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Bands
Grateful Dead
Today In History
June 9th
Years
1995
30.1k
PlaybackListensHours
48h55374
7d7k942
30d30.1k4.2k
49 shows
341 tapes
1994
8.6k
PlaybackListensHours
48h1.3k163
7d1.7k245
30d8.6k1.2k
85 shows
460 tapes
1993
38.4k
PlaybackListensHours
48h2.4k292
7d8.6k1.2k
30d38.4k5.1k
83 shows
656 tapes
1992
36.1k
PlaybackListensHours
48h2.1k275
7d4.5k577
30d36.1k4.8k
57 shows
539 tapes
1991
42k
PlaybackListensHours
48h4.1k590
7d11.8k1.6k
30d42k5.7k
78 shows
973 tapes
1990
35.2k
PlaybackListensHours
48h7.2k895
7d6.7k884
30d35.2k4.6k
78 shows
1,139 tapes
1989
47.8k
PlaybackListensHours
48h2.5k308
7d8.9k1.1k
30d47.8k6k
78 shows
1,017 tapes
1988
21.8k
PlaybackListensHours
48h1.2k141
7d3.3k377
30d21.8k2.5k
82 shows
882 tapes
1987
35.1k
PlaybackListensHours
48h1.6k179
7d6.6k713
30d35.1k3.8k
88 shows
1,025 tapes
1986
14.3k
PlaybackListensHours
48h67475
7d2.3k259
30d14.3k1.6k
47 shows
683 tapes
1985
21.9k
PlaybackListensHours
48h1.5k169
7d4.8k565
30d21.9k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h1.3k168
7d3.4k440
30d15.8k2k
67 shows
1,075 tapes
1983
33.7k
PlaybackListensHours
48h1.4k181
7d3.9k502
30d33.7k4.5k
71 shows
1,069 tapes
1982
42.1k
PlaybackListensHours
48h1.3k164
7d4.6k569
30d42.1k5.2k
63 shows
753 tapes
1981
52.1k
PlaybackListensHours
48h1.7k212
7d5.7k734
30d52.1k6.5k
92 shows
868 tapes
1980
72.7k
PlaybackListensHours
48h7.3k793
7d13.1k1.5k
30d72.7k8.4k
91 shows
794 tapes
1979
25.8k
PlaybackListensHours
48h1.4k205
7d3.4k480
30d25.8k3.6k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h1.7k233
7d12.2k1.6k
30d56.3k7.7k
87 shows
592 tapes
1977
299.2k
PlaybackListensHours
48h21k3k
7d40.6k5.5k
30d299.2k41.2k
64 shows
419 tapes
1976
50.3k
PlaybackListensHours
48h3.5k482
7d27.7k3.9k
30d50.3k6.8k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h69167
7d1.9k184
30d6.3k650
25 shows
63 tapes
1974
99.8k
PlaybackListensHours
48h7.4k970
7d11.5k1.5k
30d99.8k12.6k
42 shows
324 tapes
1973
80.6k
PlaybackListensHours
48h3.9k507
7d11.1k1.5k
30d80.6k10.3k
75 shows
445 tapes
1972
74.3k
PlaybackListensHours
48h2.4k295
7d8.3k1k
30d74.3k9k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.5k171
7d5.8k647
30d34.3k3.9k
82 shows
357 tapes
1970
45.2k
PlaybackListensHours
48h3.3k333
7d17.7k1.8k
30d45.2k4.8k
101 shows
376 tapes
1969
26.6k
PlaybackListensHours
48h2.1k346
7d6.2k1k
30d26.6k3.9k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h802109
7d1.3k156
30d6.8k854
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h13417
7d32346
30d1.5k208
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h20310
7d1k70
30d8k536
32 shows
78 tapes
1965
592
PlaybackListensHours
48h442
7d1156
30d59235
2 shows
2 tapes
1983
Sources
Taper: Rob Eaton
2:44:08
SBD
Taper:
Rob Eaton
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-07-31.167470.sbd.pc_ed.140320.eaton.miller.clugston.flac1648
Source:
Master Soundboard Cassette > Technics Reel to Reel > Panasonic SV-3800 Dat (16/48)
Lineage:
Sony PCM-R500 (16/48) -> Tascam DA-3000 > .wav 16/48 > Adobe Audition 2024 > TLH flac1648
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the source Dat - Thanks to Charlie Miller for the transfer - Thanks to Ken Kelley and Charlie Miller for the AKG B330T source which supplies an 0:18 patch in "Scarlet Begonias > Fire On The Mountain" transition, as well as an 0:08 patch in the "Wharf Rat > Throwing Stones" transition - Pitch corrected - Other One space included in "The Other One" Mastered by Scott Clugston April 2024
Taper: Rob Eaton
2:41:21
SBD
Taper:
Rob Eaton
Transferrer:
Charlie Miller and Scott Clugston
SHNID:
gd1983-07-31.140320.sbd.eaton.miller.clugston.flac1648
Source:
Master Soundboard Cassette -> Technics Reel to Reel -> Panasonic SV-3800 Dat 16/48
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the source Dat - Thanks to Charlie Miller for the transfer - First verifiable source for this date - Thanks to the folks responsible for the shnid96409 Sony 220t source which supplies an 0:18 patch in the beginning of "Fire On The Mountain", as well as an 0:08 patch at the beginning of "Throwing Stones" - Other One noodle/space included in "The Other One" Mastered by Scott Clugston 12/21/2017
Taper: Disks provided by Paul Scotton
2:46:16
SBD
Rating:
8.18 / 11 ratings
Taper:
Disks provided by Paul Scotton
Transferrer:
Charlie Miller
SHNID:
gd1983-07-31.sbd.miller.88149.flac16
Source:
SBD -> Cassette Master -> Cass -> Dat -> CD
Lineage:
CD -> Samplitude Professional v9.11 -> FLAC
Taper Notes:
View NotesPatch Info: (FOB) Sony ECM200T -> Cassette Master -> Dat -> CD supplies: Fire On The Mountain (0:29 - 0:50) Drums (6:19 - 6:26) Throwing Stones (0:01 - 0:17) Touch Of Grey (last 4 seconds) One More Saturday Night (complete song) Notes: -- Set 2 is seamless -- Can not confirm SBD lineage 100% accurate -- Sound changes after each tape flip -- Bass boosted on patch source -- Source discs were havily EQ'd, I tried to fix it
Transferrer: Charles Bandrofcheck
2:46:14
SBD
Transferrer:
Charles Bandrofcheck
SHNID:
gd1983-07-31.sbd.miller.bandrofcheck.loossy-version-of-88149.98125.flac16
Source:
Lossy Transfer of shnid 88149
Taper Notes:
View Notesshnid=88149 CDs Burned as one track -> Windows Media Player -> SB Audigy 4 - > Sound Forge 5.0 -> removed dead space between tracks caused by WMP playback -> CDWave Editor 1.94.8 -> Wavs -> Flac 1.2b level 6. Charles Bandrofcheck - 2/26/09
Taper: Ken Kelley
2:45:50
Taper:
Ken Kelley
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-07-31.167469.akg.330bt.kelley.miller.clugston.flac2496
Source:
Ken Kelley's Master Audience Cassettes; AKG 330BT mics > JVC KD-2 w/Super ANRS (Maxell XLII-S90)
Lineage:
Master Cassettes (JVC KD-A55 w/Super ANRS) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2024 > TLH 2496
Taper Notes:
View NotesNotes: - Thanks to Ken Kelley for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Rango Keshavan and Charlie Miller for the Sony ECM 220T source which supplies the first 0:24 of "Jack Straw", as well as 0:50 and 0:40 patches in "Space" - Pitch corrected - Other One space included in "The Other One" Mastered by Scott Clugston April 2024
Taper: Ken Kelley
2:45:50
Taper:
Ken Kelley
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-07-31.167468.akg.330bt.kelley.miller.clugston.flac1648
Source:
Ken Kelley's Master Audience Cassettes; AKG 330BT mics > JVC KD-2 w/Super ANRS (Maxell XLII-S90)
Lineage:
Master Cassettes (JVC KD-A55 w/Super ANRS) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2024 > TLH 2496
Taper Notes:
View NotesNotes: - Thanks to Ken Kelley for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Rango Keshavan and Charlie Miller for the Sony ECM 220T source which supplies the first 0:24 of "Jack Straw", as well as 0:50 and 0:40 patches in "Space" - Pitch corrected - Other One space included in "The Other One" Mastered by Scott Clugston April 2024
Taper: Rango Keshavan
2:41:05
Rating:
9.00 / 5 ratings
Taper:
Rango Keshavan
Transferrer:
Charlie Miller
SHNID:
gd1983-07-31.fob.sony220t.keshavan.miller.96409.sbeok.flac16
Source:
(FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B)
Lineage:
Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.2 -> r8brain PRO v1.5 -> FLAC/16
Taper Notes:
View NotesNotes: -- Set 2 disc change is seamless -- There is some slight wind noise -- Thanks to Rango Keshavan for lending me his masters
Taper: Les Shields and Kevin T. Hughes
2:48:22
Rating:
8.00 / 1 rating
Taper:
Les Shields and Kevin T. Hughes
Transferrer:
Kevin T. Hughes
SHNID:
gd1983-07-31.162294.nak300-cp4.shields-hughes.flac2496
Source:
Nak CM300 Microphones w/ CP4 Shotgun Caps > Sony D5 Recorder (Set I-1st; Set II 3rd patch in Master Recording Chain) > Maxell MX 90 Cassette(s)
Lineage:
Denon DRM-555 Player > Acer Aspire AX 3910 PC via In Line 3.5 cm portal > Audacity 3.2.3 (Wave Editor S/W for WAV to FLAC file Conversion)
Taper Notes:
View NotesTAPER NOTES: Set I and II where recorded by the same equipment; but in two very different locations. Set II was taped in front of the Sound Board (FOB) and it sounds fabulous; it has a deep-rich bass presence and a near perfect mix of Jerry’s Killer Guitar Playing (it was the last Show of ’83 Summer Tour); However, Set I we got there late to get started, as a result, we had to set up in poor location for taping; Set I we were (a) fare left of Center, in front of Phil; (b) halfway between the FOB and the stage. Our Set I location created some minor bass saturation issues and Jerry’s Guitar was not as bright sounding as I’m accustom too; Set I is still really good to listen too (especially after the first song), but not a great recording by my standards; it does have a clean sounding voice mix which make it a keeper (Set I is a B+ recording; whereas, Set II gets a sold A rating for all of the above reasons).
Taper: Gesine Lohr
2:53:47
Taper:
Gesine Lohr
Transferrer:
Matt Vernon
SHNID:
gd1983-07-31.151138.aud.lohr.vernon.flac2496
Source:
Nakamichi mics > Nakamichi deck > MAC
Lineage:
MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
Taper Notes:
View Notes1. wind noise throughout 2. Tape flip locations on tracks 06, 10, 17, 20
Taper: Gesine Lohr
2:53:47
Taper:
Gesine Lohr
Transferrer:
Matt Vernon
SHNID:
gd1983-07-31.151137.aud.lohr.vernon.flac1648
Source:
Nakamichi mics > Nakamichi deck > MAC
Lineage:
MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648
Taper Notes:
View Notes1. wind noise throughout 2. Tape flip locations on tracks 06, 10, 17, 20
Source 11 of 11
2:39:57
Rating:
8.00 / 12 ratings
SHNID:
gd83-07-31.aud.dodd.11933.sbeok.shnf
Source:
AUD>MC>DAT>CDR
Taper Notes:
View NotesAUD>MC>DAT>CDR; via Paul B; Seeded to etree by Ernie Dodd