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Today In History
June 9th
9 shows
89 tapes
Years
1995
30.1k
PlaybackListensHours
48h60178
7d7k942
30d30.1k4.2k
49 shows
341 tapes
1994
8.6k
PlaybackListensHours
48h1.2k153
7d1.7k245
30d8.6k1.2k
85 shows
460 tapes
1993
38.4k
PlaybackListensHours
48h2.3k283
7d8.6k1.2k
30d38.4k5.1k
83 shows
656 tapes
1992
36.1k
PlaybackListensHours
48h2.1k277
7d4.5k577
30d36.1k4.8k
57 shows
539 tapes
1991
42k
PlaybackListensHours
48h5.4k764
7d11.8k1.6k
30d42k5.7k
78 shows
973 tapes
1990
35.2k
PlaybackListensHours
48h6.6k829
7d6.7k884
30d35.2k4.6k
78 shows
1,139 tapes
1989
47.8k
PlaybackListensHours
48h2.8k343
7d8.9k1.1k
30d47.8k6k
78 shows
1,017 tapes
1988
21.8k
PlaybackListensHours
48h1.2k141
7d3.3k377
30d21.8k2.5k
82 shows
882 tapes
1987
35.1k
PlaybackListensHours
48h1.8k199
7d6.6k713
30d35.1k3.8k
88 shows
1,025 tapes
1986
14.3k
PlaybackListensHours
48h79087
7d2.3k259
30d14.3k1.6k
47 shows
683 tapes
1985
21.9k
PlaybackListensHours
48h1.5k172
7d4.8k565
30d21.9k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h1k132
7d3.4k440
30d15.8k2k
67 shows
1,075 tapes
1983
33.7k
PlaybackListensHours
48h1.5k205
7d3.9k502
30d33.7k4.5k
71 shows
1,069 tapes
1982
42.1k
PlaybackListensHours
48h1.6k191
7d4.6k569
30d42.1k5.2k
63 shows
753 tapes
1981
52.1k
PlaybackListensHours
48h1.9k237
7d5.7k734
30d52.1k6.5k
92 shows
868 tapes
1980
72.7k
PlaybackListensHours
48h8.6k927
7d13.1k1.5k
30d72.7k8.4k
91 shows
794 tapes
1979
25.8k
PlaybackListensHours
48h1.5k210
7d3.4k480
30d25.8k3.6k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h1.8k242
7d12.2k1.6k
30d56.3k7.7k
87 shows
592 tapes
1977
299.2k
PlaybackListensHours
48h23.3k3.3k
7d40.6k5.5k
30d299.2k41.2k
64 shows
419 tapes
1976
50.3k
PlaybackListensHours
48h2.9k405
7d27.7k3.9k
30d50.3k6.8k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h84481
7d1.9k184
30d6.3k650
25 shows
63 tapes
1974
99.8k
PlaybackListensHours
48h7.4k970
7d11.5k1.5k
30d99.8k12.6k
42 shows
324 tapes
1973
80.6k
PlaybackListensHours
48h3.7k483
7d11.1k1.5k
30d80.6k10.3k
75 shows
445 tapes
1972
74.3k
PlaybackListensHours
48h2.6k316
7d8.3k1k
30d74.3k9k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.5k166
7d5.8k647
30d34.3k3.9k
82 shows
357 tapes
1970
45.2k
PlaybackListensHours
48h4.2k412
7d17.7k1.8k
30d45.2k4.8k
101 shows
376 tapes
1969
26.6k
PlaybackListensHours
48h2.5k398
7d6.2k1k
30d26.6k3.9k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h770105
7d1.3k156
30d6.8k854
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h14819
7d32346
30d1.5k208
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h23814
7d1k70
30d8k536
32 shows
78 tapes
1965
592
PlaybackListensHours
48h372
7d1156
30d59235
2 shows
2 tapes
1968
2/14/68
Dark Star >
5:55
China Cat Sunflower >
4:08
The Eleven >
5:11
Turn On Your Lovelight
9:09
banter
0:40
Cryptical Envelopment >
1:43
The Other One >
3:07
Cryptical Envelopment >
3:52
New Potato Caboose >
8:43
Born Cross-Eyed >
2:24
Spanish Jam
12:35
banter
3:00
Alligator > Drums > Jam >
14:05
Caution (Do Not Step On The Tracks) >
9:58
Feedback
6:14
tuning
5:21
Midnight Hour
10:08
announcements
1:49
FIN
View on archive.org
Sources
Transferrer: Remastered By Charlie Miller [email protected] March 16, 2024
2:05:12
SBD
Transferrer:
Remastered By Charlie Miller [email protected] March 16, 2024
SHNID:
gd1968-02-14.167173.sbd.patched.miller.flac1644
Source:
SBD > (8 Track) Master Reel > DAT > CD > FLAC
Lineage:
FLAC > Adobe Audition > Samplitude Pro X6 Suite > FLAC
Taper Notes:
View NotesNotes: -- This is a remastering of shnid=89676 (added/fixed the patches) -- Patch source pitch corrected with Adobe Audition 2023 -- Thanks to Matt Smith for the patch source -- Thanks to Scott Clugston for his help with this project -- Thanks to Joe B. Jones for the pitch correction settings
Transferrer: Charlie Miller
2:04:12
SBD
Rating:
9.65 / 22 ratings
Transferrer:
Charlie Miller
SHNID:
gd1968-02-14.sbd.miller.89676.sbeok.flac16
Source:
SBD -> (8 Track) Master Reel -> Dat -> CD -> FLAC
Lineage:
FLAC -> Samplitude Professional v10.02 -> FLAC
Taper Notes:
View NotesNotes: -- Disc change is seamless -- This is a remastering of shnid=89437 (Thanks to all involved) -- Fixed the patch in Alligator Jam, fixed levels and corrected DC Offset -- Patch source pitch corrected in Cool Edit Pro v2.0 -- Thanks to Joe B. Jones, Pat Lee and Matt Smith for their help -- Thanks to the kind folks at DNC for their input on this project
Transferrer: Dave Winters
2:04:32
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Dave Winters
SHNID:
gd1968-02-14.sbd.winters.89437.sbeok.flac16
Source:
SBD>MR>DAT>CD>EAC>SHN>WAV>Cool Edit Pro v2.0>FLAC
Taper Notes:
View NotesPatch Source: Anthem Of The Sun (Rhino Reissue R2 74393) Commercial CD>EAC(secure mode, offset corrected)>WAV Comments: The goal was to patch the Gator Jam splice from the Anthem CD and try and fix the numerous pitch issues, including varying pitch within songs. In general, Jerry and Bobby were in and out of tune throughout the show. Cool Edit Pro v2.0 was used for all edits. All files encoded WAV>FLAC via Flac Frontend v1.7.1 (level 8, align sector boundaries). All discs retracked with CD Wav v1.93 beta. Thanks to Seth for the original shn set. Thanks to SP for pitch help and general instigational services. Thanks to Joe "Pitch Bitch" Jones. D.Winters - 12/19/07. Notes: Discs 1 & 2 - all tracks +0.5% pitch increase plus the first 11 seconds of Born Cross-Eyed +3.0% pitch increase. - Left & right channels were swapped on all tracks to put Jerry on the left. This matches the mix on the Anthem patch. - The very beginning of Morning Dew, Schoolgirl, and Dark Star are missing. Disc 3 - Tuning up to the Gator Jam patch an average of +1.5% pitch increase, as pitch varied significantly. - Gator Jam patched with 100ms crossfade from 5:43 to 6:53. - Post patch Gator Jam through Feedback +4.0% pitch increase. - Midnight Hour 0 to 5:32 +3.0% pitch increase. - Midnight Hour 5:32 to end (FM patch) -1.0% pitch decrease. - Levels were adjusted in a number of places.
Transferrer: AJL, Tony C., and Seth Kaplan
2:05:46
SBD
Rating:
9.74 / 72 ratings
Transferrer:
AJL, Tony C., and Seth Kaplan
SHNID:
gd68-02-14.sbd.kaplan.15640.sbeok.shnf
Source:
Soundboard
Lineage:
SBD > MR > DAT > CD > EAC > SHN
Taper Notes:
View NotesMidnight Hour patched with: FM>Reel>Reel>DAT>CDR There is a cut in the Jam on all circulating copies. Thanks to AJL & Tony C ([email protected]) for the Seed Disks Eac/Shn by Seth Kaplan from Tony C's audio.
Source 5 of 8
1:48:02
SBD
Rating:
10.00 / 4 ratings
SHNID:
gd1968-02-14.sbd.bunjes.12939.shnf
Source:
SBD > D > CD
Lineage:
?
Taper Notes:
View Notescut in Alligator at 11:42 patched from FM/4 tape that runs 30 seconds longer before cutting too first 2:36 of tuning patched in from SBD/? Midnight Hour 0:00 to 6:35 from FM MR>2R>D>CD Midnight Hour 6:35 to 9:48 from SBD/? tape Midnight Hour 9:48 to end + announcement from FM/4 tape Jam has a cut at 14:42 that is on all copies patches by H.B. 12/01 from tapes supplied by Konstantin and Uli
Transferrer: Garrett Van Cleef
2:49:36
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Garrett Van Cleef
SHNID:
gd1968-02-14.sbd.douglas-cleef.2267.shnf
Source:
MR>DAT>DAT>CD>EAC>SHN
Taper Notes:
View NotesSome portions (Tuning Break->Midnight Hour) may be from another source, probably the FM broadcast of the show -G (*) The Encore has been placed on Disc 1 in order to retain the continuity of the First and Second Sets. However, if you have the capability of burning 80 min CDs, you can place the Encore as track 11 on the Disc 2 (with about 20 seconds to spare). Thanks to Jim Douglas for the excellent copy of this show! Arrangement of tracks into this format via Garrett Van Cleef 9/27/2000 -- (version C2) The tracks from "Tuning Break" thru "Midnight Hour" appear to be from a different source than the rest of the show (which is pretty clean). These tracks have a significant increase in the amount of tape hiss present. I found it to interfere with my enjoyment of the music. I created Hiss Reduced versions of these tracks for this supplement. I also crossfaded the real change (?) at ~11:40 in Alligator so that it doesn't blow your tweeters out! If you wish to create a CD using these HR tracks, simply use them instead of the ones in the main distribution. The main distribution files were the source for these supplment tracks. I used Sound Forge Noise Reduction to do the hiss reduction and other "voodoo". The tracks which were modified are included in the directory with this file. Here are the tracks that this supplement replaces: Disc 1 7. Midnight Hour Disc 2 7. Tuning Break 8. Alligator > Drums > Alligator (reprise) > 9. Caution (Do Not Stop On Tracks) 10. Alligator Underwater Feedback Enjoy! Garrett Van Cleef [email protected] [email protected] 9/29/2000
Taper: Matt Smith for the 1st generation reel source
1:22:07
Rating:
10.00 / 3 ratings
Taper:
Matt Smith for the 1st generation reel source
Transferrer:
Matt Smith, Charlie Miller, Scott Clugston
SHNID:
gd1968-02-14.167923.2nd.set.fm.smith.miller.clugston.flac2496
Source:
FM Broadcast > Master Reels > Matt Smith's 1st generation reels
Lineage:
1st generation reels (Technics RS-1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp .wav 24/96 > Adobe Audition CC 2024 > flac2496
Taper Notes:
View NotesNotes: - Thanks to Matt Smith for the 1st generation reel source and transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Charlie Miller for the soundboard source which supplies the "Stage Announcements" and first 0:30 of "That's It For The Other One", a 0:47 patch in "Alligator", as well as the final "Stage Announcements" - Only the 2nd set was broadcast - Pitch Corrected
Taper: Matt Smith for the 1st generation reel source
1:22:07
Rating:
10.00 / 3 ratings
Taper:
Matt Smith for the 1st generation reel source
Transferrer:
Matt Smith, Charlie Miller, Scott Clugston
SHNID:
gd1968-02-14.167922.2nd.set.fm.smith.miller.clugston.flac1648
Source:
FM Broadcast > Master Reels > Matt Smith's 1st generation reels
Lineage:
1st generation reels (Technics RS-1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp .wav 24/96 > Adobe Audition CC 2024 > flac2496
Taper Notes:
View NotesNotes: - Thanks to Matt Smith for the 1st generation reel source and transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Charlie Miller for the soundboard source which supplies the "Stage Announcements" and first 0:30 of "That's It For The Other One", a 0:47 patch in "Alligator", as well as the final "Stage Announcements" - Only the 2nd set was broadcast - Pitch Corrected