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Grateful Dead
Today In History
June 9th
9 shows
89 tapes
Years
1995
30.1k
PlaybackListensHours
48h55374
7d7k942
30d30.1k4.2k
49 shows
341 tapes
1994
8.6k
PlaybackListensHours
48h1.3k163
7d1.7k245
30d8.6k1.2k
85 shows
460 tapes
1993
38.4k
PlaybackListensHours
48h2.4k292
7d8.6k1.2k
30d38.4k5.1k
83 shows
656 tapes
1992
36.1k
PlaybackListensHours
48h2.1k275
7d4.5k577
30d36.1k4.8k
57 shows
539 tapes
1991
42k
PlaybackListensHours
48h4.1k590
7d11.8k1.6k
30d42k5.7k
78 shows
973 tapes
1990
35.2k
PlaybackListensHours
48h7.2k895
7d6.7k884
30d35.2k4.6k
78 shows
1,139 tapes
1989
47.8k
PlaybackListensHours
48h2.5k308
7d8.9k1.1k
30d47.8k6k
78 shows
1,017 tapes
1988
21.8k
PlaybackListensHours
48h1.2k141
7d3.3k377
30d21.8k2.5k
82 shows
882 tapes
1987
35.1k
PlaybackListensHours
48h1.6k179
7d6.6k713
30d35.1k3.8k
88 shows
1,025 tapes
1986
14.3k
PlaybackListensHours
48h67475
7d2.3k259
30d14.3k1.6k
47 shows
683 tapes
1985
21.9k
PlaybackListensHours
48h1.5k169
7d4.8k565
30d21.9k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h1.3k168
7d3.4k440
30d15.8k2k
67 shows
1,075 tapes
1983
33.7k
PlaybackListensHours
48h1.4k181
7d3.9k502
30d33.7k4.5k
71 shows
1,069 tapes
1982
42.1k
PlaybackListensHours
48h1.3k164
7d4.6k569
30d42.1k5.2k
63 shows
753 tapes
1981
52.1k
PlaybackListensHours
48h1.7k212
7d5.7k734
30d52.1k6.5k
92 shows
868 tapes
1980
72.7k
PlaybackListensHours
48h7.3k793
7d13.1k1.5k
30d72.7k8.4k
91 shows
794 tapes
1979
25.8k
PlaybackListensHours
48h1.4k205
7d3.4k480
30d25.8k3.6k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h1.7k233
7d12.2k1.6k
30d56.3k7.7k
87 shows
592 tapes
1977
299.2k
PlaybackListensHours
48h21k3k
7d40.6k5.5k
30d299.2k41.2k
64 shows
419 tapes
1976
50.3k
PlaybackListensHours
48h3.5k482
7d27.7k3.9k
30d50.3k6.8k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h69167
7d1.9k184
30d6.3k650
25 shows
63 tapes
1974
99.8k
PlaybackListensHours
48h7.4k970
7d11.5k1.5k
30d99.8k12.6k
42 shows
324 tapes
1973
80.6k
PlaybackListensHours
48h3.9k507
7d11.1k1.5k
30d80.6k10.3k
75 shows
445 tapes
1972
74.3k
PlaybackListensHours
48h2.4k295
7d8.3k1k
30d74.3k9k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.5k171
7d5.8k647
30d34.3k3.9k
82 shows
357 tapes
1970
45.2k
PlaybackListensHours
48h3.3k333
7d17.7k1.8k
30d45.2k4.8k
101 shows
376 tapes
1969
26.6k
PlaybackListensHours
48h2.1k346
7d6.2k1k
30d26.6k3.9k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h802109
7d1.3k156
30d6.8k854
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h13417
7d32346
30d1.5k208
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h20310
7d1k70
30d8k536
32 shows
78 tapes
1965
592
PlaybackListensHours
48h442
7d1156
30d59235
2 shows
2 tapes
1972
Sources
Transferrer: Charlie Miller
3:03:44
SBD
Rating:
8.33 / 6 ratings
Transferrer:
Charlie Miller
SHNID:
gd1972-08-20.sbd.miller.83733.flac16
Source:
SBD -> Cassette Master -> Reel -> Dat (48k)
Lineage:
Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
Taper Notes:
View NotesPatch Info: There was some other show bleeding through the tape for first few songs, so I used the circulating etree sbd to patch Me And My Uncle through Bird Song. Other Patches: Recording by Olaf Schiappacasse (using Gene Taback's equipment): Sony Stereo Mic -> Cassette Master (Sony TC-124) supplies: Bertha (complete track) Cumberland Blues (0:00 - 1:34) The Other One (5:59 - 8:14) Uncle John's Band (complete track) Notes: -- All disc changes are seamless -- The levels are a mess causing hiss in places, I did my best.. -- Sound quality improves for the 2nd Set -- Patches are not perfect, but are better -- Thanks to David Minches for the AUD patch source
Transferrer: Charlie Miller
2:44:21
SBD
Rating:
6.00 / 2 ratings
Transferrer:
Charlie Miller
SHNID:
gd1972-08-20.sbd.miller.32789.sbeok.flac16
Source:
SBD -> Cassette Master -> Reel -> Dat (48k) D
Lineage:
Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
Taper Notes:
View NotesPatch Info: There was some other show bleeding through the tape for first few songs, so I used the circulating etree sbd to patch Bertha through Bird Song. Notes: -- Seamless transition between Discs 2 and 3 -- The levels are a mess causing hiss in places, I did my best.. -- Sound quality improves for the 2nd Set.
Source 3 of 5
1:21:09
SBD
Rating:
5.00 / 2 ratings
SHNID:
gd72-08-20.sbd.cotsman.16335.sbeok.shnf
Source:
Soundboard
Lineage:
SBD>MC>R>C>C>C>D>CD>EAC>SHN (?)
Taper Notes:
View NotesSBD>MC>R>C>C>C>D>CD>EAC>SHN (?) see notes on lineage via Chuck Kiefe edits/encoding by Jeff Cotsman
Transferrer: Jim Bennett
1:19:07
SBD
Transferrer:
Jim Bennett
SHNID:
gd1972-08-20.pset1.sbd.jim.14988.shnf
Source:
SBD>?>CDR>WAV>CE2k (*Serious* cleanup)>SHN
Taper Notes:
View Notes: Tracked for 80-minute CD : A 20-second garbled fragment of Bertha was in the right channel at the beginning of disc 1 of my source discs; I decided not to include it in the seed. : Cumberland cuts in - a good chunk missing, still 4 1/2 minutes worth included here : Levels change in places (for instance, during Black Throated Wind, around "I can't deny...", or at "...right outside the fence..." in Jack Straw), and songs 8-11 seem a bit muddier than 1-7. : I ran 2 or 3 passes of noise reduction in Cool Edit 2000 on these wav's to clean them up. They were a hiss-farm previously. : Phil is large in the mix, to the point of peaking at times (some prior gen). : In a nutshell, there are more consistent, complete SBDs of other shows out there. That taken into consideration, it's still a fun listen. :)
Taper: Olaf Schiappacasse (using Gene Taback's equipment)
2:44:36
Rating:
8.67 / 3 ratings
Taper:
Olaf Schiappacasse (using Gene Taback's equipment)
Transferrer:
David Minches
SHNID:
gd1972-08-20.sony-schiappacasse.minches.82716.flac16
Source:
Sony TC-124 with Sony Stereo Mic (Pacific Stereo Cassettes)
Lineage:
Master cassettes played back on Nakamichi Dragon > Digital Audio Labs Card Deluxe soundcard (96Mhz/24 bit)> HD > Adobe Audition; L3 Multimaximizer>Waves Z-Noise; Dithered and downsampled to 44.1 MHz / 16 bit; Flac Encoded
Taper Notes:
View NotesThe sound of the recording varies from section to section. Fortunately the best sounding parts include the longer jams. Many of the sounds are missing the first couple of notes due to the fact that Olaf paused in between most songs. There are many other warts - too many to document. I decided to using some post-transfer processing since the recording's level were very low and there was a pretty good amount of tape noise/hiss. As you'll hear, I still left a good bit on the finished product. Be patient with the recording since the sound improves quite a bit as the show progresses. Thanks, Gene, for providing me with your cassettes.