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Today In History
June 9th
9 shows
89 tapes
Years
1995
30.1k
PlaybackListensHours
48h59179
7d7k942
30d30.1k4.2k
49 shows
341 tapes
1994
8.6k
PlaybackListensHours
48h1.5k189
7d1.7k245
30d8.6k1.2k
85 shows
460 tapes
1993
38.4k
PlaybackListensHours
48h2.9k357
7d8.6k1.2k
30d38.4k5.1k
83 shows
656 tapes
1992
36.1k
PlaybackListensHours
48h2.2k290
7d4.5k577
30d36.1k4.8k
57 shows
539 tapes
1991
42k
PlaybackListensHours
48h3.2k463
7d11.8k1.6k
30d42k5.7k
78 shows
973 tapes
1990
35.2k
PlaybackListensHours
48h8.4k1k
7d6.7k884
30d35.2k4.6k
78 shows
1,139 tapes
1989
47.8k
PlaybackListensHours
48h2.3k285
7d8.9k1.1k
30d47.8k6k
78 shows
1,017 tapes
1988
21.8k
PlaybackListensHours
48h1.1k125
7d3.3k377
30d21.8k2.5k
82 shows
882 tapes
1987
35.1k
PlaybackListensHours
48h1.6k185
7d6.6k713
30d35.1k3.8k
88 shows
1,025 tapes
1986
14.3k
PlaybackListensHours
48h64872
7d2.3k259
30d14.3k1.6k
47 shows
683 tapes
1985
21.9k
PlaybackListensHours
48h1.3k149
7d4.8k565
30d21.9k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h2.1k255
7d3.4k440
30d15.8k2k
67 shows
1,075 tapes
1983
33.7k
PlaybackListensHours
48h1.2k156
7d3.9k502
30d33.7k4.5k
71 shows
1,069 tapes
1982
42.1k
PlaybackListensHours
48h1.2k152
7d4.6k569
30d42.1k5.2k
63 shows
753 tapes
1981
52.1k
PlaybackListensHours
48h1.4k176
7d5.7k734
30d52.1k6.5k
92 shows
868 tapes
1980
72.7k
PlaybackListensHours
48h5.7k629
7d13.1k1.5k
30d72.7k8.4k
91 shows
794 tapes
1979
25.8k
PlaybackListensHours
48h1.4k201
7d3.4k480
30d25.8k3.6k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h1.7k226
7d12.2k1.6k
30d56.3k7.7k
87 shows
592 tapes
1977
299.2k
PlaybackListensHours
48h19.2k2.7k
7d40.6k5.5k
30d299.2k41.2k
64 shows
419 tapes
1976
50.3k
PlaybackListensHours
48h4.8k682
7d27.7k3.9k
30d50.3k6.8k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h58057
7d1.9k184
30d6.3k650
25 shows
63 tapes
1974
99.8k
PlaybackListensHours
48h7.3k962
7d11.5k1.5k
30d99.8k12.6k
42 shows
324 tapes
1973
80.6k
PlaybackListensHours
48h5k638
7d11.1k1.5k
30d80.6k10.3k
75 shows
445 tapes
1972
74.3k
PlaybackListensHours
48h2.2k276
7d8.3k1k
30d74.3k9k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.5k168
7d5.8k647
30d34.3k3.9k
82 shows
357 tapes
1970
45.2k
PlaybackListensHours
48h2.2k238
7d17.7k1.8k
30d45.2k4.8k
101 shows
376 tapes
1969
26.6k
PlaybackListensHours
48h1.9k306
7d6.2k1k
30d26.6k3.9k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h840113
7d1.3k156
30d6.8k854
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h13517
7d32346
30d1.5k208
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h24612
7d1k70
30d8k536
32 shows
78 tapes
1965
592
PlaybackListensHours
48h332
7d1156
30d59235
2 shows
2 tapes
1970
2/11/70
The Other One
5:16
Cryptical Envelopment
4:28
Dire Wolf
4:37
Casey Jones.
5:19
Intro by Keeva Krystal Not Fade Away
13:04
Cumberland Blues
4:56
Cold Rain & Snow
5:53
High Time
7:42
Me & My Uncle
3:19
Dark Star
12:26
Spanish Jam
9:53
Turn On Your Love Light
33:40
Uncle John's Band
6:20
FIN
View on archive.org
Sources
Taper: Matt Smith
48:04
SBD
Rating:
9.33 / 3 ratings
Taper:
Matt Smith
Transferrer:
Matt Smith
SHNID:
gd1970-02-11.part.s2.127482.sbd.menke.lee.smith.flac24
Source:
SBD MR Technics RS 1506 @7.5 ips > Revox A77(Bob Menke)@7.5 ips > Revox A77(Pat Lee)@7.5 ips
Lineage:
Akai GX636 direct tape head output > Bottlehead tube tape pre w/a pair of Tesla tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC
Taper Notes:
View Notesnotes: For those who wanted a 24 bit version of the earlier transfer, this is the portion not patched by 16 bit, retransferred by Matt.
Taper: Pat Lee and Don Wolfe
2:00:37
SBD
Rating:
9.33 / 3 ratings
Taper:
Pat Lee and Don Wolfe
Transferrer:
Matt Smith
SHNID:
gd1970-02-11.126251.sbd.wolfe-lee-smith.flac16
Source:
SBD MR > DAT (disc 1 and first part of Star, last part lovelight via a DAT transfer so is not from circ. source); MAR > ? > R @ 3 @ ips. (aud patch source used in Dark Star and Lovelight); SBD MR > A77 > A77@ 71/2 ips (primary source for disc 2); Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC
Taper Notes:
View NotesThis is a complete remaster by Matt using his new set-up - "This was done using a different transfer chain. This method was per the advise of Dan Healy I received from him a while back in trying to attain a perfectly clean signal going to digital. I had one of my reel machines modded for a direct tape head output going into a custom Bottlehead tape tube pre specifically built for reel transfers (w 2. diff. EQ setting for tape speed) so basically you have a perfectly clean tape signal going into the tube pre going into 24/96 digital."
Transferrer: Matt Smith
2:00:10
SBD
Rating:
9.00 / 10 ratings
Transferrer:
Matt Smith
SHNID:
gd1970-02-11.sbd.smith.patched.99154.sbeok.flac16
Source:
SBD > Reel
Lineage:
(see notes)
Taper Notes:
View NotesTransfer info.: AKAI GX 625 > Apogee Mini Me(24/96) >Apogee MiniDac(monitoring/mastering) > Wavelab 5.0(dithered to 16/44 via Apogee) > CD > EAC > WAV (TLH confirms no sbes) > FLAC (TLH) --- SBD MR > DAT (source for disc 1 through the first part of Dark Star) --- MAR > ? > R @ 3 @ ips. (aud patch source used in Dark Star and Lovelight) --- SBD MR > A77 > A77@ 71/2 ips. (primary source for disc 2) notes: Huge thanks go to Matt Smith for these wonderful sources and his masterful transfer and patch work!!! The aud reel is courtesy of Don Wolfe and the second board reel is from Pat Lee. Huge thanks guys!!! * as Matt puts it, "the first part of Dark Star is MR>D>CD, then it goes into the AUD which is MAR>?>R@3 @ ips., and then into the MR>A77>A77@ 71/2 ips>CD. The term A77 in the lineage denotes a Revox A77 reel to reel deck. There is also a patch in Lovelight at the end with the AUD. This is a perfect example how a reel transfer despite its lineage can blow away a MR>D>CD source. The reel version is so much richer than the circulating version."
Taper: John Chester and Alan Mande
48:27
SBD
Rating:
10.00 / 5 ratings
Taper:
John Chester and Alan Mande
SHNID:
gd1970-02-11.late-partial.sbd.chester-mande.33335.sbefail.shnf
Source:
SBD>RR>RR>DAT
Lineage:
DAT>HD-P2>Sound Forge 6.0>CD Wave>mkwAct>.shn
Taper Notes:
View Notes(tapers John Chester and Alan Mande recorded this show in the basement of the Fillmore using a Revox reel-to-reel tape deck with 15" reels.) * with Duane Allman, Gregg Allman, Mick Fleetwood, Butch Trucks, Danny Kirwin, Peter Green # with above guests and Berry Oakley
Transferrer: Patched & remastered by Dave Greenberg, DAE and FLAC encoding by Marc Evans
1:06:35
SBD
Rating:
10.00 / 6 ratings
Transferrer:
Patched & remastered by Dave Greenberg, DAE and FLAC encoding by Marc Evans
SHNID:
gd1970-02-11.partial.sbd.greenberg-evans.28402.sbeok.flac16
Source:
Soundboard (except patches as noted)
Lineage:
MSR> DAT> CDR> EAC> FLAC
Transferrer: EAC and FLAC encoding by Jack Warner
2:01:06
SBD
Rating:
9.38 / 13 ratings
Transferrer:
EAC and FLAC encoding by Jack Warner
SHNID:
gd1970-02-11.sbd.warner.patched.28292.sbeok.flac16
Source:
Master soundboard reels > DAT > CD > Plextor PX-708A extraction (EAC v0.95 prebeta 5) > tracking (CD Wave) > sector boundary verification (shntool v2.0.3) > .flac encoding (flac v1.1.0)
Transferrer: Darrin Sacks
1:56:53
SBD
Rating:
9.61 / 76 ratings
Transferrer:
Darrin Sacks
SHNID:
gd70-02-11.early-late.sbd.sacks.90.sbefail.shnf
Source:
Soundboard
Lineage:
MSR > DAT > CDR > EAC > SHN
Taper Notes:
View NotesNoted Flaws: Dark Star has abrupt splice/cut at approx. 6:57. Lovelight has a splice at 30:16
Transferrer: Matt Smith
1:35:05
Rating:
8.67 / 9 ratings
Transferrer:
Matt Smith
SHNID:
gd1970-02-11.late-set2.aud.smith.99152.sbeok.flac16
Lineage:
MAR > ? > R @ 3 @ ips. > AKAI GX 625 > Apogee Mini Me(24/96) >Apogee MiniDac(monitoring/mastering) > Wavelab 5.0(dithered to 16/44 via Apogee) > CD > EAC > WAV (TLH confirms no sbes) > FLAC (TLH)
Taper: Chuck Reynolds
1:19:46
Rating:
8.67 / 3 ratings
Taper:
Chuck Reynolds
Transferrer:
Bill Gadsden
SHNID:
gd1970-02-11.partial-late.aud.reynolds.gadsden.99052.flac16
Source:
Audience master > ?? > Reel(Mono, Scotch 7" reel @ 3