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Bands
Grateful Dead
Today In History
June 9th
Years
1995
30.1k
PlaybackListensHours
48h54573
7d7k942
30d30.1k4.2k
49 shows
341 tapes
1994
8.6k
PlaybackListensHours
48h1.4k170
7d1.7k245
30d8.6k1.2k
85 shows
460 tapes
1993
38.4k
PlaybackListensHours
48h2.5k310
7d8.6k1.2k
30d38.4k5.1k
83 shows
656 tapes
1992
36.1k
PlaybackListensHours
48h2.2k281
7d4.5k577
30d36.1k4.8k
57 shows
539 tapes
1991
42k
PlaybackListensHours
48h3.8k541
7d11.8k1.6k
30d42k5.7k
78 shows
973 tapes
1990
35.2k
PlaybackListensHours
48h7.6k939
7d6.7k884
30d35.2k4.6k
78 shows
1,139 tapes
1989
47.8k
PlaybackListensHours
48h2.4k295
7d8.9k1.1k
30d47.8k6k
78 shows
1,017 tapes
1988
21.8k
PlaybackListensHours
48h1.2k135
7d3.3k377
30d21.8k2.5k
82 shows
882 tapes
1987
35.1k
PlaybackListensHours
48h1.6k173
7d6.6k713
30d35.1k3.8k
88 shows
1,025 tapes
1986
14.3k
PlaybackListensHours
48h63671
7d2.3k259
30d14.3k1.6k
47 shows
683 tapes
1985
21.9k
PlaybackListensHours
48h1.4k165
7d4.8k565
30d21.9k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h1.6k198
7d3.4k440
30d15.8k2k
67 shows
1,075 tapes
1983
33.7k
PlaybackListensHours
48h1.3k173
7d3.9k502
30d33.7k4.5k
71 shows
1,069 tapes
1982
42.1k
PlaybackListensHours
48h1.3k156
7d4.6k569
30d42.1k5.2k
63 shows
753 tapes
1981
52.1k
PlaybackListensHours
48h1.6k200
7d5.7k734
30d52.1k6.5k
92 shows
868 tapes
1980
72.7k
PlaybackListensHours
48h6.7k726
7d13.1k1.5k
30d72.7k8.4k
91 shows
794 tapes
1979
25.8k
PlaybackListensHours
48h1.4k202
7d3.4k480
30d25.8k3.6k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h1.7k232
7d12.2k1.6k
30d56.3k7.7k
87 shows
592 tapes
1977
299.2k
PlaybackListensHours
48h20.2k2.8k
7d40.6k5.5k
30d299.2k41.2k
64 shows
419 tapes
1976
50.3k
PlaybackListensHours
48h3.9k544
7d27.7k3.9k
30d50.3k6.8k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h64863
7d1.9k184
30d6.3k650
25 shows
63 tapes
1974
99.8k
PlaybackListensHours
48h7.3k963
7d11.5k1.5k
30d99.8k12.6k
42 shows
324 tapes
1973
80.6k
PlaybackListensHours
48h4.3k557
7d11.1k1.5k
30d80.6k10.3k
75 shows
445 tapes
1972
74.3k
PlaybackListensHours
48h2.4k293
7d8.3k1k
30d74.3k9k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.5k172
7d5.8k647
30d34.3k3.9k
82 shows
357 tapes
1970
45.2k
PlaybackListensHours
48h2.9k296
7d17.7k1.8k
30d45.2k4.8k
101 shows
376 tapes
1969
26.6k
PlaybackListensHours
48h2k329
7d6.2k1k
30d26.6k3.9k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h837112
7d1.3k156
30d6.8k854
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h12817
7d32346
30d1.5k208
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h21510
7d1k70
30d8k536
32 shows
78 tapes
1965
592
PlaybackListensHours
48h392
7d1156
30d59235
2 shows
2 tapes
1984
Sources
Taper: Jim Vita
2:32:07
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-10-11.168003.beyer.m160.vita.miller.clugston.flac2496
Source:
Jim Vita's Master (FOB) Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies an 8:17 patch in "Drums" - Pitch corrected Mastered by Scott Clugston May 2023
Taper: Jim Vita
2:32:07
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-10-11.168002.beyer.m160.vita.miller.clugston.flac1648
Source:
Jim Vita's Master (FOB) Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies an 8:17 patch in "Drums" - Pitch corrected Mastered by Scott Clugston May 2023
Taper: Mike Guy
2:30:04
Taper:
Mike Guy
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-10-11.143632.nak.blend.guy.miller.clugston.flac2496
Source:
Mike Guy's Master Audience Cassettes; 3 mic spread - (2) Nakamichi CM300 mics w/ CP-4 shotgun caps + (1) Nakamichi CM100 mics w/CP-2 omni cap blend > Nakamichi 500 (Maxell XLIIS-90)
Lineage:
Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mike Guy for the master audience cassette source - Thanks to David Beckwith, Chris Mrachek and all the folks involved in cultivating this new source/relationship - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Greg Holtz and Tony Bolton for the Nakamichi CM100 source which supplies a 0:14 patch in "Drums" - Pitch corrected Mastered by Scott Clugston November 2018
Taper: Mike Guy
2:30:04
Rating:
8.00 / 1 rating
Taper:
Mike Guy
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-10-11.143631.nak.blend.guy.miller.clugston.flac1648
Source:
Mike Guy's Master Audience Cassettes; 3 mic spread - (2) Nakamichi CM300 mics w/ CP-4 shotgun caps + (1) Nakamichi CM100 mics w/CP-2 omni cap blend > Nakamichi 500 (Maxell XLIIS-90)
Lineage:
Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mike Guy for the master audience cassette source - Thanks to David Beckwith, Chris Mrachek and all the folks involved in cultivating this new source/relationship - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Greg Holtz and Tony Bolton for the Nakamichi CM100 source which supplies a 0:14 patch in "Drums" - Pitch corrected Mastered by Scott Clugston November 2018
Taper: Kenn Renninger & Jim Kline
2:33:34
Taper:
Kenn Renninger & Jim Kline
Transferrer:
DSD Transfer By Nikky Carbonetta Edited & Mastered By Joe Noel March 16, 2026
SHNID:
gd1984-10-11.175710.nak.cm300.Renninger.Kline.Carbonetta.noel.flac2496
Source:
Nakamichi Cm300 + Cp-1 Cardioid Capsule > Sony Tc-d5m > Master Cassette
Lineage:
Master Cassette > Nakamichi Cr7a > Korg Mr2000 @ 1bit > Korg Audiogate > Dff 24 > dBpoweramp > Adobe Audition > Flac 2496
Taper Notes:
View NotesNotes; - all tape pauses were x-faded - Checksum & tags created in xACT. Thanks to; - Kenn Renninger & Jim Kline for taping the show - Nikky Carbonetta for DSD transfer - Ted Mattes for organizing this project - Jim Vita (RIP) for the patch source
Taper: Recorded, Transferred & Mastered by Anon
2:35:24
Taper:
Recorded, Transferred & Mastered by Anon
Transferrer:
Edited w/ addl Mastering (Adobe Audition) by Joe Noel October 29, 2022
SHNID:
gd1984-10-11.165102.fob.nak100.photoleon.flac2448
Source:
(FOB) Nakamichi 100 Shotguns > Sony TC-D5m > Master Cassette (TDK MA90s, Dolby B On)
Lineage:
Master Cassette > Nakamichi CR7A (no dolby, azimuth adjusted) > Korg MR2000 (1 bit 5.6 Mhz) > AudioGate > dbx software decode > dolby b software decode > WAV24/48
Taper Notes:
View NotesThanks to; - Anon, while hiding out away from the Bay Area, for sharing this master cassette & transfer. - Greg Holtz & Tony Bolton for the patch source Notes; - tape pauses & flip (s1) were cross faded
Taper: billydee
2:30:28
Rating:
8.00 / 1 rating
Taper:
billydee
Transferrer:
Joe Noel, Larry Sellers
SHNID:
gd1984-10-11.141028.FOB.Neumann.billydee.Sellers.Noel.t-flac1644
Source:
billydee recording (patched out of): Neumann km84i's > Sony TC-D5M > master audio cassette (FOB); Larry Sellers & the Philly Crew Direct Stream Digital (DSD)
Lineage:
MAC > Nak CR7A w/ azimuth adjusted > Korg MR-1000 @ 5.8mhz > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel > Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper Notes:
View NotesPatch info - Source #132793 (Oade remaster) suplies; - s1t02; 0:00 - 0:06 - s2t07; 0:06 - 0:27 Notes: - Crossfades applied to tapes pauses. - s1t02, levels restored in right channel. - When the band goes off the beaten path in set 2, its the golden road. - Sing us a song Brent, woo woo, woo woo. - This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper: billydee
2:30:28
Taper:
billydee
Transferrer:
Larry Sellers & the Philly Crew; Joe Noel
SHNID:
gd1984-10-11.139116.FOB.Neumann.billydee.Sellers.Noel.t-flac24
Source:
billydee recording (patched out of): Neumann km84i's > Sony TC-D5M > master audio cassette (FOB); Larry Sellers & the Philly Crew Direct Stream Digital (DSD)
Lineage:
MAC > Nak CR7A w/ azimuth adjusted > Korg MR-1000 @ 5.8mhz > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel > Flac 24/96; Checksum & tags created in xACT
Taper Notes:
View NotesNotes: - Crossfades applied to tapes pauses. - s1t02, levels restored in right channel. - When the band goes off the beaten path in set 2, its the golden road. - Sing us a song Brent, woo woo, woo woo.
Taper: Doug Lamarre
2:21:15
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1984-10-11.137265.aud.lamarre.berger.flac16
Source:
source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s>sony d5; maxell xl-IIS90’s, dolby b; nakamichi dragon/b>benchmark adc1 @ 24/96; transferred & seeded by Rob Berger
Taper: Doug Lamarre
2:21:15
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1984-10-11.137264.aud.lamarre.berger.flac24
Source:
source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s>sony d5; maxell xl-IIS90’s, dolby b; nakamichi dragon/b>benchmark adc1 @ 24/96; transferred & seeded by Rob Berger
Transferrer: Remaster by Dave Usborne
2:32:00
REMASTER
Rating:
7.33 / 3 ratings
Transferrer:
Remaster by Dave Usborne
SHNID:
gd1984-10-11.132793.fob-schoeps.oade.BCE.flac16
Source:
Remaster of Oade source 8794; Izotope RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64; Tracks cut and Flac files created in Audacity 2.0.5
Taper: Steve Hill
2:29:12
Taper:
Steve Hill
Transferrer:
Keo
SHNID:
gd1984-10-11.132352.Nak100CP4.Hill.Keo.Flac2496
Source:
Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Steve for recording and sharing his source for this show! Some tape pauses between first set songs.Another excellent share from the Hill collection of master audience recordings and the Grateful Dead's Fall 1984 Tour!!!!!!!!!!!!! AS ALWAYS ENJOY!!!!!
Taper: Steve Hill
2:29:12
Taper:
Steve Hill
Transferrer:
Keo
SHNID:
gd1984-10-11.132351.Nak100CP4.Hill.Keo.Flac1644
Source:
Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Steve for recording and sharing his source for this show! Some tape pauses between first set songs.Another excellent share from the Hill collection of master audience recordings and the Grateful Dead's Fall 1984 Tour!!!!!!!!!!!!! AS ALWAYS ENJOY!!!!!
Taper: chasingwilma
2:27:17
Rating:
8.00 / 1 rating
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1984-10-11.124355.chasingwilma.flac24
Source:
lineage: (2)nakamichi 300 cp1 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
Taper: Bob Morris
2:30:38
Rating:
10.00 / 1 rating
Taper:
Bob Morris
SHNID:
gd1984-10-11.nak300.morris.113965.flac24
Source:
Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24
Taper Notes:
View NotesNotes: - Drums spliced at 0:12, 6:49, & 7:51 via Soundforge 9.0. - Recorded by Bob Morris -- thanks to Sam for help. - Transfer (Oct 2009) & 2496 conversion / edits (Jan 2011) by Bob Morris.
Taper: Da Weez
2:24:58
Rating:
8.00 / 1 rating
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1984-10-11.110034.beyer-senn-daweez.D5scott.flac16
Source:
source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
Taper Notes:
View Notes---------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- R.I.P. Sandy - aka "Bigfoot" He was a friend of mine and "Da Weez" who had nothing to do with this recording, but we all sure do miss him! ----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------
Taper: Bob Morris
2:29:50
Taper:
Bob Morris
Transferrer:
Chuck T.
SHNID:
gd1984-10-11.nak300.morris.crazyfingers.106646.flac16
Source:
Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90)
Lineage:
Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
Taper: Greg Holtz and Tony Bolton
2:30:21
Rating:
9.00 / 8 ratings
Taper:
Greg Holtz and Tony Bolton
Transferrer:
JAZ
SHNID:
gd1984-10-11.fob.nak100.holtz-bolton.jaz.100420.flac16
Source:
FOB: Nakamichi CM100 mics w/CP-4 shotgun capsules > Sony TC-D5M cassette deck. Situated exact center, directly in front of the soundboard, mic stand at about 7', shotguns pointing at stacks
Lineage:
MAC > Nakamichi DR-1 cassette deck > HHb 850 Standalone CD Burner > CDR > EAC > Cool Edit Pro > CD Wave > FLAC Level 8
Taper: Steve Rolfe
2:31:16
Rating:
10.00 / 2 ratings
Taper:
Steve Rolfe
Transferrer:
David Minches
SHNID:
gd1984-10-11.nak700.rolfe.minches.99190.flac16
Source:
2 Nak 700s> Sony TC-D5
Lineage:
Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
Taper Notes:
View NotesThis is the 16 bit/44.1 kHz version. Thanks to Joe B. Jones for pitch correction.
Taper: Andrew F.
2:30:51
Rating:
9.00 / 2 ratings
Taper:
Andrew F.
Transferrer:
Andrew F.
SHNID:
gd1984-10-11.fob.senn441.andrewf.94404.sbeok.flac16
Source:
FOB AUD: Sennhesier MD-441's > Sony TC-D5M > Maxell UD-XLII 90's, no Dolby. Mics on seven-foot stood, angled up at stacks, approx 25 feet from the stage, in the center.
Lineage:
MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC.
Taper Notes:
View NotesNotes: - Same recording as ShnID-5304, but hugely upgraded. - Patch from ShnID-33825, GSET 0:00 > 0:08. - Patches from ShnID-17411, Set2 Tuning 2:01 > 2:08, PITB 13:47 > 14:00. - Disc break is seamless.
Taper: Tony Suraci
2:20:58
Taper:
Tony Suraci
Transferrer:
Tony Suraci
SHNID:
gd1984-10-11.beyerm88.suraci.sbeok.77916.flac16
Source:
Beyer M88's>Sony D5
Lineage:
Sony D5Pro>Lunatec V3>SD722
Taper Notes:
View Notes*thanks to Eugene for the mics. Notes: This is the 16Bit version. 24Bit is archived on DVDA.
Taper: Derek McCabe
2:20:28
Taper:
Derek McCabe
Transferrer:
Chris Ladner
SHNID:
gd1984-10-11.beyerm160.mccabe.ladner.33825.sbeok.flac16
Source:
FOB Beyer M160s > Sony TCD5M > Master Audience Cassette (Maxell MX90 Type IV Cassettes)
Lineage:
MAC playback on Nakamich DR-2 > Audiophile 2496 > recorded as 24bit /96 KHz WAV > Wavelab/Waves L3 (see notes) > rendered to 16/44.1 WAV > CDWAV 1.9 > FLAC (level 8)
Taper Notes:
View Notes- Tape heads were cleaned and demagged prior to transfering each set. - Tape bias tuned to +1. - Recorded to 24 bit/96 KHz WAV with Wavelab 5.0 on P4 1.8 GHz PC with no other apps running/background processes minimized. - All editing/mastering was done on the 24/96 files prior to rendering to 16 bit. - Gapless stereo 24 bit/96 KHz DVD-A rendering was also generated with Discwelder Chrome. - Waves XNoise Noise reduction: 10 second segment of nonmusical tape noise was "learned" as a noise mask and subtracted at a threshold of 2 dB and 50%. This resulted in a > 10 dB drop in noise level without coloration. - Waves L3 Multimaximizer with "Warm" IDR setting, threshold of -4.0 dB, ceiling of -0.1 dB, type I dither, ultra shaping rendered to 16/44.1 KHz. - Crossfades smoothed gaps between tape pauses between songs and flips. - Drums is truncated and crossfaded into Space as one track.
Source 23 of 25
2:28:04
Rating:
9.14 / 15 ratings
SHNID:
gd84-10-11.oade.sacks.17411.sbeok.shnf
Source:
Oade Recording -- FOB -- Schoeps CMC 441> Oade M118 > Sony TC D5>DATs (@44.1k).
Taper Notes:
View NotesSource: Oade Recording -- FOB -- Schoeps CMC 441> Oade M118 > Sony TC D5>DATs (@44.1k). DAT>SHN -- Sony PCM-M1>Coax 7 pin>Zoltrix Nightingale (coax mod)>Soundforge 5.0 (No Processing)>CDWAV (track splitting)>SHN (Seekable)Seeded to etree by Darrin Sacks; also to abgd via Charlie Connor
Taper: Oade Brothers
2:28:03
Rating:
9.50 / 4 ratings
Taper:
Oade Brothers
Transferrer:
Darrin Sacks
SHNID:
gd1984-10-11.schoeps.oade.sacks.8794.sbefail.shnf
Source:
Oade Recording -- FOB -- Schoeps CMC 441> Oade M118 > Sony TC D5>DATs (@44.1k).
Lineage:
DAT>SHN -- Sony PCM-M1>Coax 7 pin>Zoltrix Nightingale (coax mod)> Soundforge 5.0 (No Processing)>CDWAV (track splitting)>SHN (Seekable)
Taper Notes:
View NotesThanks to JJ for the DAT DAT>CDR x-fer by darrin ([email protected]). Seeded to etree 4/2002 Enjoy!
Source 25 of 25
2:30:44
Rating:
8.00 / 1 rating
Source:
AUD>CM>DAT>CDR