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Today In History
June 9th
Years
1995
30.1k
PlaybackListensHours
48h56175
7d7k942
30d30.1k4.2k
49 shows
341 tapes
1994
8.6k
PlaybackListensHours
48h1.5k179
7d1.7k245
30d8.6k1.2k
85 shows
460 tapes
1993
38.4k
PlaybackListensHours
48h2.8k339
7d8.6k1.2k
30d38.4k5.1k
83 shows
656 tapes
1992
36.1k
PlaybackListensHours
48h2.2k287
7d4.5k577
30d36.1k4.8k
57 shows
539 tapes
1991
42k
PlaybackListensHours
48h3.5k503
7d11.8k1.6k
30d42k5.7k
78 shows
973 tapes
1990
35.2k
PlaybackListensHours
48h8k987
7d6.7k884
30d35.2k4.6k
78 shows
1,139 tapes
1989
47.8k
PlaybackListensHours
48h2.3k291
7d8.9k1.1k
30d47.8k6k
78 shows
1,017 tapes
1988
21.8k
PlaybackListensHours
48h1.2k134
7d3.3k377
30d21.8k2.5k
82 shows
882 tapes
1987
35.1k
PlaybackListensHours
48h1.6k176
7d6.6k713
30d35.1k3.8k
88 shows
1,025 tapes
1986
14.3k
PlaybackListensHours
48h63270
7d2.3k259
30d14.3k1.6k
47 shows
683 tapes
1985
21.9k
PlaybackListensHours
48h1.4k156
7d4.8k565
30d21.9k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h1.9k230
7d3.4k440
30d15.8k2k
67 shows
1,075 tapes
1983
33.7k
PlaybackListensHours
48h1.2k162
7d3.9k502
30d33.7k4.5k
71 shows
1,069 tapes
1982
42.1k
PlaybackListensHours
48h1.2k153
7d4.6k569
30d42.1k5.2k
63 shows
753 tapes
1981
52.1k
PlaybackListensHours
48h1.5k186
7d5.7k734
30d52.1k6.5k
92 shows
868 tapes
1980
72.7k
PlaybackListensHours
48h6.1k673
7d13.1k1.5k
30d72.7k8.4k
91 shows
794 tapes
1979
25.8k
PlaybackListensHours
48h1.4k196
7d3.4k480
30d25.8k3.6k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h1.7k230
7d12.2k1.6k
30d56.3k7.7k
87 shows
592 tapes
1977
299.2k
PlaybackListensHours
48h19.6k2.8k
7d40.6k5.5k
30d299.2k41.2k
64 shows
419 tapes
1976
50.3k
PlaybackListensHours
48h4.3k609
7d27.7k3.9k
30d50.3k6.8k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h59759
7d1.9k184
30d6.3k650
25 shows
63 tapes
1974
99.8k
PlaybackListensHours
48h7.3k959
7d11.5k1.5k
30d99.8k12.6k
42 shows
324 tapes
1973
80.6k
PlaybackListensHours
48h4.7k594
7d11.1k1.5k
30d80.6k10.3k
75 shows
445 tapes
1972
74.3k
PlaybackListensHours
48h2.2k279
7d8.3k1k
30d74.3k9k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.5k170
7d5.8k647
30d34.3k3.9k
82 shows
357 tapes
1970
45.2k
PlaybackListensHours
48h2.5k265
7d17.7k1.8k
30d45.2k4.8k
101 shows
376 tapes
1969
26.6k
PlaybackListensHours
48h1.9k319
7d6.2k1k
30d26.6k3.9k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h829112
7d1.3k156
30d6.8k854
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h12617
7d32346
30d1.5k208
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h25513
7d1k70
30d8k536
32 shows
78 tapes
1965
592
PlaybackListensHours
48h382
7d1156
30d59235
2 shows
2 tapes
1973
6/10/73
Morning Dew
11:18
Beat It On Down The Line
2:12
Ramble On Rose
7:44
Jack Straw
5:00
Wave That Flag
6:01
Looks Like Rain
7:40
Box Of Rain
5:10
They Love Each Other
5:12
The Race Is On
3:11
Row Jimmy
9:17
El Paso
4:21
Bird Song
12:00
Playing In The Band
17:44
./-
21:45
Stella Blue
8:12
Big River
4:43
Here Comes Sunshine
10:42
Around And Around
6:10
Dark Star ->
26:12
He's Gone ->
13:49
Wharf Rat ->
8:04
Truckin'
7:42
Sugar Magnolia
9:44
It Takes A Lot To Laugh It Takes A Train To Cry
8:10
That's All Right, Mama
13:35
The Promised Land
4:44
Not Fade Away ->
11:26
Goin' Down The Road Feeling Bad ->
10:36
Drums ->
5:53
Not Fade Away
3:33
Johnny B. Goode
3:14
FIN
View on archive.org
Sources
Transferrer: Matrix by Dave Usborne
4:47:33
SBDREMASTER
Rating:
10.00 / 5 ratings
Transferrer:
Matrix by Dave Usborne
SHNID:
gd1973-06-10.131065.mtx.dusborne.flac16
Source:
2 Source Matrix by Dusborne; Soundboard (shnid:89730) - Recording Info: SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC; All Transfers and Mastering By Charlie Miller and Audience (shnid:121031) - Source: taped and remastered by Monte Barry; Sony TC 2850SD portable stereo cassette recorder; Sony ECM 99 single-point stereo mic; mic is hand-held on mic-stand shaft, with arm raised up; FOB center infield, between sbd platform and stage platform;
Lineage:
transferred by Matt Smith; MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > TLH > CD Tag
Taper Notes:
View NotesMatrix by dusborne 08-22-2014 ------------------------------------------------------------------------------- Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use st5 to validate audio integrity. Md5 values will change if tagging is altered. Dave Usborne 08-22-2014
Transferrer: Charlie Miller and Kevin Tobin
4:42:32
SBD
Rating:
9.08 / 13 ratings
Transferrer:
Charlie Miller and Kevin Tobin
SHNID:
gd1973-06-10.sbd.miller.tobin.patched-89730.90979.flac16
Source:
SBD -> Master Reel -> Dat -> CD
Lineage:
CD -> Samplitude Professional v10.01 -> FLAC
Taper Notes:
View NotesThis is the Miller sbd (89730) patched with the two audience sources (90351 and 89681), and then pitch corrected. See text file for details. Kevin Tobin did the work.
Transferrer: Charlie Miller
4:35:04
SBD
Rating:
9.83 / 12 ratings
Transferrer:
Charlie Miller
SHNID:
gd1973-06-10.sbd.miller.fix-89640.89730.flac16
Source:
SBD -> Master Reel -> Dat -> CD D
Lineage:
CD -> Samplitude Professional v10.01 -> FLAC
Transferrer: Charlie Miller
4:34:02
SBD
Rating:
9.68 / 19 ratings
Transferrer:
Charlie Miller
SHNID:
gd1973-06-10.sbd.miller.89640.sbeok.flac16
Source:
SBD -> Master Reel -> Dat -> CD
Lineage:
CD -> Samplitude Professional v10.01 -> FLAC
Taper: Monte Barry
4:41:26
SBDREMASTER
Rating:
10.00 / 4 ratings
Taper:
Monte Barry
Transferrer:
Matt Smith
SHNID:
gd1973-06-10.121031.barry.smith.AUD-fob.flac2496
Source:
Source: taped and remastered by Monte Barry; Sony TC 2850SD portable stereo cassette recorder Sony ECM 99 single-point stereo mic is hand-held on mic-stand shaft, with arm raised up FOB center infield, between sbd platform and stage platform;
Lineage:
transferred by Matt Smith; MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > TLH > CD Tag
Taper: Monte Barry
4:41:26
SBDREMASTER
Rating:
10.00 / 2 ratings
Taper:
Monte Barry
Transferrer:
Matt Smith
SHNID:
gd1973-06-10.121030.barry.smith.AUD-fob.flac16
Source:
taped and remastered by Monte Barry; Sony TC 2850SD portable stereo cassette recorder > Sony ECM 99 single-point stereo mic is hand-held on mic-stand shaft, with arm raised up FOB center infield, between sbd platform and stage platform;
Lineage:
transferred by Matt Smith MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > 16/44 > TLH > SBEs fixed > CD Tag
Transferrer: Kevin Tobin
4:40:24
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1973-06-10.dts.tobin.90794.flac
Source:
SBD (89730) + AUD (90351) + AUD (89681)
Transferrer: Kevin Tobin
4:40:24
SBD
Rating:
9.33 / 11 ratings
Transferrer:
Kevin Tobin
SHNID:
gd1973-06-10.mtx.tobin.90771.flac16
Source:
SBD (89730) + AUD (90351) + AUD (89681)
Transferrer: David Hollister and G.S. Hamilton
4:46:27
SBD
Rating:
9.23 / 217 ratings
Transferrer:
David Hollister and G.S. Hamilton
SHNID:
gd73-06-10.sbd.hollister.174.sbeok.shnf
Source:
Soundboard
Lineage:
SBD > MR (10'' reels) > DAT > CD > EAC > SHN
Taper Notes:
View Notesd1t2 BIODTL begining cut (thanks to Andrew Pitner for noticing) d1t09 (The Race Is On) several anomalies at the 1:33, 1:34, 1:36, & 1:44 marks (thanks to Scott Clugston for noticing) D2t01 (Bird Song): very brief tape waver @ 2:44 D2t03 (Eyes) transient sound system glitch @ 5:06; subsecond dropout @ 6:54 D4t06 (GDTRFB): reel flip/splice @ 6:42
Taper: Bill Gadsden
1:27:13
Taper:
Bill Gadsden
Transferrer:
Charlie Miller; Neil Sturtevant
SHNID:
gd1973-06-10.partial.fob.gadsden.89681.sbeok.flac16
Lineage:
Reel (Sony TC-366) -> Korg MR-1000 -> Samplitude Professional v10.02 -> FLAC
Taper Notes:
View Notes-- Disc change is seamless -- Recorded by Bill Gadsden
Taper: Jimmy & Laurie Cooper, & Arti
1:29:18
Taper:
Jimmy & Laurie Cooper, & Arti
Transferrer:
Rob Berger
SHNID:
gd1973-06-10.136253.aud.cooper.berger.flac16
Source:
Partial Sets 1 & 2; source: aud cassette master; taped by Jimmy & Laurie Cooper, & Arti; Arti’s akg 200 series mics > hitachi trq-222; maxell ud-c90; nakamichi dragon > benchmark adc1 24/96 > mac > adobe audition cc > fission > 16/44.1 > xACT flac; power by furman p-2400IT; transfer & mastering - Rob Berger
Taper Notes:
View Notesnotes:* as per Jim Cooper, the story of why this is an offering of only part of this epic day: This is my most frustrating concert ever. Arti offered to use his AKG's for this as an experiment with the Hitachi, as I had never used premium mics before. (the database needs to be changed regarding the mics) We were not able to go Saturday, but went on sunday. My old friend and his girlfriend offered to drive us all there. Laurie, Arti & I, with our gear and a full cooler (thank goodness) sat in the backseat. At the show, My friend & his GF went into the stands, as she couldn't take the heat, which was excessive. Laurie Arti & I found a sweet spot about halfway between the stage & the soundboard, arti had poles. The opening act sucked and played longtime. ABB came on and played a long time. we did not record them due to limitations on our resources, although a group of die hard ABB fans with a R2R and a dead car battery begged us to. We were tripping of course, as were most. The duration and heat combined to create a very challenging experience, thank goodness for the large woman who befriended us and sat on the cooler, keeping out the baked refugees all around us. There was no water provided. As the night came, cooling things down the dead began and they were UNBELIEVABLE, They were experimenting with phil's sub sound and the heat combined to produce a very soothing effect on the brain each time phil plucked a sustained bass note. The stadium echoed the sound (Stella Blue) to enhance the trippiness of the 2nd set especially. We recorded everything, we were so thrilled as we observed the levels with the AKG's, man we were psyched. THEN about almost just before the encore, my friends found us and wanted to leave, the GF had to take an exam in the morning in NYC, WE did not want to go, they left us there. Show was over and we went out and started hitchhiking, with all our gear and the cooler. NO Rides We walked around the parking lot and found a van with NY plates and asked the people if they had room. They said yes, but they wanted to crash for a while. We said OK and sat down and began playing tapes of the show, I had brought the speakers along for the car ride. We were listening to this very tape when we 3 fell asleep. We awoke when we heard car noises and our ride was getting ready to go, we gathered up our stuff and got into the back of the van. We slept off & on to NYC, it was almost 7am as we hit the GWB. I went looking for something in my pack, (a cassette carrying case, about 24 tapes.) and it was missing, I had brought a bunch of live shows, including GD soundchecks from nassau coliseum with a few "box of rain" and other gems. We checked our stuff, artis mics were gone as was our canon slr and all of the fuckin tapes which we just recorded, EXCEPT this one. We cried once we heard how good the sound of the tape was, and we all knew all knew just what a great show it was.
Taper: Jimmy & Laurie Cooper, & Arti
1:29:18
Rating:
10.00 / 1 rating
Taper:
Jimmy & Laurie Cooper, & Arti
Transferrer:
Rob Berger
SHNID:
gd1973-06-10.136252.aud.cooper.berger.flac24
Source:
Partial Sets 1 & 2; source: aud cassette master; taped by Jimmy & Laurie Cooper, & Arti; Arti’s akg mics > hitachi trq-222; maxell ud-c90; nakamichi dragon > benchmark adc1 24/96 > mac > adobe audition cc > fission > xACT flac; power by furman p-2400IT; transfer & mastering - Rob Berger
Taper Notes:
View Notesnotes:* as per Jim Cooper, the story of why this is an offering of only part of this epic day: This is my most frustrating concert ever. Arti offered to use his AKG's for this as an experiment with the Hitachi, as I had never used premium mics before. (the database needs to be changed regarding the mics) We were not able to go Saturday, but went on sunday. My old friend and his girlfriend offered to drive us all there. Laurie, Arti & I, with our gear and a full cooler (thank goodness) sat in the backseat. At the show, My friend & his GF went into the stands, as she couldn't take the heat, which was excessive. Laurie Arti & I found a sweet spot about halfway between the stage & the soundboard, arti had poles. The opening act sucked and played longtime. ABB came on and played a long time. we did not record them due to limitations on our resources, although a group of die hard ABB fans with a R2R and a dead car battery begged us to. We were tripping of course, as were most. The duration and heat combined to create a very challenging experience, thank goodness for the large woman who befriended us and sat on the cooler, keeping out the baked refugees all around us. There was no water provided. As the night came, cooling things down the dead began and they were UNBELIEVABLE, They were experimenting with phil's sub sound and the heat combined to produce a very soothing effect on the brain each time phil plucked a sustained bass note. The stadium echoed the sound (Stella Blue) to enhance the trippiness of the 2nd set especially. We recorded everything, we were so thrilled as we observed the levels with the AKG's, man we were psyched. THEN about almost just before the encore, my friends found us and wanted to leave, the GF had to take an exam in the morning in NYC, WE did not want to go, they left us there. Show was over and we went out and started hitchhiking, with all our gear and the cooler. NO Rides We walked around the parking lot and found a van with NY plates and asked the people if they had room. They said yes, but they wanted to crash for a while. We said OK and sat down and began playing tapes of the show, I had brought the speakers along for the car ride. We were listening to this very tape when we 3 fell asleep. We awoke when we heard car noises and our ride was getting ready to go, we gathered up our stuff and got into the back of the van. We slept off & on to NYC, it was almost 7am as we hit the GWB. I went looking for something in my pack, (a cassette carrying case, about 24 tapes.) and it was missing, I had brought a bunch of live shows, including GD soundchecks from nassau coliseum with a few "box of rain" and other gems. We checked our stuff, artis mics were gone as was our canon slr and all of the fuckin tapes which we just recorded, EXCEPT this one. We cried once we heard how good the sound of the tape was, and we all knew all knew just what a great show it was.
Taper: See info file
4:40:24
Rating:
10.00 / 2 ratings
Taper:
See info file
Transferrer:
Kevin Tobin
SHNID:
gd1973-06-10.aud.barry-gadsden.tobin.90796.flac16
Source:
Composite Audience
Lineage:
See info file
Taper: Monte Barry
4:32:41
Rating:
9.33 / 12 ratings
Taper:
Monte Barry
Transferrer:
Monte Barry
SHNID:
gd1973-06-10.fob.barry.90351.flac16
Source:
FOB > Single-point Mic > Sonny TC 110 > MAC
Lineage:
MAC > Nakamichi 550 > Lexicon Alpha > Samplitude > CD-Tag > FLAC
Taper Notes:
View Notes-- This show is complete -- Most track changes are seemless -- Patches are cross-faded -- SBD patches have "concert hall" echo/delay effects applied -- Playing in the Band --------- tape change dropout at 5:22, Gadsden-Miller patched until 6:23 -- Eyes of the World ----------- missing content until 14:35, Gadsden-Miller AUD patched -- It Takes A Train to To Cry -- SBD patched due to tape damage, 1:42 to 1:47, 3:03 to 3:16 -- That's Alright Mama --------- SBD patched due to tape damage, 3:35 to 3:50, 5:56 to 8:58 -- GDTRFB ---------------------- tape change dropout at 4:37, SBD patched until 5:01