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Grateful Dead
Today In History
June 9th
Years
1995
30.1k
PlaybackListensHours
48h58576
7d7k942
30d30.1k4.2k
49 shows
341 tapes
1994
8.6k
PlaybackListensHours
48h1.2k153
7d1.7k245
30d8.6k1.2k
85 shows
460 tapes
1993
38.4k
PlaybackListensHours
48h2.3k282
7d8.6k1.2k
30d38.4k5.1k
83 shows
656 tapes
1992
36.1k
PlaybackListensHours
48h2.1k270
7d4.5k577
30d36.1k4.8k
57 shows
539 tapes
1991
42k
PlaybackListensHours
48h5.5k778
7d11.8k1.6k
30d42k5.7k
78 shows
972 tapes
1990
35.2k
PlaybackListensHours
48h6.4k796
7d6.7k884
30d35.2k4.6k
78 shows
1,139 tapes
1989
47.8k
PlaybackListensHours
48h2.7k337
7d8.9k1.1k
30d47.8k6k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k140
7d3.3k377
30d21.8k2.5k
82 shows
882 tapes
1987
35.1k
PlaybackListensHours
48h1.8k198
7d6.6k713
30d35.1k3.8k
88 shows
1,025 tapes
1986
14.3k
PlaybackListensHours
48h80889
7d2.3k259
30d14.3k1.6k
47 shows
683 tapes
1985
21.9k
PlaybackListensHours
48h1.5k168
7d4.8k565
30d21.9k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h1k132
7d3.4k440
30d15.8k2k
67 shows
1,075 tapes
1983
33.7k
PlaybackListensHours
48h1.5k204
7d3.9k502
30d33.7k4.5k
71 shows
1,069 tapes
1982
42.1k
PlaybackListensHours
48h1.5k189
7d4.6k569
30d42.1k5.2k
63 shows
753 tapes
1981
52.1k
PlaybackListensHours
48h1.8k231
7d5.7k734
30d52.1k6.5k
92 shows
868 tapes
1980
72.7k
PlaybackListensHours
48h8.5k910
7d13.1k1.5k
30d72.7k8.4k
91 shows
794 tapes
1979
25.8k
PlaybackListensHours
48h1.5k209
7d3.4k480
30d25.8k3.6k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h1.7k236
7d12.2k1.6k
30d56.3k7.7k
87 shows
592 tapes
1977
299.2k
PlaybackListensHours
48h23k3.2k
7d40.6k5.5k
30d299.2k41.2k
64 shows
419 tapes
1976
50.3k
PlaybackListensHours
48h2.8k386
7d27.7k3.9k
30d50.3k6.8k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h85482
7d1.9k184
30d6.3k650
25 shows
63 tapes
1974
99.8k
PlaybackListensHours
48h7.3k943
7d11.5k1.5k
30d99.8k12.6k
42 shows
324 tapes
1973
80.6k
PlaybackListensHours
48h3.7k488
7d11.1k1.5k
30d80.6k10.3k
75 shows
445 tapes
1972
74.3k
PlaybackListensHours
48h2.6k314
7d8.3k1k
30d74.3k9k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.5k167
7d5.8k647
30d34.3k3.9k
82 shows
357 tapes
1970
45.2k
PlaybackListensHours
48h4.3k418
7d17.7k1.8k
30d45.2k4.8k
101 shows
376 tapes
1969
26.6k
PlaybackListensHours
48h2.5k396
7d6.2k1k
30d26.6k3.9k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h735100
7d1.3k156
30d6.8k854
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h14018
7d32346
30d1.5k208
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h23614
7d1k70
30d8k536
32 shows
78 tapes
1965
592
PlaybackListensHours
48h432
7d1156
30d59235
2 shows
2 tapes
1984
Sources
Taper: Paul Scotton and Joani Walker
2:26:29
SBD
Rating:
8.00 / 2 ratings
Taper:
Paul Scotton and Joani Walker
Transferrer:
Charlie Miller
SHNID:
gd1984-03-29.sbd.walker-scotton.miller.106071.flac16
Source:
SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5/Maxell XLIIS-90)
Lineage:
Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16
Taper Notes:
View NotesNotes: -- Disc change is seamless -- Thanks to Joani Walker and Paul Scotton for the tapes -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Charlie Miller
2:24:22
SBD
Rating:
9.00 / 4 ratings
Transferrer:
Charlie Miller
SHNID:
gd1984-03-29.sbd.walker-scotton.miller.32515.sbeok.flac16
Source:
SBD -> Cassette Master -> Cassette (Maxell XLIIS-90)
Lineage:
Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
Taper Notes:
View Notes51a43833837dd73ee63cf1de9ee56fa2 *gd84-03-29d1t01.flac 27129a5cbed90f856a1f164232fadc45 *gd84-03-29d1t02.flac ae7412f48ebd92397f071f2e6b509ee7 *gd84-03-29d1t03.flac 8e0ba5b6b8718c38af02fa0bb6bc4638 *gd84-03-29d1t04.flac 339406b6fcd594c4dc55a02dd7da1b1d *gd84-03-29d1t05.flac b1d93276328b29bfdd6a029a77c1b406 *gd84-03-29d1t06.flac c77fd2d3ee1c8f1a586e2e1db6ff4dec *gd84-03-29d1t07.flac 388802a13df52a2cf8645ae79f89dcdf *gd84-03-29d1t08.flac c0aef738e78706731467c8fa389041d2 *gd84-03-29d1t09.flac 7e6dba910a75c24557e6edd826e0faf6 *gd84-03-29d1t10.flac 64614a7e2ba892037df5ab71d91017da *gd84-03-29d2t01.flac b8869f7d84a6607772e0cf131c0e8bb2 *gd84-03-29d2t02.flac cc17c56d46417bcc33c7cd09baf7fd0e *gd84-03-29d2t03.flac 87c675073f2920abfd881973adabb2cd *gd84-03-29d2t04.flac 002865bc4cb8e3b2ba1e4ccf23d1c7b4 *gd84-03-29d2t05.flac 77ed09bf3b1fcb6ad4f0b3083bc830ac *gd84-03-29d2t06.flac 97101b61701d258c5553a17d7e4aa381 *gd84-03-29d2t07.flac 3e557ad00e55d95dfecc19807fa13043 *gd84-03-29d2t08.flac 9a33aabebede22dea01bce615ba3f0d5 *gd84-03-29d2t09.flac a35eed320d9ac109534a8247429b0e96 *gd84-03-29d2t10.flac
Source 3 of 9
2:19:01
SBD
Rating:
8.50 / 4 ratings
SHNID:
gd84-03-29.sbd.10559.sbeok.shnf
Source:
Soundboard > ??? > CDR
Taper Notes:
View NotesRex Foundation Benefit; Soundboard > ??? > CDR; Jerry's guitar is low in the mix at times; Seeded to etree by David Angelini
Taper: Bill Bradt
2:26:08
Taper:
Bill Bradt
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-03-29.176072.neumann.km84i.bradt.miller.clugston.flac2496
Source:
Bill Bradt's Master Audience Cassettes: Neumann KM84i mics > Sony D5M (Maxell UDXL-IIS)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (24 bit-96k .wav) > Adobe Audition CC 2026 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bill Bradt (RIP) and Kathy Weir Bradt for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Chris Hecht and Charlie Miller for the AKG d330bt, Sennheiser 421 blend source which supplies a 0:24 patch in "Drums" - Rex Foundation Benefit - Pitch corrected Mastered by Scott Clugston January 2026
Taper: Chris Hecht
1:29:14
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-03-29.148307.2nd.set.fob.akg.d330bt.senn421.hecht.miller.clugston.flac2496
Source:
Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Charlie Miller for the shnid106071 soundboard source which supplies a 0:49 patch in "Drums" (audience patch source available) - Pitch corrected Mastered by Scott Clugston November 2019
Taper: Chris Hecht
1:29:14
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-03-29.148306.2nd.set.fob.akg.d330bt.senn421.hecht.miller.clugston.flac1648
Source:
Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Charlie Miller for the shnid106071 soundboard source which supplies a 0:49 patch in "Drums" (audience patch source available) - Pitch corrected Mastered by Scott Clugston November 2019
Source 7 of 9
2:26:08
SHNID:
gd1984-03-29.176071.neumann.km84i.bradt.miller.clugston.flac1648
Taper: "Da Weez"
2:25:37
Rating:
9.00 / 4 ratings
Taper:
"Da Weez"
Transferrer:
D5scott
SHNID:
gd1984-03-29.3micSonyTCD5M.D5scott.109112.flac16
Source:
2 Beyer M160 & 1 Sennheiser 421 Microphones > Nak MX100 w/2001 > Sony TC-D5M - analog master cassettes - TDK MA-R90's
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
Taper: Andrew F.
2:27:36
Taper:
Andrew F.
Transferrer:
Andrew F.
SHNID:
gd1984-03-29.sonyecm.andrewf.29645.sbeok.flac16
Source:
Sony ECM-939LT stereo mics (x2) > Marantz PMD-340 cassette deck > TDX AD-X tape (Dolby on)
Lineage:
MAC > Sony TC-D5M > Soundblaster > Soundforge > CD-Wave > FLAC
Taper Notes:
View Notes-- I was seated near "air-wistle guy" (the taper's curse), so I used Soundforge to soften it up a bit where I could, and without disrupting the music. Now it's a little less jarring than on the master. -- Made a quick tape-flip in drums (at 7:51), only a few seconds missing. -- These shows featured the first use of the surround-sound ambient speakers. (They were only used in the first half of 1984.) You can't really hear it too well on the tape. It's mostly noticeable during some of Jerry's vocals on Eyes, and during parts of drums/space.