDR
Taper Notes:
View NotesSchoeps CMC3/MK41>DAT>CDR ; Via Charlie Miller ; Re Seeded by T. Wiley ; Please Note this is a fixed copy of <a href="http://db.etree.org/shninfo_detail.php?shnid=14953" rel="ugc nofollow">Charlie Miller's </a>seed.
Source 12 of 12
4:31:51
Rating:
10.00 / 2 ratings
SHNID:
gd1988-02-14.aud.schoepsCMC3.miller.14953.shnf
Source:
Schoeps CMC3/MK41>Dat>CD
Taper Notes:
View Notes-Redundant 9 minutes of Terrapin @ end d1