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Today In History
June 9th
9 shows
89 tapes
Years
1995
30.1k
PlaybackListensHours
48h53972
7d7k942
30d30.1k4.2k
49 shows
341 tapes
1994
8.6k
PlaybackListensHours
48h1.3k167
7d1.7k245
30d8.6k1.2k
85 shows
460 tapes
1993
38.4k
PlaybackListensHours
48h2.4k302
7d8.6k1.2k
30d38.4k5.1k
83 shows
656 tapes
1992
36.1k
PlaybackListensHours
48h2.1k277
7d4.5k577
30d36.1k4.8k
57 shows
539 tapes
1991
42k
PlaybackListensHours
48h4k564
7d11.8k1.6k
30d42k5.7k
78 shows
973 tapes
1990
35.2k
PlaybackListensHours
48h7.3k913
7d6.7k884
30d35.2k4.6k
78 shows
1,139 tapes
1989
47.8k
PlaybackListensHours
48h2.4k299
7d8.9k1.1k
30d47.8k6k
78 shows
1,017 tapes
1988
21.8k
PlaybackListensHours
48h1.2k139
7d3.3k377
30d21.8k2.5k
82 shows
882 tapes
1987
35.1k
PlaybackListensHours
48h1.6k177
7d6.6k713
30d35.1k3.8k
88 shows
1,025 tapes
1986
14.3k
PlaybackListensHours
48h65773
7d2.3k259
30d14.3k1.6k
47 shows
683 tapes
1985
21.9k
PlaybackListensHours
48h1.5k168
7d4.8k565
30d21.9k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h1.5k181
7d3.4k440
30d15.8k2k
67 shows
1,075 tapes
1983
33.7k
PlaybackListensHours
48h1.3k179
7d3.9k502
30d33.7k4.5k
71 shows
1,069 tapes
1982
42.1k
PlaybackListensHours
48h1.3k160
7d4.6k569
30d42.1k5.2k
63 shows
753 tapes
1981
52.1k
PlaybackListensHours
48h1.7k207
7d5.7k734
30d52.1k6.5k
92 shows
868 tapes
1980
72.7k
PlaybackListensHours
48h6.9k755
7d13.1k1.5k
30d72.7k8.4k
91 shows
794 tapes
1979
25.8k
PlaybackListensHours
48h1.4k205
7d3.4k480
30d25.8k3.6k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h1.7k230
7d12.2k1.6k
30d56.3k7.7k
87 shows
592 tapes
1977
299.2k
PlaybackListensHours
48h20.6k2.9k
7d40.6k5.5k
30d299.2k41.2k
64 shows
419 tapes
1976
50.3k
PlaybackListensHours
48h3.6k509
7d27.7k3.9k
30d50.3k6.8k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h67466
7d1.9k184
30d6.3k650
25 shows
63 tapes
1974
99.8k
PlaybackListensHours
48h7.4k967
7d11.5k1.5k
30d99.8k12.6k
42 shows
324 tapes
1973
80.6k
PlaybackListensHours
48h4.1k531
7d11.1k1.5k
30d80.6k10.3k
75 shows
445 tapes
1972
74.3k
PlaybackListensHours
48h2.4k292
7d8.3k1k
30d74.3k9k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.5k171
7d5.8k647
30d34.3k3.9k
82 shows
357 tapes
1970
45.2k
PlaybackListensHours
48h3.1k313
7d17.7k1.8k
30d45.2k4.8k
101 shows
376 tapes
1969
26.6k
PlaybackListensHours
48h2k335
7d6.2k1k
30d26.6k3.9k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h822110
7d1.3k156
30d6.8k854
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h13117
7d32346
30d1.5k208
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h19510
7d1k70
30d8k536
32 shows
78 tapes
1965
592
PlaybackListensHours
48h462
7d1156
30d59235
2 shows
2 tapes
1982
9/17/82
Bertha >
6:20
Promised Land
4:06
Candyman >
6:22
CC Rider
8:05
Althea
7:35
Me and My Uncle >
3:13
Big River
5:31
Dupree's Diamond's Blues >
5:40
It's All Over Now
7:03
West LA Fadeaway
7:30
Throwing Stones > *
5:32
Deal
5:39
Touch of Grey >
6:50
Man Smart (Woman Smarter)
6:16
High Time
7:23
Estimated Prophet >
12:24
Eyes of the World >
8:48
Drums >
6:56
Space >
4:54
Spanish Jam >
2:35
The Other One>
7:03
Goin' Down The Road Feelin' Bad >
5:30
Morning Dew >
8:45
Sugar Magnolia
8:41
US Blues
5:07
FIN
View on archive.org
Sources
Transferrer: All Transfers By Rob Harrison and Charlie Miller December 5, 2006 and 2000
1:31:06
SBD
Transferrer:
All Transfers By Rob Harrison and Charlie Miller December 5, 2006 and 2000
SHNID:
gd1982-09-17.167532.set2.sbd.harrison-miller.flac1644
Source:
Recording: Pre-FM production disc of GDH #545 on 1999-03-01) > Charlie's transfer & mastering > FLAC Playback: Nakamichi DR-1 > Sony PCM R500 > HB 800 > CDR > Xact > .WAV > FLAC Recording: SBD > ? (likely cassette master) Playback: ? > DAT (x N) > Delta Dio 24/96 > Cool Edit 2000 > CD Wave Editor > FLAC
Taper Notes:
View NotesNotes: -- Set 2 is now complete from the GDH production disc (thanks David & Charlie!) -- Set 2 is missing from the GD vault. Funny thing is that this show has circulated on DAT for many years.
Transferrer: Rob Harrison, Andy Lemieux
2:43:40
SBD
Transferrer:
Rob Harrison, Andy Lemieux
SHNID:
gd1982-09-17.167526.sbd.fm.harrison.lemieux.sbeok.flac1644
Source:
Set 1. Recording: SBD > Dolby B metal cassette master. Set 2. Recording: FM (GDH #545 on 1999-03-01) > Rotel RB 1050 > Nakamichi DR-1 > Master Cassette
Lineage:
Set 1. Playback: Dolby B metal cassette master > 20-bit SBM2 > CDR (David Gans master) > EAC > SoundForge (create tracks) > CDR (Gen 1) > EAC > FLAC; Set 2 Playback: Nakamichi DR-1 > Sony PCM R500 > HB 800 > CDR > Xact > .WAV > FLAC Recording: SBD > ? (likely cassette master) Playback: ? > DAT (x N) > Delta Dio 24/96 > Cool Edit 2000 > CD Wave Editor > FLAC
Taper Notes:
View NotesNotes: -- Set 2 is now complete. -- Set 1 was xferred from the physical CD master from the GD vault. Me & My Uncle>Big River was recorded as a single track that I split in Soundforge. -- Set 2 is missing from the GD vault. Funny thing is that this show has circulated on DAT for many years.
Taper: Brian Schley
2:47:37
SBD
Rating:
8.00 / 1 rating
Taper:
Brian Schley
Transferrer:
Andrew F.
SHNID:
gd1982-09-17.135446.nak300.schley.flac1644
Source:
AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, mics set-up on the SBD platform, recording by Brian Schley.
Lineage:
MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 03/2016
Taper Notes:
View NotesNote: ID-18985 patches; West L.A. 0:00 > 0:08, Drums 4:18 > 6:24. Thanks Jon Pasternak & Charlie McGuth for organizing this project!
Taper: Brian Schley
2:47:37
SBD
Rating:
10.00 / 2 ratings
Taper:
Brian Schley
Transferrer:
Andrew F.
SHNID:
gd1982-09-17.135445.nak300.schley.flac2448
Source:
AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, mics set-up on the SBD platform, recording by Brian Schley.
Lineage:
MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 03/2016
Taper Notes:
View NotesNote: ID-18985 patches; West L.A. 0:00 > 0:08, Drums 4:18 > 6:24. Thanks Jon Pasternak & Charlie McGuth for organizing this project!
Source 5 of 24
2:43:48
SBD
Rating:
8.89 / 9 ratings
SHNID:
gd1982-09-17.mtx.haugh.82208.sbefail.flac16
Source:
(55%SBD + 15%AUD1 + 15%AUD2 + 15%AUD3)
Transferrer: Rob Harrison
2:30:59
SBD
Rating:
8.00 / 5 ratings
Transferrer:
Rob Harrison
SHNID:
gd1982-09-17.sbd.harrison.80770.sbeok.flac16
Source:
Set 1 SBD > Dolby B metal cassette master. Set 2 SBD > ? (likely cassette master)
Lineage:
Dolby B metal cassette master > 20-bit SBM2 > CDR (David Gans master) > EAC > SoundForge
Taper Notes:
View NotesRecording/Transfer Info: Set 1. Recording: SBD > Dolby B metal cassette master Playback: Dolby B metal cassette master > 20-bit SBM2 > CDR (David Gans master) > EAC > SoundForge (create tracks) > CDR (Gen 1) > EAC > Flac Set 2. Recording: SBD > ? (likely cassette master) Playback: ? > DAT (x N) > Delta Dio 24/96 > Cool Edit 2000 > CD Wave Editor > Flac All Transfers By Rob Harrison December 5, 2006 Notes: -- Set 2 missing the first two songs -- Set 1 was xferred from the physical CD master from the GD vault. Me & My Uncle>Big River was recorded as a single track that I split in Soundforge. -- Set 2 is missing from the GD vault. Funny thing is that this show has circulated on DAT for many years.
Source 7 of 24
1:18:38
SBD
SHNID:
gd82-09-17.pset2-sbd.fishman.18105.sbeok.shnf
Source:
Soundboard
Lineage:
partial set 2 SBD>C or C1>D>CD>EAC>WAV>SHN
Taper Notes:
View Notespartial set 2 SBD>C or C1>D>CD>EAC>WAV>SHN via Fishman
Taper: Jim Wise
2:46:28
Rating:
10.00 / 1 rating
Taper:
Jim Wise
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1982-09-17.142824.fob.senn421.wise.miller.clugston.flac2496
Source:
Source Info: Jim Wise's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell XLII-S); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Wise for recording the show and the fresh transcription of his FOB audience master - Thanks to Charlie Miller for coordinating this effort - Thanks to Dan Haugh for the shnid82208 matrix source which supplies a 0:29 patch in "Drums" - Other One themed space - Noodle into Spanish Jam included in "Spanish Jam" - Awesome capture Mastered by Scott Clugston July 2018
Taper: Jim Wise
2:46:28
Taper:
Jim Wise
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1982-09-17.142823.fob.senn421.wise.miller.clugston.flac1648
Source:
<b>flac16/48kHz</b>; Source Info: Jim Wise's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell XLII-S); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496; 24-bit > 16-bit via dBpoweramp
Taper Notes:
View NotesNotes: - Thanks to Jim Wise for recording the show and the fresh transcription of his FOB audience master - Thanks to Charlie Miller for coordinating this effort - Thanks to Dan Haugh for the shnid82208 matrix source which supplies a 0:29 patch in "Drums" - Other One themed space - Noodle into Spanish Jam included in "Spanish Jam" - Awesome capture Mastered by Scott Clugston July 2018
Transferrer: Matrix by Hunter Seamons
2:48:02
Rating:
10.00 / 3 ratings
Transferrer:
Matrix by Hunter Seamons
SHNID:
gd1982-09-17.152910.mtx.seamons.ht132.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
Taper Notes:
View NotesNotes: Jim Wise's older transfer from 2008 was preferred over #142823. Some initial light tape warbles and mix fluctuations in Bertha. The matrix becomes optimal around when Jerry sings "I went down under the sea . . ." First performance of Throwing Stones. Schley and Wise's recordings had a nice complementary sound for the audience-only matrix portion (for Touch Of Grey and Women Are Smarter) given that Schley's tape had very up-front vocals and instrumentation and Wise's was more ambient. Clicks removed or reduced: 3 in High Time, 2 in Estimated Prophet, 5 in Space, 3 in Spanish Jam, 1 in Morning Dew. Fantastic recordings and show!
Taper: Doug Lamarre
2:45:09
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1982-09-17.144658.aud.lamarre.berger.flac24
Source:
source: aud cassette master taped by Doug Lamarre nakamichi 300 shotguns > sony d5, maxell xl-IIS90's, dolby b **mics adjusted on 12' stand & sound improves at Dupree's**
Lineage:
nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac transferred & seeded by Rob Berger 2019
Taper: Doug Lamarre
2:45:09
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1982-09-17.144657.aud.lamarre.berger.flac16
Source:
source: aud cassette master taped by Doug Lamarre nakamichi 300 shotguns > sony d5, maxell xl-IIS90's, dolby b **mics adjusted on 12' stand & sound improves at Dupree's**
Lineage:
nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac transferred & seeded by Rob Berger 2019
Taper: Executive Crew Kyle Holbrook,Mike Yacavone, Karen Eager
2:44:24
Taper:
Executive Crew Kyle Holbrook,Mike Yacavone, Karen Eager
Transferrer:
Kyle Holbrook
SHNID:
gd1982-09-17.139320.JVC-HM200E.holbrook.flac2448
Source:
Master: JVC HM 200E Binaural headpone microphones worn on head 60 feet from stage DFC >>Sony TCD5M; Maxell XLII 90, Dolby B on
Lineage:
Transfer: Playback: Nakamichi LX-5 -> Tascam DR680 @ 24/48 Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac)
Taper Notes:
View Notesrecording notes: Listening to this recording on headphones will greatly enhance the experience as the binaural recording method uses microphones at the ears. $ set opens with fluctuating levels * taper says-"no left signal", when there was one, brief cut as deck was paused for about 1 second at start of song. //tape flip & some drums were not recorded; we started back when Jerry took stage and Space begins ** Crowd chanting Phil! Phil!Phil! just before the Spanish Jam # slight cut @105:14 due to accidental pause button hit. % distortion from the PA several times; noted on other AUD masters. ^ overall distortion on Tape AND PA + Bobby says "Hey listen, thanks for keeping us alive all these years"
Taper: Executive Crew Kyle Holbrook,Mike Yacavone, Karen Eager
2:44:24
Taper:
Executive Crew Kyle Holbrook,Mike Yacavone, Karen Eager
Transferrer:
Kyle Holbrook
SHNID:
gd1982-09-17.139319.JVC-HM200E.holbrook.flac1644
Source:
Master: JVC HM 200E Binaural headpone microphones worn on head 60 feet from stage DFC >>Sony TCD5M; Maxell XLII 90, Dolby B on
Lineage:
Playback: Nakamichi LX-5 -> Tascam DR680 @ 24/48; Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac)
Taper Notes:
View Notesrecording notes: Listening to this recording on headphones will greatly enhance the experience as the binaural recording method uses microphones at the ears. $ set opens with fluctuating levels * taper says-"no left signal", when there was one, brief cut as deck was paused for about 1 second at start of song. //tape flip & some drums were not recorded; we started back when Jerry took stage and Space begins ** Crowd chanting Phil! Phil!Phil! just before the Spanish Jam # slight cut @105:14 due to accidental pause button hit. % distortion from the PA several times; noted on other AUD masters. ^ overall distortion on Tape AND PA + Bobby says "Hey listen, thanks for keeping us alive all these years"
Taper: chasingwilma
2:49:13
Rating:
8.00 / 1 rating
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1982-09-17.nak300.chasingwilma.119075.flac16
Source:
nakamichi 300 fob> d-5sony> mc
Lineage:
nakamichi 300 fob> d-5sony> mc
Taper: Bob Morris
2:43:50
Rating:
8.00 / 2 ratings
Taper:
Bob Morris
SHNID:
gd1982-09-17.aud.morris.111030.sbeok.flac24
Source:
(FOB) Nakamichi CM-300's (CP-1) > Cassette Master (Sony TCD5M/Maxell UDXLII); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits); Recorded on the floor FOB by Bob Morris
Taper Notes:
View NotesTape flip in Drums spliced at 4:48. Recorded on the floor FOB by Bob Morris - thanks to Sam for help. Transfer (Jun 09) and 2496 conversion / edits (May 10) by Bob Morris.
Taper: Bob Morris
2:43:49
Taper:
Bob Morris
Transferrer:
Bob Morris
SHNID:
gd1982-09-17.fob.nak300.morris.99888.flac16
Source:
(FOB) Nakamichi CM-300's (CP-1) > Cassette Master (Sony TCD5M/Maxell UDXLII)
Lineage:
Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
Taper: Tim Friend
2:47:43
Rating:
10.00 / 3 ratings
Taper:
Tim Friend
Transferrer:
Andrew F.
SHNID:
gd1982-09-17.nak300.friend.andrewf.99679.flac16
Source:
3x Nakamichi CM300's > Nakamichi 550 > Maxell XLII-S. Set up in the row of tapers directly behind the soundboard
Lineage:
MAC > Nakamichi DR-8 > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 2496
Taper Notes:
View NotesNotes: - Security heard hassling tapers near start of Candyman. - Patch from ID-91483 in Drums from 4:31 to 6:26. - 2nd Set disc break is seamless.
Taper: Tim Friend
2:47:43
Rating:
9.00 / 2 ratings
Taper:
Tim Friend
Transferrer:
Andrew F.
SHNID:
gd1982-09-17.nak300.friend.andrewf.99678.flac24
Source:
3x Nakamichi CM300's > Nakamichi 550 > Maxell XLII-S. Set up in the row of tapers directly behind the soundboard.
Lineage:
MAC > Nakamichi DR-8 > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496
Taper Notes:
View NotesNotes: - Security heard hassling tapers near start of Candyman. - Patch from ID-91483 in Drums from 4:31 to 6:26.
Taper: Jim Wise
2:46:29
Rating:
9.43 / 7 ratings
Taper:
Jim Wise
Transferrer:
Jim Wise
SHNID:
gd1982-09-17.aud.wise.91483.sbeok.flac16
Source:
FOB, Sennheiser MD-421's > Sony TC-D5.
Lineage:
CDR > EAC > WavMerge > CD-Wave > Soundforge > TLH > FLAC.
Taper Notes:
View Notes- Patch from ShnID-18985 in Drums, 5:12 > 5:25. - Second set disc break is seamless. - THANKS to Jim Wise for the discs!
Transferrer: Dan Haugh
2:43:48
Transferrer:
Dan Haugh
SHNID:
gd1982-09-17.mtx.dts.82184.sbefail.flac16
Source:
See info file
Lineage:
See info file
Taper: Mark Cohen
2:46:50
Rating:
9.00 / 2 ratings
Taper:
Mark Cohen
Transferrer:
Mark Cohen, David Minches
SHNID:
gd82-09-17.cohen.minches.18985.sbeok.shnf
Source:
Audience Recording: Nak 700s> Sony D5
Taper Notes:
View NotesNak 700s> Sony D5 recorded by Mark Cohen, A:D by Mark Cohen, D>SHN by David Minches
Source 23 of 24
2:39:23
Rating:
9.78 / 10 ratings
SHNID:
gd82-09-17.aud.lai.2577.sbefail.shnf
Source:
Audience or Matrix?
Taper Notes:
View Notesset 1, encore; sbd; transfer by Mike Lai from Bruce Fried seed; tracked for 1x80; a later <a href="http://db.etree.org/shninfo_detail.php?shnid=2577" rel="ugc nofollow">expanded</a> shn set with this d1 is complete
Source 24 of 24
2:44:16
Rating:
9.00 / 16 ratings
SHNID:
gd82-09-17.nak300.clugston.335.sbeok.shnf
Source:
Audience Recording: Nak CM300's
Lineage:
Master FOB Audience Cassette > Nak CM300 mics > Sony D5: master cassetteplayed back via a Nakamichi DR-1 > HHB 850 > EAC for DAE to Harddrive >CEP > CDWave > CDRWin > Yamaha CR8424 CDR
Taper Notes:
View NotesMaster FOB Audience Cassette > Nak CM300 mics > Sony D5: master cassette played back via a Nakamichi DR-1 > HHB 850 > EAC for DAE to Harddrive > CEP > CDWave > CDRWin > Yamaha CR8424 CDR; via S. Clugston, L. Revell