RELISTENTOTHE Grateful Dead
Re
Bands
Featured
Bands
Grateful Dead
RecentTopVenuesSongsTours
Today In History
June 9th
Years
1995
30.1k
PlaybackListensHours
48h57375
7d7k942
30d30.1k4.2k
49 shows
341 tapes
1994
8.6k
PlaybackListensHours
48h1.3k158
7d1.7k245
30d8.6k1.2k
85 shows
460 tapes
1993
38.4k
PlaybackListensHours
48h2.2k278
7d8.6k1.2k
30d38.4k5.1k
83 shows
656 tapes
1992
36.1k
PlaybackListensHours
48h2.1k274
7d4.5k577
30d36.1k4.8k
57 shows
539 tapes
1991
42k
PlaybackListensHours
48h5.1k728
7d11.8k1.6k
30d42k5.7k
78 shows
973 tapes
1990
35.2k
PlaybackListensHours
48h6.7k844
7d6.7k884
30d35.2k4.6k
78 shows
1,139 tapes
1989
47.8k
PlaybackListensHours
48h2.7k337
7d8.9k1.1k
30d47.8k6k
78 shows
1,017 tapes
1988
21.8k
PlaybackListensHours
48h1.2k143
7d3.3k377
30d21.8k2.5k
82 shows
882 tapes
1987
35.1k
PlaybackListensHours
48h1.8k194
7d6.6k713
30d35.1k3.8k
88 shows
1,025 tapes
1986
14.3k
PlaybackListensHours
48h74883
7d2.3k259
30d14.3k1.6k
47 shows
683 tapes
1985
21.9k
PlaybackListensHours
48h1.5k170
7d4.8k565
30d21.9k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h1k133
7d3.4k440
30d15.8k2k
67 shows
1,075 tapes
1983
33.7k
PlaybackListensHours
48h1.5k201
7d3.9k502
30d33.7k4.5k
71 shows
1,069 tapes
1982
42.1k
PlaybackListensHours
48h1.5k180
7d4.6k569
30d42.1k5.2k
63 shows
753 tapes
1981
52.1k
PlaybackListensHours
48h1.9k233
7d5.7k734
30d52.1k6.5k
92 shows
868 tapes
1980
72.7k
PlaybackListensHours
48h8.4k905
7d13.1k1.5k
30d72.7k8.4k
91 shows
794 tapes
1979
25.8k
PlaybackListensHours
48h1.4k208
7d3.4k480
30d25.8k3.6k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h1.8k242
7d12.2k1.6k
30d56.3k7.7k
87 shows
592 tapes
1977
299.2k
PlaybackListensHours
48h22.9k3.2k
7d40.6k5.5k
30d299.2k41.2k
64 shows
419 tapes
1976
50.3k
PlaybackListensHours
48h3.1k424
7d27.7k3.9k
30d50.3k6.8k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h78277
7d1.9k184
30d6.3k650
25 shows
63 tapes
1974
99.8k
PlaybackListensHours
48h7.4k972
7d11.5k1.5k
30d99.8k12.6k
42 shows
324 tapes
1973
80.6k
PlaybackListensHours
48h3.6k472
7d11.1k1.5k
30d80.6k10.3k
75 shows
445 tapes
1972
74.3k
PlaybackListensHours
48h2.6k311
7d8.3k1k
30d74.3k9k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.5k167
7d5.8k647
30d34.3k3.9k
82 shows
357 tapes
1970
45.2k
PlaybackListensHours
48h4k397
7d17.7k1.8k
30d45.2k4.8k
101 shows
376 tapes
1969
26.6k
PlaybackListensHours
48h2.4k386
7d6.2k1k
30d26.6k3.9k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h813110
7d1.3k156
30d6.8k854
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h14719
7d32346
30d1.5k208
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h23214
7d1k70
30d8k536
32 shows
78 tapes
1965
592
PlaybackListensHours
48h312
7d1156
30d59235
2 shows
2 tapes
1983
9/10/83
tuning
0:39
The Music Never Stopped
8:53
They Love Each Other
8:07
My Brother Esau
6:03
Big Railroad Blues ->
5:23
Beat It On Down The Line
4:04
Tennessee Jed
8:41
New Minglewood Blues ->
7:16
China Cat Sunflower ->
6:19
I Know You Rider
5:11
tuning
0:29
Man Smart (Woman Smarter)
6:24
Cumberland Blues
9:02
Playin' In The Band ->
12:18
China Doll ->
9:20
Drums ->
8:12
Space ->
8:01
The Other One ->
12:18
Goin' Down The Road Feelin' Bad ->
6:37
One More Saturday Night
5:00
Cold Rain & Snow
5:41
Bird Song
10:58
Lazy Lightning ->
4:36
Supplication
8:48
FIN
View on archive.org
Sources
Taper: Rob Eaton
2:19:45
SBD
Rating:
10.00 / 5 ratings
Taper:
Rob Eaton
Transferrer:
Charlie Miller
SHNID:
gd1983-09-10.139299.sbd.eaton.miller.flac1648
Source:
SBD > Cassette Master > Reel > Dat (48k)
Lineage:
Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/
Taper Notes:
View NotesNotes: -- Thanks to Rob Eaton for the Dat -- Thanks to Jeff Silberman for the patch source
Taper: Robert Bryant
2:21:22
Taper:
Robert Bryant
Transferrer:
Scott Clugston and Charlie Miller
Lineage:
Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Robert Bryant for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Bob Wagner for the Nakamichi 700 source which supplies the crowd/tuning and first few notes of "Man Smart (Woman Smarter)(0:22 total), as well as a 1:39 patch in "Drums" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston December 2020
Taper: Robert Bryant
2:21:22
Taper:
Robert Bryant
Transferrer:
Scott Clugston and Charlie Miller
Lineage:
Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Robert Bryant for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Bob Wagner for the Nakamichi 700 source which supplies the crowd/tuning and first few notes of "Man Smart (Woman Smarter)(0:22 total), as well as a 1:39 patch in "Drums" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston December 2020
Taper: Jeff Silberman
2:33:56
Rating:
8.44 / 10 ratings
Taper:
Jeff Silberman
Transferrer:
Charlie Miller and Ron Keyser
SHNID:
gd1983-09-10.fob.senn441.silberman.miller.84487.sbeok.flac16
Source:
(FOB) Sennheiser 441 -> PCM (Technics SV100) -> Dat
Lineage:
Dat (Sony R500) -> VX Pocket v2 -> Samplitude Professional v9.02 -> FLAC
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- Recorded By Jeff Silberman -- Dat provided By Ron Keyser
Taper: Recording by Les Shields (Recording Guru) and Kevin T. Hughes, AICP, CEP (San Luis Obispo, CA 1981-1985).
2:33:11
Taper:
Recording by Les Shields (Recording Guru) and Kevin T. Hughes, AICP, CEP (San Luis Obispo, CA 1981-1985).
Transferrer:
Transfer and mastering by Kevin T. Hughes
SHNID:
gd1983-09-10.162895.nak300-cp4.shields-hughes.flac2496
Source:
FOB location – Master Audience Recording produced by a pair of Nak CM300 Microphones w/ CP4 Shotgun Caps > Sony D5 > Sony D6 Recorders > (Master) Maxell MX 90 Cassette(s)
Lineage:
Denon DRM-555 Player > Acer Aspire AX 3910 PC via In Line 3.5 cm portal > Audacity 3.2.2 (Wave Editor for 24/96 FLAC Conversion).
Taper Notes:
View Notes// - tape paused or flipped * from Hunter Trix Vol.112 SBD/MTX (see mastering notes for details) Mastering Notes: This super clean recording sounds and feels like it did back in '80s. The show with recorded using an 8’ mic-stand that was placed 12' left of center from the middle of Healy’s Board facility. Thus, this recording has great vocal quality, a thick/bold bass sound and good signal separation on both channels. (a) Set I had a couple of sound quality issues found in 'Brother Esau' (i.e., a saturated bass problem associated with too high recording levels at the beginning of this song; and, it also had a very minor, 12 second, low volume problem that occurs within the first minute of track #1, 'The Music Never Stops'; and (b) The final FLAC recording used a different version of ‘Big Railroad Blues’ and ‘Beat It On Down The Line’. When the tape was flipped during the first set these 2 tracks were recorded over with the next song in the Set....'Tennessee Jed'. These tracks where added from Hunter Trix Vol.112 SBD/MTX recording to full-out the show's actual play list (Hunter's MTX recording can be found at https://archive.org/details/gd1983-09-10.139379.mtx.seamons.ht112.flac16). All editing was performed to ensure the highest sound compatibility between each version of the show (i.e., without any noticeable loss of listening "enjoyablity"). Kevin T. Hughes
Taper: Executive Crew, Kyle Holbrook, Chris Kidwell, Tom Pinney, Sean Murtha
2:21:58
Taper:
Executive Crew, Kyle Holbrook, Chris Kidwell, Tom Pinney, Sean Murtha
Transferrer:
Kyle Holbrook
SHNID:
gd1983-09-10.143080.beyerm201.holbrook.flac2448
Source:
<b/>flac24/48 </b> Master: AUD MC Beyer M201's X-Y 6'up > Sony TCD5M no dolby Maxell MX90 x 2 Location: 100 feet from stage, 2 ft. LOC
Lineage:
Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8
Taper Notes:
View Notes/ tape paused between songs // tape flip # Bobby: "We'll be right back as soon as it stops raining" + Phils sings harmony see text file for tour story
Taper: Executive Crew, Chris Kidwell, Tom Pinney, Sean Murtha
2:21:58
Taper:
Executive Crew, Chris Kidwell, Tom Pinney, Sean Murtha
Transferrer:
Kyle Holbrook
SHNID:
gd1983-09-10.143079.beyerm201.holbrook.flac1644
Source:
<b/>flac16/44.1 </b> Master: AUD MC Beyer M201's X-Y 6'up > Sony TCD5M no dolby Maxell MX90 x 2 Location: 100 feet from stage, 2 ft. LOC
Lineage:
Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8
Taper Notes:
View Notes/ tape paused between songs // tape flip # Bobby: "We'll be right back as soon as it stops raining" + Phils sings harmony see text file for tour story
Taper: billydee
2:48:20
Taper:
billydee
Transferrer:
Joe Noel, Larry Sellers
SHNID:
gd1983-09-10.141023.FOB.Beyer.billydee.Sellars.Noel.t.flac1644
Source:
billydee recording (patched out of): Beyerdynamics 180's > Sony TC-D5M > master audio cassette (FOB); Larry Sellers & the Philly Crew Direct Stream Digital (DSD)
Lineage:
MAC > Nak CR7A w/ azimuth adjusted > Korg MR-1000 @ 5.8mhz > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel, Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper Notes:
View NotesPatch: - Source #84487 (Silberman) supplies - s2t01; 0:00 - 0:14 (banter) - s2t02; 0:00 - 0:04 - s2t03; 0:00 - 0:48 & 7:15 - 8:44 (tuning) - s2t07; 0:00 - 1:02 (most of its tuning) - s2t08; 2:32 - 3:14 Notes: - Tape pauses were smoothed over with crossfades - It rained, luckily it did not fish. - Bucket up, this roller coaster only goes down hill. - A rhythm section jam emerges from China Doll. - filler on end of billydee's set I cassette, moved to the end of set II. - This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2
Transferrer: Matrix by Hunter Seamons
2:24:50
Rating:
10.00 / 1 rating
Transferrer:
Matrix by Hunter Seamons
SHNID:
gd1983-09-10.139379.mtx.seamons.ht112.flac16
Source:
Matrix by Hunter Seamons
Taper Notes:
View NotesA double rainbow appeared behind the stage during the second set. This show had the only Cold Rain And Snow encore.
Taper: billydee
2:48:20
Rating:
10.00 / 1 rating
Taper:
billydee
Transferrer:
Larry Sellers & the Philly Crew; Joe Noel
SHNID:
gd1983-09-10.139020.FOB.Beyer.billydee.Sellars.Noel.t.flac24
Source:
billydee recording (patched out of): Beyerdynamics 180's > Sony TC-D5M > master audio cassette (FOB); Larry Sellers & the Philly Crew Direct Stream Digital (DSD)
Lineage:
MAC > Nak CR7A w/ azimuth adjusted > Korg MR-1000 @ 5.8mhz > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel, Flac 24/96; Checksum & tags created in xACT
Taper Notes:
View NotesNotes: - Tape pauses were smoothed over with crossfades - It rained, luckily it did not fish. - Bucket up, this roller coaster only goes down hill. - A rhythm section jam emerges from China Doll. - filler on end of billydee's set I cassette, moved to the end of set II.
Taper: Da Weez
2:22:10
Rating:
10.00 / 1 rating
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1983-09-10.110915.Sennheiser421s.daweez.D5scott.flac16
Source:
source: 2 Sennheiser 421 microphones (25 feet from stage) ~ Sony TC-D5M - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck) ~Pre Sonus Inspire GT~Sound Forge~.wav files~Trader's Little Helper~flac files
Taper Notes:
View Notes------------------------------------------------------------- R.I.P. Sandy - aka "Bigfoot" We sure do miss him! -------------------------------------------------------------
Taper: Dead John or Bonner
2:27:16
Taper:
Dead John or Bonner
SHNID:
gd1983-09-10.nak300.deadjohn-or-bonner.96920.flac16
Source:
Nak 300 > Nak 550 > MAC
Lineage:
MAC > Nak BX3->Mac->CD->EAC extract->cd wave to split China Rider ->TLH convert to Flac6
Taper Notes:
View NotesIMHO this source is better than any circulating version of this show. This version is a fresh transfer of master tapes that were recorded on a well cared for NAK 550. Although this is a 16.1/44 transfer I believe the superior bass response and ability to handle Phil Bombs of the Nak 550 make this the best version of this show, even surpassing the recent 24/96 MOTB transfer of a D5 master. I am curious to see if others agree. If the opportunity arises I will get a 24/48 transfer off the masters but for now it is what it is. I forgot to split The Other One and GDTRFB so for now I have left them as one track.
Taper: Bob Wagner
2:23:19
Rating:
10.00 / 1 rating
Taper:
Bob Wagner
Transferrer:
Adam Egert
SHNID:
gd1983-09-10.fob.nak700.wagner.motb-0079.94509.sbeok.flac24
Source:
(FOB) 2 x Nakamichi CM700 => Sony TC-D5m >> MAC (3 x Maxell UDXLII C90's)
Lineage:
MAC >> Nakamichi DR-1 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]
Taper Notes:
View NotesEditing and Mastering: Adam Egert on 'Giba' Workstation with Super double secert stealth mastering madness as learned from Yoda and the Flash! (wavelab, Nomad Factory, URS, r8Brain)
Taper: Bob Wagner
2:23:19
Rating:
9.67 / 6 ratings
Taper:
Bob Wagner
Transferrer:
Adam Egert
SHNID:
gd1983-09-10.fob.nak700.wagner.motb-0079.94508.sbeok.flac16
Source:
(FOB) 2 x Nakamichi CM700 => Sony TC-D5m >> MAC
Lineage:
MAC >> Nakamichi DR-1 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]
Taper Notes:
View NotesEditing and Mastering: Adam Egert on 'Giba' Workstation with Super double secert stealth mastering madness as learned from Yoda and the Flash! (wavelab, Nomad Factory, URS, r8Brain)
Taper: Mike G. and Tony Suraci
2:15:29
Taper:
Mike G. and Tony Suraci
Transferrer:
Tony Suraci
SHNID:
gd1983-09-10.nak304.mikeg-suraci.79068.sbeok.flac16
Source:
Nakamichi CM304's>Sony D5>Sony D6 Location: FOB, stand at 7 feet
Lineage:
Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud.>16Bit>Cdwav>flac
Source 16 of 16
2:21:13
Rating:
9.08 / 13 ratings
SHNID:
gd83-09-10.sennheiser.clugston.4860.shnf
Source:
Sennheiser 441 mics > Technics SV100 PCM> DAT> CDR
Taper Notes:
View NotesSources: Primary: Jeff Silberman's Master Audience PCM; Sennheiser 441 mics > Technics SV100 PCM> DAT> CDR; Secondary: Aud> CM> C> NakDR10 (Playback Only)> PCM; Note: Secondary aud source used to patch in approximately 15 seconds missing from Minglewood. CD Remastering, EAC'ed / SHN'ed by Scott Clugston