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Bands
Grateful Dead
Today In History
June 9th
9 shows
89 tapes
Years
1995
29.8k
PlaybackListensHours
48h62484
7d4k544
30d29.8k4.2k
49 shows
341 tapes
1994
8.4k
PlaybackListensHours
48h1.6k201
7d1.4k195
30d8.4k1.2k
85 shows
460 tapes
1993
38.1k
PlaybackListensHours
48h2.9k361
7d8k1.1k
30d38.1k5k
83 shows
656 tapes
1992
35.9k
PlaybackListensHours
48h2.2k291
7d4k503
30d35.9k4.8k
57 shows
539 tapes
1991
38.5k
PlaybackListensHours
48h3.1k455
7d11k1.5k
30d38.5k5.2k
78 shows
973 tapes
1990
34.4k
PlaybackListensHours
48h8.8k1.1k
7d5.6k731
30d34.4k4.5k
78 shows
1,139 tapes
1989
46.7k
PlaybackListensHours
48h2.3k283
7d7.2k909
30d46.7k5.8k
78 shows
1,017 tapes
1988
21.1k
PlaybackListensHours
48h1.1k127
7d2.7k310
30d21.1k2.4k
82 shows
882 tapes
1987
33.6k
PlaybackListensHours
48h1.7k193
7d5.2k565
30d33.6k3.7k
88 shows
1,025 tapes
1986
12k
PlaybackListensHours
48h66074
7d1.9k211
30d12k1.4k
47 shows
683 tapes
1985
21.3k
PlaybackListensHours
48h1.3k155
7d3.9k464
30d21.3k2.5k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h2.4k283
7d2.8k363
30d15.3k2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.1k153
7d3.2k413
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k145
7d3.7k457
30d41.6k5.2k
63 shows
753 tapes
1981
49.2k
PlaybackListensHours
48h1.4k172
7d4.6k599
30d49.2k6.2k
92 shows
868 tapes
1980
69.6k
PlaybackListensHours
48h5.3k589
7d11.8k1.3k
30d69.6k8.1k
91 shows
794 tapes
1979
24.5k
PlaybackListensHours
48h1.4k204
7d2.8k389
30d24.5k3.4k
79 shows
600 tapes
1978
53.2k
PlaybackListensHours
48h1.7k227
7d11k1.4k
30d53.2k7.3k
87 shows
592 tapes
1977
286k
PlaybackListensHours
48h19.5k2.7k
7d35.1k4.7k
30d286k39.4k
64 shows
419 tapes
1976
49.6k
PlaybackListensHours
48h5.3k761
7d14.8k2.1k
30d49.6k6.7k
45 shows
298 tapes
1975
6.2k
PlaybackListensHours
48h58958
7d1.7k157
30d6.2k638
25 shows
63 tapes
1974
98.7k
PlaybackListensHours
48h7.3k960
7d9.1k1.1k
30d98.7k12.5k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h5.3k674
7d9.2k1.2k
30d79.3k10.1k
75 shows
445 tapes
1972
69.8k
PlaybackListensHours
48h2.2k274
7d6.8k831
30d69.8k8.5k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h1.6k172
7d4.5k500
30d33.5k3.8k
82 shows
357 tapes
1970
44.4k
PlaybackListensHours
48h2.1k232
7d16.6k1.7k
30d44.4k4.7k
101 shows
376 tapes
1969
25.9k
PlaybackListensHours
48h1.8k298
7d5.7k931
30d25.9k3.8k
112 shows
326 tapes
1968
6.7k
PlaybackListensHours
48h887120
7d991122
30d6.7k831
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h13718
7d26437
30d1.5k202
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h26614
7d76858
30d7.9k532
32 shows
78 tapes
1965
579
PlaybackListensHours
48h332
7d925
30d57934
2 shows
2 tapes
1971
Sources
Transferrer: Charlie Miller
2:51:22
SBD
Rating:
8.40 / 11 ratings
Transferrer:
Charlie Miller
SHNID:
gd1971-02-21.sbd.miller.116618.flac16
Source:
SBD -> Master Reel -> CD
Lineage:
CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC
Taper Notes:
View NotesNotes: -- All disc changes are seamless -- Thanks to Joe B. Jones for his help with the pitch correction
Source 2 of 7
2:49:16
SBD
Rating:
10.00 / 1 rating
SHNID:
gd1971-02-21.sbd.orf.98034.flac16
Source:
SBD -> Dobly A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R;
Taper Notes:
View Notes03/19/09 : This is a re-seed. I have re-encoded the files using FLAC, and added tags (May also include an undocumented EAC generation or other changes.)
Taper: Original WBOTB DATs procured & circulated in 1996 by Jace Crouch and Tim Deibert. Thanks to trailmix for providing the lineaged master DAT for transfer.
2:46:17
SBD
Rating:
8.89 / 9 ratings
Taper:
Original WBOTB DATs procured & circulated in 1996 by Jace Crouch and Tim Deibert. Thanks to trailmix for providing the lineaged master DAT for transfer.
Transferrer:
Transfer and mastering by C.Ladner.
SHNID:
gd1971-02-21.sbd.cantor-crouch-diebert-gmb.87134.sbeok.flac16
Source:
7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1).
Lineage:
Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply.
Taper Notes:
View NotesThere are two anomalous frequency peaks throughout both sets and on previous sources. The first is centered between 7 and 8K with a second between 15.5 and 16.3K. The exact frequencies varied between each song during the first set while there were only differences between reel flips in the second set. This required mastering each section with a separate Waves Q10 paragraphic eq setting with supernotch set for the involved frequencies. Also there is some degradation in tape quality around the margins of the tape flip during Wharf Rat. The flip in Wharf Rat was crossfaded. All editing and mastering was done on 24/96 file sets prior to cd-audio rendering with MBIT+.
Transferrer: Leigh Orf
2:49:16
SBD
Rating:
8.53 / 15 ratings
Transferrer:
Leigh Orf
SHNID:
gd71-02-21.sbd.lunz.1980.sbeok.shnf
Source:
Soundboard
Lineage:
SBD > Dolby A Reel > Dolby A decode > DAT > Sound Forge NR > CD-R
Taper Notes:
View NotesSBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R; apparently sourced from <a href="http://db.etree.org/shninfo_detail.php?shnid=112" rel="ugc nofollow">previously-circulating</a> Leigh Orf seed, with possible additions by Jason Lunz; note d2,3 have same md5s as previous copy, but d1 md5s are different. The Sound Forge noise reduction was used to attenuate a very narrow frequency band (in the vicinity of 8000 Hz) which was present as interference on the original reels. See http://members.home.net/orf/notch.html for details.
Taper: John Pape
1:48:27
Taper:
John Pape
Transferrer:
Doug Rice, AndrewF
SHNID:
gd1971-02-21.177600.aud.pape.rice.andrewF.flac2448
Source:
AUD > Mono MAR(?) > ? > 7-inch Reel, via the John Pape Collection, dubbed in the mid-70's.
Lineage:
cotch 202 Dynarange > Technics 1506 > Komplete-6 interface > Audacity 2448 capture > Izotope-RX (De-hum) > Wavelab (gain & speed adjustments, edits) > CD-Wave (24bit) > TLH > FLAC 2448 tagged. Andrew F, May 2026.
Taper Notes:
View NotesNotes: - This recording does not match the one found on ID-123830/123885. - Antique tape, runs the gamut of issues: speed variations, drop-outs, garbled passages; most adjusted, some not repairable. - Missing about 90-seconds in the China Cat > IKYR transition jam; also, tape stopped briefly at start of SSDD - All tracks start & end abruptly as the taper operated the recorder, with a few seconds missing in most cases. - THANKS to Doug Rice for the expert transfer to WAV from old shedding, mildewed reels!
Taper: Jim Cooper
2:26:45
Taper:
Jim Cooper
Transferrer:
Rob Berger
SHNID:
gd1971-02-21.123885.aud.cooper.berger.flac16
Taper Notes:
View NotesTHIS IS AN IMPROVED TRANSFER so you can delete my recent upload of shn ID 123830 notes: only aud in circulation for this one, many thanks to taper Jim Cooper, tape develops problems starting with King Bee and continues as the batteries run down.
Transferrer: Rob Berger
2:27:00
Transferrer:
Rob Berger
SHNID:
gd1971-02-21.123830.cooper-berger.flac16
Taper Notes:
View Notesnotes: only aud in circulation for this one, many thanks to taper Jim Cooper, tape develops problems towards the end...