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June 9th
9 shows
89 tapes
Years
1995
30.1k
PlaybackListensHours
48h56774
7d7k942
30d30.1k4.2k
49 shows
341 tapes
1994
8.6k
PlaybackListensHours
48h1.2k147
7d1.7k245
30d8.6k1.2k
85 shows
460 tapes
1993
38.4k
PlaybackListensHours
48h2.3k286
7d8.6k1.2k
30d38.4k5.1k
83 shows
656 tapes
1992
36.1k
PlaybackListensHours
48h2.1k268
7d4.5k577
30d36.1k4.8k
57 shows
539 tapes
1991
42k
PlaybackListensHours
48h5.6k795
7d11.8k1.6k
30d42k5.7k
78 shows
972 tapes
1990
35.2k
PlaybackListensHours
48h6.2k774
7d6.7k884
30d35.2k4.6k
78 shows
1,139 tapes
1989
47.8k
PlaybackListensHours
48h2.7k335
7d8.9k1.1k
30d47.8k6k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k140
7d3.3k377
30d21.8k2.5k
82 shows
882 tapes
1987
35.1k
PlaybackListensHours
48h1.8k194
7d6.6k713
30d35.1k3.8k
88 shows
1,025 tapes
1986
14.3k
PlaybackListensHours
48h79889
7d2.3k259
30d14.3k1.6k
47 shows
683 tapes
1985
21.9k
PlaybackListensHours
48h1.5k169
7d4.8k565
30d21.9k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h986128
7d3.4k440
30d15.8k2k
67 shows
1,075 tapes
1983
33.7k
PlaybackListensHours
48h1.5k197
7d3.9k502
30d33.7k4.5k
71 shows
1,069 tapes
1982
42.1k
PlaybackListensHours
48h1.6k190
7d4.6k569
30d42.1k5.2k
63 shows
753 tapes
1981
52.1k
PlaybackListensHours
48h1.8k232
7d5.7k734
30d52.1k6.5k
92 shows
868 tapes
1980
72.7k
PlaybackListensHours
48h8.4k900
7d13.1k1.5k
30d72.7k8.4k
91 shows
794 tapes
1979
25.8k
PlaybackListensHours
48h1.5k207
7d3.4k480
30d25.8k3.6k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h1.7k230
7d12.2k1.6k
30d56.3k7.7k
87 shows
592 tapes
1977
299.2k
PlaybackListensHours
48h22.6k3.2k
7d40.6k5.5k
30d299.2k41.2k
64 shows
419 tapes
1976
50.3k
PlaybackListensHours
48h2.8k384
7d27.7k3.9k
30d50.3k6.8k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h86483
7d1.9k184
30d6.3k650
25 shows
63 tapes
1974
99.8k
PlaybackListensHours
48h7.2k928
7d11.5k1.5k
30d99.8k12.6k
42 shows
324 tapes
1973
80.6k
PlaybackListensHours
48h3.7k489
7d11.1k1.5k
30d80.6k10.3k
75 shows
445 tapes
1972
74.3k
PlaybackListensHours
48h2.6k320
7d8.3k1k
30d74.3k9k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.5k170
7d5.8k647
30d34.3k3.9k
82 shows
357 tapes
1970
45.2k
PlaybackListensHours
48h4.4k439
7d17.7k1.8k
30d45.2k4.8k
101 shows
376 tapes
1969
26.6k
PlaybackListensHours
48h2.5k392
7d6.2k1k
30d26.6k3.9k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h68995
7d1.3k156
30d6.8k854
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h13218
7d32346
30d1.5k208
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h21114
7d1k70
30d8k536
32 shows
78 tapes
1965
592
PlaybackListensHours
48h422
7d1156
30d59235
2 shows
2 tapes
1976
6/11/76
Tuning
3:30
Might As Well
5:52
Mama Tried
4:23
Tennesse Jed
10:27
Cassidy
6:12
Candyman
9:17
Big River
7:17
Scarlet Begonias
10:07
Looks Like Rain
10:10
It Must HAve Been the Roses
8:11
Lazy Lighnin' >
2:48
Supplication
6:50
Brown-Eyed Women
6:47
Promised Land
3:54
Tuning
2:50
St. Stephen >
9:30
Dancin' in the Streets >
11:47
The Music Never Stopped
6:14
Ship of Fools
8:12
Samson and Delilah
11:06
Sugaree
13:05
Sugar Magnolia
5:59
Eyes of the World >
13:00
Stella Blue >
10:43
Sunshine Daydream
6:02
Johnny B. Goode
4:36
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
3:13:07
SBD
Rating:
8.00 / 3 ratings
Transferrer:
Charlie Miller
SHNID:
gd1976-06-11.141709.sbd.miller.fixed.flac1644
Source:
Lineage: SBD > Master Reel (7in 7.5ips 1/2trk) > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller; Fixed numerous flaws from previous source
Taper Notes:
View NotesNotes: -- This has a fixed Looks Like Rain -- Thanks to Tim Dalton for the PCM -- Alternate 'patch' reels were used to cover all tape flips -- Fixed numerous flaws from previous source
Transferrer: Charlie Miller
3:13:07
SBD
Rating:
8.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1976-06-11.141702.sbd.miller.flac1644
Source:
Lineage: SBD > Master Reel (7in 7.5ips 1/2trk) > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller; the original version of this source had an error in Looks Like Rain (track 08); <a href="http://db.etree.org/shn/141709">Fixed Version</a> in circulation
Taper Notes:
View NotesNotes: -- This has a fixed Looks Like Rain -- Thanks to Tim Dalton for the PCM -- Alternate 'patch' reels were used to cover all tape flips
Taper: Betty Cantor
3:11:19
SBD
Rating:
8.00 / 1 rating
Taper:
Betty Cantor
Transferrer:
Charlie Miller, Scott Clugston, Rich Gastwirt
SHNID:
gd1976-06-11.139552.sbd.betty.gastwirt.miller.clugston.flac1648
Source:
<b>flac16/48kHz</b>; Source Info: Betty's Master Soundboard Reels > PCM > DAT (16/48); Transfer Info: DAT (Sony R500 16/48)> Tascam DA-3000 16/48 > Adobe Audition> TLH flac1648; Transferred by Charlie Miller; Mastered by Scott Clugston
Taper Notes:
View NotesNotes: - Thanks to Rich Gastwirt for lending Charlie his DAT - Thanks to Charlie for his transfer - Thanks to Hunter Seamons for his matrix shnid=118256 which supplies the Tuning(t01) and first beat of Might as Well (t02),from 1:10 thru 1:36 of Scarlet Begonias (t08), from 1:32 thru 2:03 of Promised Land(t14), from 8:54 thru 9:20 of Stella Blue (t24),as well as the tuning and first 0:15 of Johnny B. Goode (t26) - Thannks to Jerry Moore and David Minches for shnid=18387 AKG 200E aud source that Hunter used for his matrix - Thanks to jmason for shnid=7824 which supplies the Sbd source for the majority of Johnny B. Goode (t26), which was missing from this transcription. - Upgrade to what is in general circulation (10/2017)
Transferrer: Hunter Seamons
3:16:16
SBD
Rating:
10.00 / 8 ratings
Transferrer:
Hunter Seamons
SHNID:
gd1976-06-11.mtx.seamons.118256.flac16
Source:
Matrix of SBD (shnid=22803) and AUD (shnid=18387) by Jubal H. Seamons using Final Cut Pro (SHN > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
Taper Notes:
View NotesNotes: 1) Eyes is mesmerizing. Great show, great show. 2) Bob wishes Keith a happy birthday right before Sugaree, and the crowd goes nuts - although it wasn't Keith's birthday. (Love that gag.)
Taper: Unknown
2:56:21
SBD
Rating:
10.00 / 3 ratings
Source:
Soundboard
Source 6 of 9
3:10:00
SBD
Rating:
9.36 / 22 ratings
SHNID:
gd76-06-11.sbd.jmason.7824.sbeok.shnf
Source:
Soundboard
Lineage:
MR>DAT>DAT Clone @ 44.1 kHz (Tascam DA20)>SBLive Platinum SPDIF In>WAV Edit (Sound Forge)>SHN (mkw audio compression tool)>CDR (HP 8200)
Taper Notes:
View NotesMR>DAT>DAT Clone @ 44.1 kHz (Tascam DA20)>SBLive Platinum SPDIF In>WAV Edit (Sound Forge)>SHN (mkw audio compression tool)>CDR (HP 8200); via GDLive [Note: An sbe-fixed-by-set version also circulates]
Taper: Steve Hopkins
3:18:49
SBD
Rating:
7.00 / 4 ratings
Taper:
Steve Hopkins
SHNID:
gd76-06-11.hopkins.vernon.5919.sbeok.shnf
Source:
Audience Recording: Sony ECM 99a stereo mic
Lineage:
FOB Sony 152 cassette deck with Sony ecm 99a stereo mic; Audience Master Cassettes > DAT > DAT clone > CDR > WAV's (EAC secure with offsets enabled) > add fades/sbd splice with Cool Edit 2K > track boundaries CDWave > SHN
Taper Notes:
View NotesFOB Sony 152 cassette deck with Sony ecm 99a stereo mic, taper Steve Hopkins; Audience Master Cassettes > DAT > DAT clone by Dave Minor; DAT clone > CDR by Dave Handrich; CDR > SHN conversion by Matt Vernon: CDR > WAV's (EAC secure with offsets enabled) > add fades/sbd splice with Cool Edit 2K > track boundaries CDWave > SHN's (mkwact seekable); see info file for flaw notes; d1 tracked for 80 min. [Note: Dolby decoded version created 7/13/03]
Transferrer: Alan McCarty
2:56:21
SBD
Rating:
9.33 / 3 ratings
Transferrer:
Alan McCarty
SHNID:
gd1976-06-11.sbd.mccartj.238.sbeok.shnf
Source:
LIBERATED BOOT
Taper: Jerry Moore
3:15:40
Rating:
9.33 / 6 ratings
Taper:
Jerry Moore
Transferrer:
Mark Cohen, David Minches
SHNID:
gd76-06-11.moore.minches.18387.sbeok.shnf
Source:
Audience Recording: AKG 200Es
Lineage:
AKG 200Es> Sony TC-153, mics split along front of loge. AUDMC > DAT > SHN
Taper Notes:
View NotesRecorded by Jerry Moore; AKG 200Es> Sony TC-153, mics split along front of loge. AUDMC > DAT conversion by Mark Cohen, DAT > SHN conversion by David Minches